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Contents

1. Introduction *

1.1 Notes on Urdu Grammar *

1.2 Pronunciation and Transliteration *

1.2.1 Vowels - Notes on the Use of "AA" *

1.2.2 Words Ending in "Noon Ghunna" *

1.2.3 Words Requiring Accent *

1.2.4 The Usage of English Words Intermingled with Roman Urdu Words *

2. HAMD 1 — ALLAH HU, ALLAH HU *

3. HAMD 2 — MAAYOOS NA HO, MAAYOOS NA HO *

4. HAMD 3 — TERI SHAAN JALLA JALAALUHU — VERSION 2 *

5. HAMD 4—KUSHAADAH DASTE KARAM, JAB WOH BENIYAAZ KARE *

6. HAMD 5 — WOHI KHUDA HAI *

7. NA’AT — INTRODUCTORY RECITATION *

7.1 UJAALA JIS KA HAI DO JAHAA(N) MEI(N) *

7.2 SALLE ALA NABIYENA, SALLE ALA MUHAMMADIN *

8. NA’AT BY H. IMAM ZAINUL ABEDEEN (RA) *

9. AEY SABZ GUMBAD WAALE *

10. SUBHO TAI’BAH MEI(N) HUI *

11. JITNA DIYA SARKAAR NE MUJH KO *

12. QURBAAN MAY(N) UNKI BAKHSHISH KE *

13. KOI SALIQA HAI AARZOO KA *

14. DEKHTE REH GAYE *

15. QASIDAH BURDAH SHARIF *

16. AEY ISHQE NABI MERE DIL MEI(N) BHI SAMA JAANA *

17. CHALO DIYAARE NABI KI JAANIB *

18. LAM YA’ATI *

19. REHMAT KA HAI DARVAAZAAH KHULA *

20. TERA KHAAWA(N) TE TERE GEET GAAWA(N) *

21. MUJH MAY(N) UNKI SANA KA SALIQA KAHAA(N) *

22. HUEY JO HAAZIR, DARE NABI PAR *

23. WAHDATE ZAAT KI TABLIGH *

24. MANGTE HAI KARAM UN KA SADA *

25. BADI KARIM TERI ZAAT, YA RASOOLALLAH *

26. YU(N) TO SAARE NABI MOHTARAM HAI MAGAR *

27. SAAYEI(N) MEI(N) TUMHAARE HAI(N) *

28. JASHNE AAMADE RASOOL (SAW) *

29. SAB RASOOLE KHUDA BAN KE AAEY *

30. MAY(N) KAISE NA’AT PARHU(N) *

31. TERI GALI MEI(N) *

32. BADI UMMID HAI *

33. TERE AASTAA(N) PE AAEY *

34. ISHQE AHMAD CHAAHIYE *

35. REHMAT BARAS RAHI HAI, MUHAMMAD KE SHEHR MEI(N) *

36. MERI AARZOO, MERI ZINDAGI *

37. KABHI AEY HAQIQATEY MUNTAZAR *

38. KUCH AISA MEHSOOS HO RAHA HAI *

39. NABI KA JHANDA RAHEGA UNCHA *

40. MADINEY KE WAALI, SHAHENSHAAHE AALI *

41. WOH KAMAALE HUSNE HUZOOR HAI KE *

42. HAAJIYO, AAO SHAHENSHAAH KA ROZA DEKHO *

43. MAAHE RAMAZAAN KI FURQAT *

44. SAFAR TAI’BAH PAR RAWAANA HO NE SE PEHLE *

45. NABI KE ISHQ NE, JIS KO HASIN BANAAYA HAI *

46. RUKH PE REHMAT KA *

47. WOH RASOOL, MERA RASOOL HAI *

48. RAKHSHANDA TERE HUSN SE *

49. MAN MOHANE NABI MAKKI, MADANI *

50. TERE QADMO(N) MEI(N) AANA, MERA KAAM HAI *

51. SHEHRE KONEIN JALAALAT TERI *

52. MADINEY KO JAAEY, YEH JEE CHAAHTA HAI *

53. JO ARSH PAR JALWAAGAR HUEY *

54. JIS TARAF CHASH’ME MUHAMMAD KE ISHAARE *

55. WOH LA MAKAA(N) KE MAKI(N) HUEY *

56. NAZARO(N) MEI(N) DO JAHAA(N) HAI(N), REHMAT HO DO JAHAA(N) KI *

57. REHMAT BARAS RAHI HAI *

58. TERE MEHBOOB KA, JALWA NAZAR AAEY *

59. EID MANA NE DO *

60. AAQA BEMISAAL AA GAYA, AMINAH KA LAAL AA GAYA *

61. MUBAARAK TUJHE YEH BARAAI HALIMA *

62. SOTE JHULE MEI(N) BADRUD DUJA THE *

63. YEH HALIMA KEH RAHI THI *

64. AAJ MUHAMMAD AAEY MORE GHAR *

65. SALAAM – AEY BEKASO(N) KE WAALI *

66. SALAAM — MUSTAFA JAANE REHMAT —VERSION 4 *

67. SALAAM —YA NABI SALAAM ALAI KA—VERSION 4 *

68. SALAAM —YA NABI SALAAM ALAI KA—VERSION 5 *

69. MANQABAT DEDICATED TO HAZRAT ABU BAKR SIDDIQ (RA) *

70. MANQABAT DEDICATED TO HAZRAT UMAR IBN AL KHATTAB, FAROOQE A’ZAM (RA) *

71. MANQABAT DEDICATED TO HAZRAT USMANE GHANI (RA) *

72. MANQABAT DEDICATED TO HAZRAT MAULA ALI (KARAMALLAAHU WAJHU) MUSHKIL KUSHA (RA) *

73. MANQABATS DEDICATED TO HAZRAT GHAUS-UL A’ZAM (RA) *

73.1 IMDAAD KUN, IMDAAD KUN *

73.2 WAAH KYA MARTABA AEY GHAUS HAI BAALA TERA *

73.3 TAJALLI-AEY NOORE FIDAM GHAUSE A’ZAM *

73.4 SARKAARE GHAUSE A’ZAM, NAZARE KARAM KHUDAARA *

73.5 PIRAANE PIR KA *

73.6 ASIRO(N) KE MUSHKIL KUSHA, GHAUSE A’ZAM *

73.7 KOSHISH NA KARNA *

73.8 TU HAI WOH GHAUS KE, HAR GHAUS HAI SHAIDA TERA *

73.9 RASOOLALLAH KA JALWA HAI, JALWA GHAUS-UL A’ZAM KA *

73.10 PIR MERE BAGHDAADI GHAUSUL ANAAM *

73.11 PIRAANE PIR, MERI BIGRI BANAAO *

73.11.1 ASSALAAM AEY GHAUSE A’ZAM *

74. MANQABAT DEDICATED TO KHAWAJA GHARIB NAWAAZ, HAZRAT MOINUDDIN CHISHTI — AJMERI (RA) *

74.1 TERI CHOKHAT PE JABI(N) JIS NE JHUKAAI KHAWAJA *

74.2 KHAWAJA TERE ROZE MEI(N), KAA’BAH NAZAR AATA HAI *

74.3 TASVIRE MUHAMMAD HAI, CHEHRA MERE KHAWAJA KA *

74.4 SUNA NE APNI BARBAADI KE AFSAANE KAHAA(N) JAATE *

74.5 SANAAEY MUSTAFA KE GEET GAAEY, ROZE KHAWAJA PAR *

  1. Introduction
  2. In addition to Volume 1, the purpose of this second booklet is to give the "Na’at Lovers" and budding Na’at Khwaans a chance to read up and in fact practice even more popular Na’ats in Roman Urdu. For example, the present generation of youth may be fully conversant in Urdu, but might lack the fluency when it comes to reading and writing. Innumerable requests were made by this young generation, who are also keen to express their love for the Prophet, who was, is, and will be Rehmatul Lil Aalameen, Hazrat Muhammad Mustafa (SAW). It is intended therefore that this humble book will suffice their needs. At their behest Volume 2 has been rushed to the publishers whilst work on Volume 3 has already begun. Incidentally, one of the correct dictionary definition of a Na’at is an "Eulogy", "Panegyric", "Encomium"; which is a high praise given in a speech or a written format.

    As a rule, the name of the author will appear on the penultimate line (one before the last line). Na’ats have been written here, exactly as how you would pronounce them, e.g., it will instruct you to repeat the chorus lines wherever appropriate.

    As with the first Volume, along with the Na’ats of Aala Hazrat, Imam of Aih’l-e Sunnat, Mujaddidey Millat, Maulana, Shah Ahmed Raza Khan Barelvi, we have also included other distinguished Na’at writers such as Janaab Bekal, Anjum and Niyazi to mention but a few. Furthermore, many long Na’ats such as "MUSTAFA JAANE REHMAT", contains difficult words in Farsi. So wherever possible we have included a very brief "Meanings" column at the end of the Na’at.


    The sequence observed in this book is as follows:

    1. Hamd praising "ALLAH SUBHAANUHU WA TA’ALA"
    2. Na’ats
    3. Salaams dedicated to the Holy Prophet Muhammad (SAW)

    4. Manqabats (arranged in historic order) dedicated to Hazrat Abu Bakr "Siddiqe Akbar" (RA), Hazrat Umar Ibn Al Khattab (RA), entitled by the people as the "Farooqe A’zam" (RA), Hazrat Usman Ibn Affaan (RA), affectionately known as "H. Usmane Ghani" (RA), Hazrat Maula Ali (Karamallaahu Wajhu) lovingly known as "Mushkil Kusha" (RA), Hazrat Ghaus-Ul A’zam Dastagir, Ghaus As Saqalain, H. Ghaus Paak, Shaikh Muhyiddin Abdul Qadir Jilani (RA); and finally, Khawaja Gharib Nawaaz, Hazrat Moinuddin Hasan, Sanjari, Ajmeri, Chishti (RA).

    1. Notes on Urdu Grammar
    2. i). All the important grammatical rules have been observed and the letters of the Urdu alphabet are represented by the appropriate Roman English letters. It is a pre-requisite and a mandatory requirement that the reader "MUST" be able to converse fluently in Urdu.


      ii) The word "HU(N)" is a Present Definite Singular Tense, the plural of which is "HAI(N)", e.g.,


      MAY(N) MADINAH JA RAHA HU(N) becomes HAM MADINAH JA RAHEY HAI(N)

      iii) The "Aorist" tense is usually employed by most Na’at Authors, when the Present Indefinite Tense occurs in English after "If", "When" and "Until" and the Verb of the second clause is in the Imperative; as will be seen from the following example:


      Singular: MAY(N) MADINEY KO JAAU(N) Plural: HAM MADINEY KO JAAEI(N)

    3. Pronunciation and Transliteration
    4. The compiler has done his best to indicate the current pronunciation of the Urdu words with the help of an EXTREMELY SIMPLE system of transliteration, i.e., the pronunciation of Urdu words in this book is based on principles which are by and large accepted by modern Orientalists. It has the added advantage of being akin to the Roman Urdu script used for army education in this sub-continent over the past few generations.

      1. Vowels - Notes on the Use of "AA"
      2. In the Urdu, language, usually the long "AA" sound is obtained and pronounced by placing a MADD sign on top of Alif, e.g., "JAANIB". In other words, the "AA" sound is pronounced in the same way as the English word "Part", where as the singular letter "A" within a word in a Na’at is pronounced as if it was "A" in the word "Mental" or "Bank".

        However, during the preparation of this book it was discovered that there are thousands of written words in Urdu, which does not have a MADD sign, but from an every day conversational colloquial perspective, are still pronounced with an "AA" sound. Therefore, in this book we have adopted an extensive use of "AA". The net effect is that in a Na’at, this scheme will help us distinguish between the words "TALAB" and "JANAAB".

        Unfortunately, there are exception to this rule, as over the years the spelling of most names have already been embedded in people’s mind; e.g., names such as ALLAH, H. Bibi Aminah (RA), H. Bibi Fatima (RA), Madinah, etc. So all the names have been printed as such. In addition, authors’ names throughout this book such as, Niyazi, Khalid, have also been retained with a single "A". Ideally all these names should be spelled with "AA".

        Another exception to this rule is that if the letter "A" within a word in a Na’at occurs at the end, e.g., KHUDA, or AAP KA, then clearly it is understood that it should be read as "AA" by default.

      3. Words Ending in "Noon Ghunna"
      4. When the Urdu letter "Noon" comes after a long vowel, and when used at the end of a word, it is pronounced with a nasal sound, e.g., NAHI(N). So as this letter is somewhat silent, rather than omit completely from the transliteration text, it has been written in a bracket as follows and thus pronounced as such: KAHAA(N), JAHAA(N), WAHAA(N)

      5. Words Requiring Accent
      6. In the present Volume, the author has taken great pains to indicate the accent and thereby endeavored to guide the reader in exact pronunciation. For instance, we find highly accurate transliteration of some extremely difficult phonetic complexities, rendered intelligible to an ordinary reader – especially the foreign reader, as follows: The single apostrophe, i.e., (‘) has been placed immediately after every stressed syllable to denote accent, thus you have the following words, e.g., Allah Ta’ala, Wa’ahduhu, Na’at, Qur’an, Ka’abah, Ma’arifat and so on so forth.

        Finally, for the ease of readability and moreover to attain the correct accent, some words have been joined, TUNE, instead of TU NE, etc.

      7. The Usage of English Words Intermingled with Roman Urdu Words

    Throughout the book it was felt necessary that copious meanings and explanations be offered in plain English. Thus inorder to distinguish between Roman Urdu and English words, it was felt necessary that all the English language words be written in lower cases, e.g.,

    Meanings: Line 11: FISKH = MANSOOKH (To wipe out).

    These instances would amply indicate the intricacies of the problems facing the author of a Book of NA’AT.

    Please submit your comments, contributions and suggestions, directly to the author at:
    49, Castleton Avenue, Wembley, Middlesex, England, UK, HA9 7QE.

     

     

  3. HAMD 1 — ALLAH HU, ALLAH HU
  4. The main line to be repeated by the Na’at Khwaan is as follows:

    ALLAH HU, ALLAH HU, ALLAH HU, ALLAH HU

    1. PUCHA GUL SE YEH MAYNE KE AEY KHOOBROO
    2. TUJH MEI(N) AAI KAHAA(N) SE NAZAAKAT KI KHOO
    3. YAAD MEI(N) KIS KI HANSTA MAHEKTA HAI TU
    4. HANS KE BOLA AEY TAALIBE RANGO BOO
    ALLAH HU

    5. ARZ KI MAYNE SUMBAL SE AEY MUSHK BOO
    6. SUBH KO KAR KE SHABNAM SE TAAZA WUZU
    7. JHOOM KAR KAUN SA ZIKR KARTA HAI TU
    8. SUN KE KAR NE LAGA DAM BADAM ZIKR HU
    ALLAH HU

    9. MAYNE PUCHA YEH PARWAANE SE DOOBA-DOO
    10. KIS LIYE SHA’MA’ KI LO PE JALTA HAI TU
    11. SHOLAAEY NAAR MEI(N) KIS KI HAI JUSTUJOO
    12. JALTE, JALTE KAHA US NE YA NOOR HU
    ALLAH HU

    13. JAB KAHA BULBUL SE AEY KHUSH GULU
    14. KYO(N) CHAMAN MEI(N) CHAHEKTA HAI TU CHAAR SU
    15. DEKH KAR GUL KISE YAAD KARTA HAI TU
    16. WAJD MEI(N) BOL UTHA WA’AHDUHU WA’AHDUHU
    ALLAH HU


    17. AAZAMI GARCHE BEHAD GUNAHGAAR HAI
    18. MUJRIMO BEAMAL HAI KHATAAKAAR HAI
    19. HAQQ TA’ALA MAGAR AISA GHAFFAAR HAI
    20. USKI REHMAT KA NAARA HAI LA TAQ NATU
    ALLAH HU

    Author: JANAAB MUHAMMAD A’ZAM CHISHTI

    Meanings:

    Line 1: KHOOBROO = KHOOBSOORAT

    Line 4: TAALIBE = TALAB KAR NE WAALA

    Line 4: RANGO BOO = RANG AUR BOO PASAND KAR NE WAALI

    Line 5: SUMBAL = Flower

    Line 6: SHABNAM = Morning due

    Line 9: DOOBA-DOO = AAMNE SAAMNE

    Line 11: NAAR = Fire

    Line 11: JUSTUJOO = Search

    Line 13: KHUSH GULU = ACHCHE GAANE WAALI

    Line 13: GULU = Throat / neck

    Line 20: LA TAQ NATU = Refers to the well known Aayaat 53,
    in the Surah "ZUMAR" of the Holy Qur’an.
    "ALLAH KI REHMAT SE KABHI NA UMMID
    NA HO". Meaning "Despair not of the mercy
    of Allah".

     

  5. HAMD 2 — MAAYOOS NA HO, MAAYOOS NA HO
  6. The main lines to be repeated by the Na’at Khwaan are as follows:

    SUNTA HAI KHUDA HAR DIL KI SADA, MAAYOOS NA HO, MAAYOOS NA HO
    MOHTAAJ NA REH DAAMAN PHAILA, MAAYOOS NA HO, MAAYOOS NA HO

    1. JO NAAR KO BHI GULZAAR KARE, JO NOOH KI KASHTI PAAR KARE
    2. US RABB KE LIYE DUSHVAAR HAI KYA, MAAYOOS NA HO, MAAYOOS NA HO
    SUNTA HAI KHUDA

    3. KHIL JAAEI(N)GE UMMIDO(N) KE KANWAL, CHUT JAAEI(N)GE SAB GHAM KE BAADAL
    4. LAAZIM HAI BHAROSA REHMAT KA, MAAYOOS NA HO, MAAYOOS NA HO
    SUNTA HAI KHUDA

    5. USKA TO KARAM HI SHEVA HAI, WOH MAULA HAI, HAM BANDE HAIN
    6. KEHTA HAI WOHI JAB MAANG DUA, MAAYOOS NA HO, MAAYOOS NA HO
    SUNTA HAI KHUDA

    7. HAM AAJIZ HAI(N), MUKHTAAR HAI WOH, HAA(N) SAB SE BARI SARKAAR HAI WOH
    8. SAR APNA JHUKA AUR MAANG DUA, MAAYOOS NA HO, MAAYOOS NA HO
    SUNTA HAI KHUDA

    9. JO KHATM NAHI(N) HOGA ANJUM, WOH EHDE BAHAAR AA JAAEGA
    10. RAKH APNA WAZIFA SALLE ALA, MAAYOOS NA HO, MAAYOOS NA HO
    SUNTA HAI KHUDA

    Author: JANAAB QAMRUDDIN ANJUM

    Meanings:

    Main Line: SADA = AAWAAZ

    Line 2: DUSHVAAR = MUSHKIL

    Line 5: SHEVA = AADAT

    Line 9: EHD = WAQT

  7. HAMD 3 — TERI SHAAN JALLA JALAALUHU — VERSION 2
  8. 1. MERE RABB KAHAA(N) PE NAHI(N) HAI TU, TERI SHAAN JALLA JALAALUHU
    2. TERE ZARRE, ZARRE MEI(N) HAI NAMUD, TERI SHAAN JALLA JALAALUHU
    3. TERI ZAAT KHAALIQE DO JAHAA(N), CHALE HUKM TERA, YAHAA(N), WAHAA(N)
    4. TERI HAR ZUBAA(N) PE HAI GUFTAGU, TERI SHAAN JALLA JALAALUHU
    5. TERI QUDRATO(N) KA SHUMAAR KYA, TERI WUSATO(N) KA HISAAB KYA
    6. TU MUHITE AA’LAME RANGO BOO, TERI SHAAN JALLA JALAALUHU
    7. JISE CHAAHE TU WOH AZIZ HAI, JISE TU NA CHAAHE ZALIL HAI
    8. TERE HAATH ZILLAT-O-AABRU, TERI SHAAN JALLA JALAALUHU
    9. HAI RIYAZ KHASTA KI ILTIJA, BAARGAAH MEI(N) AEY KHUDA
    10. MERA CHAAKO AMAA(N) BHI HO RAFU, TERI SHAAN JALLA JALAALUHU

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:

    Line 2: NAMUD = ZAAHIR HONA

    Line 5: WUSATO(N) = Wideness

    Line 6: MUHIT = To circumscribe, comprehend and know all, e.g.,AA’LAM

    KE SAARE RANGO BOO TERE QABZE MEI(N) HAI.

    Line 9: KHASTA = THAKA HUA, PARESHAAN HAAL

    Line 10: CHAAKO = To cut or tear

     

  9. HAMD 4—KUSHAADAH DASTE KARAM, JAB WOH BENIYAAZ KARE
  10. The main lines to be repeated by the Na’at Khwaan are as follows:

    KUSHAADAH DASTE KARAM, JAB WOH BENIYAAZ KARE

    NAYAAZMAND NA KYO(N) AAJZEE PE NAAZ KARE

    1. MUDAAM GOSH BADIL REH, YEH SAAZ HAI AISA
    2. JO HO SHIKASTA TO PAIDA NAWAAEY RAAZ KARE
    KUSHAADAH DASTE KARAM

    3. KOI YEH PUCHE KE WAAIZ KA KYA BIGARTA HAI
    4. JO BEAMAL PE BHI REHMAT WOH BENIYAAZ KARE
    KUSHAADAH DASTE KARAM

    5. SUKHN MEI(N) SAUZ ILAAHI KAHAA(N) SE AATA HAI
    6. YEH CHIZ WOH HAI KE PATHTHAR KO BHI GUDAAZ KARE
    KUSHAADAH DASTE KARAM

    7. BITHA KE ARSH PE RAKHKHA HAI TUNE AEY WAAIZ
    8. KHUDA WOH KYA HAI JO BANDO(N) SE EHTRAAZ KARE
    KUSHAADAH DASTE KARAM

    9. HAWAAH HO AISI KE HINDUSTAN SE AEY IQBAL
    10. URA KE MUJH KO GHUBAARE RAAHE HIJAAZ KARE
    KUSHAADAH DASTE KARAM

    Author: JANAAB, DR. ALLAMA IQBAL

    Meanings:
    Main Line 1: KUSHAADAH = KHULLE, Open, wide, spacious, expansive

    Main Line 1: DASTE KARAM = JIS PE ALLAH TA’ALA RAHEM KARE, KARAM KA

    HAATH KHOL DE

    Line 1: HAR WAQT APNE DIL KI AAWAAZ SUNTE RAHO
    Line 1: MUDAAM = HAMESHAAH
    Line 1: GOSH = Ears
    Line 1: BADIL = Heart

    Line 2: So that when it breaks, his will is revealed to you. NAWAAEY = AAWAAZ
    Line 5: SUKHN = KALAAM SAUZ = DARD

    Line 5: Ya Allah, where does this depth in the holy scriptures come from?

    Line 6: GUDAAZ = It even "melts" the stone.
    Line 10: GHUBAARE = MITTI

  11. HAMD 5 — WOHI KHUDA HAI
  12. 1. KOI TO HAI JO NIZAAME HASTI CHALA RAHA HAI, WOHI KHUDA HAI
    2. DIKHAAI BHI JO NA DE, NAZAR BHI JO AA RAHA HAI, WOHI KHUDA HAI
    3. TALAASH NA KAR US KO BUTO(N) MEI(N), WOH HAI BADALTI HUI RAATO(N) MEI(N)
    4. JO DIN KO RAAT AUR RAAT KO DIN BANA RAHA HAI, WOHI KHUDA HAI
    5. NAZAR BHI RAKHKHE, SAMA-ATEI(N) BHI, WOH JAAN LETA HAI, NIYYATEI(N) BHI
    6. JO KHAANAAEY LA SHO’OOR MEI(N), JAGMAGA RAHA HAI, WOHI KHUDA HAI
    7. KISI KO TAAJE WAQAAR BAKHSE, KISI KO ZILLAT KE GHAAR BAKHSE
    8. JO SAB KE MAATHO(N) PE MOHRE QUDSI LAGA RAHA HAI, WOHI KHUDA HAI
    9. SAFED USKA, SIYAAH USKA, NAFS, NAFS HAI, GAWAAH USKA
    10. JO SHOLAAEY JAA(N) JALA RAHA HAI, BUJHA RAHA HAI, WOHI KHUDA HAI

    Author: JANAAB MUZAFFAR WARSI

    Meanings:

    Line 5: SAMA-ATEI(N) = WOH SUNTA BHI HAI

    Line 6: KHAANAAEY = Place; LA SHO’OOR = Beyond reason and logic

    Line 7: TAAJE WAQAAR = IZZAT KA TAAJ GHAAR = Cave

    Line 8: MOHRE QUDSI = AASMAANI MOHR (Seal)

     

  13. NA’AT — INTRODUCTORY RECITATION
  14. In certain "Mehfiley NA’AT" functions, you may wish to recite the introductory lines outlined below in Section 7.1 and 7.2, before you recite the main NA’AT.

    1. UJAALA JIS KA HAI DO JAHAA(N) MEI(N)
    2. The main line to be repeated by the Na’at Khwaan is as follows:

      SALLALLAHO ALAI KA YA RASOOLALLAH, WASALLAM ALAI KA YA HABIBALLAH

      1. UJAALA JIS KA HAI DO JAHAA(N) MEI(N), WOH MERE AAQA KI ROSHNI HAI
      2. UNHI KE QADMO(N) KI BARKATO(N) SE, YEH ZINDAGI AAJ ZINDAGI HAI
      SALLALLAHO ALAI KA

      3. JAMIL WOH HAI, SHAQIL WOH HAI, KAFIL WOH HAI, WAKIL WOH HAI
      4. JALIL WOH HAI, KHALIL WOH HAI, HAR EK ADA UNKI, IK NAYI HAI
      SALLALLAHO ALAI KA

      5. WOH KHUSHBOOE KHULD SE MUSTAFA HAI, KE MUSHK BHI HAI KE JIS KE AAGE
      6. MAHEKTI GALIYAA(N) YEH KEH RAHI HAI(N), SAWAARI UNKI ABHI AA GAYI HAI
      SALLALLAHO ALAI KA

      Meaning:

      Line 5: KHULD = JANNAT

    3. SALLE ALA NABIYENA, SALLE ALA MUHAMMADIN

    The main lines to be repeated by the Na’at Khwaan are as follows:

    SALLE ALA NABIYENA, SALLE ALA MUHAMMADIN

    SALLE ALA SHAFIYENA, SALLE ALA MUHAMMADIN

    1. CHER KE SAAZE LA ILAH, MAST BANA GAYA KOI
    2. AUR DUNIYA JO MEHWE KHWAAB THI, AAKE JAGA GAYA KOI
    SALLE ALA

    3. AULIA AMBIYA TAMAAM, PARHTE DAROOD SUBHO SHAAM
    4. AUR KHUD KHUDA KA HAI YEH KAAM
    SALLE ALA

    5. BEMISL NOORE AHMADI, AISA NAHI(N) KOI NABI
    6. AUR PARHTE FARISHTE, HAI(N) SABHI
    SALLE ALA

    7. TERI ADA, ADA AEY HAQQ, TERI RAZA, RAZA AEY HAQQ
    8. AUR WAHI-AEY KHUDA TERA KALAAM, TUJH PAR DAROOD AUR SALAAM
    SALLE ALA

    9. BAKHSHI GAI HAI SAB KHATA, TAUBAH KA DAR BHI HAI KHULA
    10. AUR ADAM NE JAB KE YEH PARHA
    SALLE ALA

    Meaning:
    Line 2: MEHVE = KHWAAB

     

  15. NA’AT BY H. IMAM ZAINUL ABEDEEN (RA)
  16. ISTIGHAASHA (FARIYAAD)

    BA HAZOOR SARWARE QAAINAAT — SAW – (TO)

    AZ (FROM)

    H. IMAM ZAINUL ABEDEEN BIN H. IMAM HUSSAIN BIN H. ALI (RA)

    The main lines to be repeated by the Na’at Khwaan are as follows:

    JO GUZAR NASIB HO AEY SABA, KISI DIN DIYAARE HIJAAZ MEI(N)

    TO MERA SALAAME NIYAAZ KEHNA, HARIME BANDA NAWAZ MEI(N)

    This Na’at has been reproduced from the original Arabic manuscripts, exactly as written by H. Zainul Abedeen (RA).

    It is also the first of its kind and unique in that the first two lines are
    written in Arabic. This is followed by two lines of Na’at translated in Urdu / Farsi. The translation has been typed in ITALICS. So the net effect of the whole process is that the Na’at Khwaan can captivate the people’s attention (which is short span anyway) and at the same time enlighten the listeners in both or either languages. In addition, apart from the verse form observed in Na’at, the straight Urdu translation of each line has also been included, in the full line by line translation of the original Arabic text, after the "Meanings" section, at the end.

    1. IN NILTI YA RI HASSABA YAWMAN ILA ARDIL HARAM
    2. BALLIGH SALAAMI RAWDATAN FIHAN NABIYYUL MOHTARAM

    3. JO GUZAR NASIB HO AEY SABA, KISI DIN DIYAARE HIJAAZ MEI(N)
    4. TO MERA SALAAME NIYAAZ KEHNA, HARIME BANDAAH NAWAAZ MEI(N)

    5. MAN WAJHOHU SHAMSUD DOHA MAN KHADDUHU BADRUD DOJA
    6. MAN ZAA’TUHU NOORUL HODA MAN KAFFUHU BAHRUL HEMAM

    7. WOHI JINKE RUEY MUNIR PAR, KISI MEHROMAAH KA GUMAAN HAI
    8. TU HIMAM KA IK YAME BEKARAA(N), HAI KARAM KE DASTE DARAAZ MEI(N)

    9. QUR’ANUHU BURHAANONA NASKHAN LE ADYA NIM MADAT
    10. IZ JAA-ANA AHKAAMUHU KULLUS SUHUF SAARAL ADAM

    11. HUEY FISKH EHDE KOHAN KE DEEN, WOH JO LAAEY QUR’ANE MUBI(N)
    12. WOH DALILE ROSHANO AAKHRI(N), KE HAI DEENE HAQQE JAWAAZ MEI(N)

    13. AKBADO NA MAJRUHATUN MIN SAYFE HIJRIL MUSTAFA
    14. TUBA LE AIH’L-E BALDATIN FIHAN NABIYYUL MUHTASHAM

    15. ZAHESA KINAANE HARAM JAHAA(N), SHAHE DO JAHAA(N) KA QAYAAM HAI
    16. BARA DIL PHIGAAR HU(N) MEI(N) YAHAA(N), GHAME HIJRE SINA GUDAAZ MEI(N)

    17. YA LAYTANI KUNTO KAAMAN YATTBA’A NABIYYAN ALIMAN
    18. YAWMAN WA LAYLAN DAAEMAN WARZUQ KAZAALI BIL KARAM

    19. AEY KHUSHA WOH MO’MINE KHUSH AMAL, KE MUTI-AEY HUKME RASOOL HAI
    20. HAI YEH AARZOO MERI ZINDAGI, BHI HO WAQF SHARAAEY NIYAAZ MEI(N)

    21. LI HASRATUN ISMA’A KAZAALEMA LAM AASEFIL MUSTAFA
    22. FI KULLE HI-NIN QAD MADA FIL HAALE MA YAHSUL BEHIM

    23. THI AZAL SE DIL MEI(N) TARAP YEHI, KE HO MADD-HA SHAANE HAZOOR KI
    24. HUI HARFO SAUT SE AASHNA, JO FUGAA(N) THI PARDAAEY SAAZ MEI(N)

    25. LASTO BERAJIN MUFRADAN BAL AQREBAEE KULLOHUM
    26. FIL QABRE SHIFA’A YA SHAAFIO BISSAADE WAN NUNIL QALAM

    27. MAY(N) AUR SAB MERE AQRABA, HAI(N) IK SHAFA’AT KE GADA
    28. HO(N) BA SAADO NUNO QALAM ATA, WOH LAHAD KI MANZILE RAAZ MEI(N)

    29. YA MUSTAFA, YA MUJTABA, IRHAM ALA ISYAANENA
    30. MAJBURATUN AAMAALONA, TAM-AN WAZANBAN WAZZULM

    31. KARAM AEY SHAHEWAALA, HASHAM KE HAI(N), AAJ MUNTAZIRE KARAM
    32. WOH ASIRE GHAM KE SHIKASTA PAR, HAI(N) GUNAAH KE DAAMANE AAZ MEI(N)

    33. YA RAHMATAN LIL AA’LAMEEN ANTA SHAFIUL MUZNEBIN
    34. AKRIM LANA YAWMAL HAZINA FADLAN WAJUDOW WAL KARAM

    35. SARE HASHR AAP KE HAATH HAI, MERE HASHR-O-NASR KI AABRU
    36. KE KALIDE REHMATE, DO JAHAA(N), HAI NABI KE DASTE MAJAAZ MEI(N)

    37. YA RAHMATAN LIL AA’LAMEEN ADRIK LE ZAYNIL ABEDEEN
    38. MAHBUSE AYDIZ ZAALEMIN FIL MAWKABE WAL MUZDAHAM

    39. LILLAAH ZAYNIL ABEDEEN, PE BHI NIGAAHE LUTFE HUZOOR HO
    40. KE SITAM NASIB RAHINE GHAM, HAI UDU KI QAIDE DARAAZ MEI(N)

    Author: H. IMAM ZAINUL ABEDEEN BIN H. IMAM HUSSAIN BIN H. ALI (RA)

    Meanings:

    Line 6: BAHRUL HEMAM = SAKHAAWAT KA DARYA

    Line 7: RUEY MUNIR = CHAAND JAISA CHAMAKTA NOORAANI
    CHEHRA
    Line 7: MEHRO MAAH = CHAAND AUR SURAJ
    Line 7: GUMAAN = SHAK (doubt) PARTA HAI
    Line 8: BEKARAA(N) = BECHAIN DASTE DARAAZ = LAMBA HAATH
    Line 11: FISKH = MANSOOKH (To wipe out)

    Line 11: EHDE KOHAN KE DEEN = PURAANE ZAMAANE KE DEEN

    Line 12: DALILE ROSHANO = JAB WOH KHUD (clear) DALIL BAN KE AAEI(N)

    Line 12: AAKHRI(N) = AAKHRI NABI (SAW)

    Line 12: HAQQE JAWAAZ MEI(N) = In support of the truth

    Line 15: ZAHESA = AAP KE NASIB MEI(N)

    Line 15: KINAAN = REHNE WAALE
    Line 19: MUTI-AEY = TAABEDAAR

    Line 20: SHARA = SHARIAT

    Line 24: SAUT = AAWAAZ; AASHNA = JAAN NA

    Line 24: FUGAA(N) = TARAP; SAAZ MEI(N) = DIL MEI(N)

    Line 30: TAM-AN = LAALACH. WAZANBAN = GUNAAH

    Line 32: ASIR = QAID

    Line 32: SHIKASTA PAR = Wings broken in dispair

    Line 36: KALID = CHAABI (key)

    Line 36: DASTE MAJAAZ MEI(N) = DUNIYA WAALA HAATH

    Line 39: PE BHI = UN KE OO’PAR BHI
    Line 40: RAHINE = REH RAHA HAI, DARAAZ = LAMBA

    Line 40. UDU = DUSHMAN

    Full line by line translation of the original Arabic text

    Line 1: AEY, BAADE SABA, AGAR TERA GUZAR SAR ZAMINE HARAM TAK HO
    Line 2: TO MERA SALAAM, US ROZE MUBAARAK KO PAHO(N)CHA DENA,
    JIS MEI(N) NABI-AEY MOHTARAM TASHRIF FARMA HAI.
    Line 5: WOH JIN KA CHEHRAAEY ANWAR MEHRE NIM ROZ (AADHA
    CHAAND) KI TARAAH HAI. AUR JINKE RUKHSAARE TAABA(N)
    (CHAMAKDAAR), MAAHE KAAMIL (PURE CHAAND) KI TARAAH HAI.
    Line 6: JINKI ZAAT NOORE HIDAAYAT HAI, HATHELI MEI(N) SAKHAAWAT, KA DARYA HAI.
    Line 8: HAM RABB KI SHAAN MEI(N) REHTE HAI. UN KE KARAM KI
    PAHO(N)CH BARI LAMBI HAI. AAP KI SAKHAAWAT KI PAHO(N)CH BHI, BARI LAMBI HAI.
    Line 9: UN KA LAAYA HUA QUR’AN, HAMAARE LIYE WAAZIYA (clear) DALIL
    HAI, JIS NE MAAZI KE TAMAAM DEENO KO MANSOOKH (wipe out) KAR DIYA.
    Line 10: JAB US (QUR’AN) KE EHKAAM (HUKM), HAMAARE PAAS AAYE TO
    PICHLE SAARE SAHIFE MAADUM (KHATM) HO GAYE.
    Line 13: HAMAARE JIGAR ZAKHMI HAI, FIRAAQE MUSTAFA KI TALWAAR SE.
    Line 14: KHUSH NASIBI US SHEHR KE LOGO(N) KI HAI, JIS MEI(N) NABIYE,
    MOHTASHIM (HASHMAT AUR IZZAT WAALE) HAI(N).
    Line 16: MAY(N), AISE HALAAT MEI(N) HU(N), AUR MERE GHAM ITNE GEHRE
    HAI KE WOH MERE SINE KO BHI PIGAL RAHA HAI.
    Line 17: KAASH MEI(N) USKI TARAAH HOTA, JO NABI KI PAIRWI, ILM KE SAATH, KARTA HAI.
    Line 18: AEY KHUDA, DIN RAAT, BAS, HAMESHAAH YEHI SOORAT APNE KARAM SE ATA FARMA.
    Line 20: Same as line 18 above.

    Line 28: SHAADO NUNO KALAAM ATA = UN KE SAD’QE MEI(N), AAP KI SHAFA’AT CHAAHIYE
    QABR MEI(N) JO MANZIL RAAZ KI HAI.
    Line 33: AEY, REHMATE AA’LAM, AAP GUNAHGAARO(N) KE SHAFI HAI.
    Line 34: HAME QIYAAMAT KE DIN, FAZAL WA SAKHAAWAT AUR KARAM SE IZZAT BAKHSHNA.
    Line 37: AEY, REHMATE AA’LAM, ZAINUL ABEDEEN KO SAMBHAALIYE.
    Line 38: WOH ZAALIMO(N) KE HATHO(N) MEI(N) GIRAFTAAR, HAIRAANI WA
    PARESHAANI MEI(N) HAI.

     

     

     

  17. AEY SABZ GUMBAD WAALE
  18. The main lines to be repeated by the Na’at Khwaan are as follows:

    AEY SABZ GHUMBAD WAALE MANZOOR DUA KARNA

    JAB WAQTE NAZA AAEY DIDAAR ATA KARNA

    1. AEY NOOREY KHUDA AAKAR, AANKHO(N) MEI(N) SAMA JAANA
    2. YA DAR PE BULA LENA, YA KHWAAB MEI(N) AA JAANA
    3. AEY PARDAAH NASHI(N) DIL KE, PARDE MEI(N) RAHA KARNA
    JAB WAQT NAZA AAEY DIDAAR ATA KARNA


    4. MEHBOOBE ILAAHI SA, KOI NA HASIN DEKHA
    5. YEH SHAAN HAI UNKI KE, SAAYAAH BHI NAHI(N) DEKHA
    6. ALLAH NE SAAEY KO, CHAAHA NA JUDA KARNA
    JAB WAQT NAZA AAEY DIDAAR ATA KARNA


    7. MAY(N) QABR ANDHERI MEI(N), GHABRAA-UNGA JAB TANHA
    8. IMDAAD KO MERI TUM, AA JAANA ZARA SHAAHA
    9. ROSHAN MERI TURBAT KO, LILLAAH ZARA KARNA
    JAB WAQT NAZA AAEY DIDAAR ATA KARNA

    10. MUJRIM HU(N) JAHAA(N) BHAR KA, MEHSHAR MEI(N) BHARAM RAKHNA
    11. RUSWAAEY ZAMAANA HU(N), AAQA KAMLI MEI(N) CHUPA LENA
    12. MAQBOOL DUA MERI, MEHBOOBE KHUDA KARNA
    JAB WAQT NAZA AAEY DIDAAR ATA KARNA

    13. CHEHRE SE ZIYA PAAI, SAB CHAAND SITAARO(N) NE
    14. IS DAR SE SHIFA PAAI, DUKH DARD KE MAARO(N) NE
    15. AATA HAI UNHE SABIR, HAR DUKH KI DAWA KARNA
    JAB WAQT NAZA AAEY DIDAAR ATA KARNA

    Author: JANAAB SABIR

    Meaning:
    Line 11: RUSWAAEY = BADNAAM

  19. SUBHO TAI’BAH MEI(N) HUI
  20. The main lines to be repeated by the Na’at Khwaan are as follows:

    SUBHO TAI’BAH MEI(N) HUI, BAT’TA HAI BAARA NOOR KA

    SAD’QAH LENE NOOR KA, AAYAA HAI TAARA NOOR KA

    1. BAAGHE TAI’BAH MEI(N) SUHAANA, PHOOL, PHOOLA NOOR KA
    2. MAST BOO HAI(N) BULBULEI(N), PARHTI HAI(N) KALIMAH NOOR KA
    SUBHO TAI’BAH MEI(N) HUI

    3. MAY(N) GADA TU BAADSHAAH, BHARDE PYAALA NOOR KA
    4. NOOR DIN DUNA TERA, DE DAAL SAD’QAH NOOR KA
    SUBHO TAI’BAH MEI(N) HUI

    5. TERI NASLE PAAK MEI(N), HAR BACHCHA, BACHCHA NOOR KA
    6. TU HAI AYNAAEY NOOR, TERA SAB GHARAANA NOOR KA
    SUBHO TAI’BAH MEI(N) HUI

    7. YEH KITAABE KUN MEI(N) AAYA, TURF AAYA NOOR KA
    8. AUR GHAIRE KAA-IL KUCH NA SAMJHA, KOI MAA’NA NOOR KA
    SUBHO TAI’BAH MEI(N) HUI

    9. QAF = GESU, HA = DIHAN, YA = ABRU, AANKHEI(N) = AYN SAAD
    10. QAF, HA, YA AYN SAAD, UN KA HAI CHEHRA NOOR KA
    SUBHO TAI’BAH MEI(N) HUI

    Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

    Meanings:
    Line 4: AAP KA NOOR DIN BADIN DO GUNA BARHTA JAAEY

    Line 9: GESU = Hair locks

    Line 9: DIHAN = Mouth

    Line 9: ABRU = Eye brow

     

  21. JITNA DIYA SARKAAR NE MUJH KO
  22. The main lines to be repeated by the Na’at Khwaan are as follows:

    JITNA DIYA SARKAAR NE MUJH KO, ITNI MERI AWQAAT NAHI(N)

    YEH TO KARAM HAI UN KA WARNA, MUJH MAY(N) AESI BAAT NAHI(N)

    1. ISHQE SHAHE BATOHA SE PEHLE, MUFLISO KHASTA HAAL THA MAY(N)
    2. NAAME MUHAMMAD KE MAY(N) QURBAAN, AB WOH MERE HALAAT NAHI(N)
    JITNA DIYA SARKAAR NE MUJH KO

    3. ZIKRE NABI MEI(N) DIN JO GUZRE, WOH DIN SAB SE BEHTAR HAI
    4. ZIKRE NABI MEI(N) RAAT JO GUZRE, US SE BEHTAR RAAT NAHI(N)
    JITNA DIYA SARKAAR NE MUJH KO

    5. JO MUNKIR HAI UNKI ATA KA, WOH YEH BAAT BATAAEY TO
    6. KAUN HAI WOH JIS KE DAAMAN MEI(N), US DAR KI KHAIRAAT NAHI(N)
    JITNA DIYA SARKAAR NE MUJH KO

    7. WOH HAI(N) MERI JAAN-O-IMAAN, KYA MAY(N) UNKI NAZAR KARU(N)
    8. PAAS MERE ASHKO(N) KE ILAAWA, AUR KOI SOGHAAT NAHI(N)
    JITNA DIYA SARKAAR NE MUJH KO

    9. GHAUR TO KAR SARKAAR KI TUJH PAR, KAISI KHAAS INAAYAT HAI
    10. KAUSAR TU HAI UN KA SANAA KHWAAN, YEH MAAMOOLI BAAT NAHI(N)
    JITNA DIYA SARKAAR NE MUJH KO

    Author: JANAAB KAUSAR NIYAZI (ALIAS MAULANA MUHAMMAD HAYAAT KHAN)

    Meaning: Line 1: KHASTA = MUFLIS / GHARIB / THAKA HUA

  23. QURBAAN MAY(N) UNKI BAKHSHISH KE
  24. The main lines to be repeated by the Na’at Khwaan are as follows:

    QURBAAN MAY(N) UNKI BAKHSHISH KE, MAQSAD BHI ZUBAA(N) PAR AAYA NAHI(N)

    BIN MAANGE DIYA AUR ITNA DIYA, DAAMAN MEI(N) HAMAARE SAMAAYA NAHI(N)

    1. IMAAN MILA UN KE SAD’QE, QUR’AN MILA UN KE SAD’QE
    2. REHMAAN MILA UN KE SAD’QE, WOH KYA HAI JO HAM NE PAAYA NAHI(N)
    BIN MAANGE DIYA

    3. AAWAAZ KARAM DETA HI RAHA, THAK HAAR GAYE LENE WAALE
    4. MANGTO(N) KI HAMESHAAH LAAJ RAKHI, MEHROOM KABHI LAUTAAYA NAHI(N)
    BIN MAANGE DIYA

    5. UN KA TO SHIYAAR KARIMI HAI, MAA-IL BA KARAM HI REHTE HAI
    6. JAB YAAD KIYA AEY SALLE ALA, WOH AAHI GAYE TADPAAYA NAHI(N)
    BIN MAANGE DIYA

    7. KHURSHID QIYAAMAT KI TAPISH, MAANA KE QIYAAMAT HI HOGI
    8. HAM UN KE HAI(N) GHABRAAEI(N) KYO(N), KYA HAM PE NABI KA SAAYAAH NAHI(N)
    BIN MAANGE DIYA

    9. US MOHSANE A’ZAM KE YU(N) TO, KHALID PE HAZARO(N) EHSAAN HAI(N)
    10. QURBAAN MAGAR IS EHSAAN KE, EHSAAN BHI KIYA TO JATAAYA NAHI(N)
    BIN MAANGE DIYA

    Author: JANAAB KHALID MAHMOOD KHALID

    Meanings:
    Line 5: SHIYAAR = KAAM MAA-IL = AADAT

    Line 7: KHURSHID = SURAJ TAPISH = Heat

    Line 9: MOHSANE = DOST; A’ZAM = BARO(N) KA EHSAAN

     

  25. KOI SALIQA HAI AARZOO KA
  26. The main lines to be repeated by the Na’at Khwaan are as follows:

    KOI SALIQA HAI AARZOO KA, NA BANDAGI MERI BANDAGI HAI

    YEH SAB TUMHAARA KARAM HAI AAQA, KE BAAT AB TAK BANI HUI HAI

    1. KISI KA EHSAAN KYO(N) UTHAAEI(N), KISI KO HALAAT KYO(N) BATAAEI(N)
    2. TUMHI SE MAANGEI(N) GE, TUMHI DO GE, TUMHAARE DARSE HI LO LAGI HAI
    KOI SALIQA HAI AARZOO KA


    3. TAJALLIO(N) KE KAFIL TUM HO, MURAADE QALBE KHALIL TUM HO
    4. KHUDA KI ROSHAN DALIL TUM HO, YEH SAB TUMHAARI HI ROSHNI HAI
    KOI SALIQA HAI AARZOO KA


    5. NAZR, NAZR REHMATE SARAAPA, ADA, ADA, GHAIRATE MASIHA
    6. ZAMIRE MURDA BHI JEE UTHEY HAI(N), JIDHAR TUMHAARI NAZAR UTHI HAI
    KOI SALIQA HAI AARZOO KA


    7. YEHI HAI KHALID ASASE REHMAT, YEHI HAI KHALID BINAAEY AZMAT
    8. NABI KA IRFAAN BANDAGI HAI, NABI KA IRFAAN ZINDAGI HAI
    KOI SALIQA HAI AARZOO KA

    Author: JANAAB KHALID MAHMOOD KHALID

    Meanings:

    Line 3: KAFIL = Self sufficient, Supporter, Look After (KAR NE WAALE). AAP HI
    TAJALLIO(N) KE QAABIL HAI(N) AUR UN KA ZAHOOR (PAIDA) BHI AAP HI SE
    HUA HAI. AAP H. IBRAHIM (AS) KE DIL KI MURAAD BHI THE.
    Line 5: GHAIRATE MASIHA = UNKI EK, EK ADA AISI HAI KE AGAR MASIHA UNKO
    DEKHEY TO UNKO BHI GHAIRAT (Pride) AA JAAEY
    Line 6: ZAMIRE MURDA = JIN LOGO(N) KA DIL MAR CHUKA HO(N)
    Line 7: ASAS = SARMAAYA / KUNJI / Savings
    Line 7: BINA = BUNIYAAD AZMAT = BARAAI
    Line 8: IRFAAN = PEHCHAAN

  27. DEKHTE REH GAYE
  28. 1. CHAAND TAARE HI KYA DEKHTE REH GAYE
    2. UNKO ARZO SAMAA(N) DEKHTE REH GAYE
    3. HAM DARE MUSTAFA DEKHTE REH GAYE
    4. NOOR HI NOOR THA DEKHTE REH GAYE
    5. NEIK-O-BAD PAR HUA UN KA YAKSAA(N) KARAM
    6. LOG ACHCHA BURA DEKHTE REH GAYE
    7. MO’AJIZA THA WOH HIJRAT MEI(N) UN KA SAFAR
    8. DUSHMANAANE KHUDA DEKHTE REH GAYE
    9. KYA KHABAR KIS KO KAB JAAME KAUSAR MILA
    10. HAM TO UNKI ADA DEKHTE REH GAYE
    11. HAM GUNAHGAAR THE MAGHFIRAT HO GAYI
    12. ZAAHIDO PAARSA DEKHTE REH GAYE
    13. MAY(N) NASIR AAJ LAAYA WOH NA’ATEI(N) NABI
    14. NA’ATGO MUNH MERA DEKHTE REH GAYE


    Author: JANAAB SAHEBZADA NASIR AHMED

    Meaning: Line 5: YAKSAA(N) = EK JAISA

     

  29. QASIDAH BURDAH SHARIF
  30. The main lines to be repeated by the Na’at Khwaan are as follows:

    MAULA YA SALLE WASALLIM DAAEMAN ABAADA

    ALA HABIBEKA KHAYRIL KHALQE KULLE HEMI

    1. ALHUMDO LILLAAHE MUNSHIL KHALQE MIN ADAMI
    2. SHUM MAS SALAATO ALAL MUKHTAARE FIL QADAMI
    3. AMIN TAZAK KORE JIRAANIM BEZI SALAAMI
    4. MAZAJTA DAM-AN JARA MIM MUQLATIM BEDAMI
    5 FAMA LE AY NAY KA IN QULTAK FOFA HAMATA
    6. WAMA LE QALBE KA INNA QULTASTAFIQ YAHEMI
    7. FA KAYFA TUNKERO HUBBAM BA’ADA MA SHAHEDAT
    8. BEHI ALAYKA UDULUD DAMAEY WAS SAQAMI
    9. ASTAGFERUL-LAAHA MIN QAWLIM BELA AMAALIN
    10. LAQAD NASABTO BEHI NASLAL LEZI OOQOMI
    11. MUHAMMADUN SAYYEDUL KAWNAYNI WAS SHAQALAYNI
    12. WAL FARIQAYNI MIN URBIW WA MIN AJAMI
    13. NABIYYONAL AAMERUN NAAHI FALA AHADUN
    14. ABARRA FI QAWLE LA MINHU WALA NA AAMI
    15. HUWAL HABIBUL LAZI TURJA SHAFA ATOHU
    16. LE KULLE HAWLIM MINAL AHWAALE MUQTAHEMI
    17. DA’AA ILAL LAAHE FAL MUSTAM SEKUNA BEHI
    18. MUSTAM SEKUNA BE HABLIN GHAYRE MUNFASEMI
    19. KAZ ZAHRE FI TARAFIN WAL BADRE FI SHARAFIN
    20. WAL BAHRE FI KARAMIW WAD DAHRE FI HEMAMI
    21. YA AKRAMAL KHALQE MALIMAN ALUZO BEHI
    22. SEWA KA INDA HULULIL HADESIL AMAMI
    23. WAL AALE WAS SAHBE SUMMAT TABE-EENA LAHUM
    24. AHLITTOKA WANNOKA WAL HILMI WAL KARAMI
    25. SUMMAR RIDA AN ABI BAKRIW WA AN UMARIN
    26. WA AN USMANA WA AN ALIYYIW ZIL KARAMI
    27. WAGFIR LENA SHEDEHA WAG FIR LEQARE EHA
    28. SA AL TOKAL KHAYRA YA ZAL JUDE WAL KARAMI
    29. YA RABBE BIL MUSTAFA BALLIG MAQASEDNA
    30. WAG FIR LANA MA MADAYA WASE AL KARAMI

    Author: SHAIKH-UL-ISLAM, HAZRAT SHAIKH SHARFUDDIN, ABU ABDULLAH, MUHAMMAD BIN

    SAEED, BIN HAMMAD, AL BUSAIRI (RA)

    Meanings:

    Main Line 1: AEY MAALIK MERE DARUD AUR SALAAM BHEJ HAMESHAAH, HAMESHAAH TAK
    Main Line 2: APNE DOST PAR JO BEHTAR HAI(N) SAARI KHALQAT SE.
    Line 1: SAB TA’ARIF ALLAH KO, JO PAIDA KAR NE WAALA MAKHLOOQ KA HAI ADAM SE.
    Line 2: PHIR DAROOD HO OO’PAR US KE JO BARGAZIDAAH (YAANI SAB SE BARTAR, AALA)
    HAI PEHLE SE.

    Line 3: KYA TUJHE ZEE ILM KE HAMSAAYE YAAD AA GAYE
    Line 4: KE AANSU MILA HUA KHOON TERI AANKHO(N) SE JAARI HAI.
    Line 5: TERI AANKHO(N) KO KYA HUA, KE MANA’A KIYE SE AUR ROTI HAI(N).
    Line 6: AUR TERE DIL KO KYA HUA, USE TO KEHNA HAI, IFAAQA (AARAAM) MAY(N) AA, TU
    AUR BEKHUD (BEQARAAR) HO JAATA HAI.
    Line 7: ISHQ KA INKAAR TU KYO(N)-KAR, KAR SAKTA HAI, JAB TUJH PAR GAWAAHI DEDI
    Line 8: DO SACHCHE GAWAAHO(N) NE KE WOH AANSOO AUR BIMAAR HONA HAI.
    Line 9: ILAAHI, TAUBAH AISEY QAUL SE JIS PAR KHUD AMAL NA KARE.
    Line 10: YEH TO AISA KIYA MAYNE, JAISE BAANJH KE WAASTE FARZAND BATAAYA MAYNE.
    Line 11: SO WOH KAUN MUHAMMAD (SAW) DUNIYA-O-AAKHIRAT KE SARDAAR
    Line 12: AUR JINN-O-INSAAN KE SARDAAR AUR DONO(N) FARIQO(N), ARAB AUR AJAM KE.
    Line 13: HAMAARE NABI AMR MA’ARUF, NAHI(N) MUNKIR KAR NE WAALE KOI (YAANI NEIK
    KAAM KI TARAF BULA NE WAALE AUR BUREY KAAMO(N) SE RAUK NE WAALE).
    Line 14: UNSA SACHCHA NAHI(N), NAHI(N) AUR HAA(N) BOLTE HAI(N).
    Line 15: WOHI HAI(N) ALLAH KE AISEY HABIB KE UNKI SHIFA’AAT KI UMMID HAI.
    Line 16: HAR EK KHAUF KE WAQT JO AANEY WAALE KHAUF HAI(N);
    meaning the day of Qiyaamat.

    Line 17: UNHO(N) NE ALLAH KI TARAF BULAAYA PAS JIS NE UN KA DAAMAN PAKRA
    Line 18: TO GOYA AESI MAZBOOT RASSI PAKRI HAI JO KABHI TUTI NAHI(N).
    Line 19: TAAZGI MEI(N) JAISE SHAGUFA AUR SHARF MEI(N) JAISE CHAUDHWI(N)
    RAAT KA CHAAND.

    Line 20: BAKHSHISH MEI(N) DARYA KI MAANID (TARAAH) AUR HIMMAT MEI(N) DEHR (YAANI
    PURI DUNIYA KI MISAAL.

    Line 21: AEY TAMAAM MAKHLOOQ SE BUZURGTAR, AAP KE SIWA MERA KOI AISA NAHI(N)
    Line 22: JIS SE PANAAH CHAAHU(N), HAADISA AAM KE NAAZUL HO NE MEI(N).
    Line 23: AUR SAB AAL-O-ASHAAB AUR UN KE TAABE-EEN PAR KE WOH TAQWE
    Line 24: AUR PAAKIZGI MEI(N) ASL HAI AUR HILMO (forebearing) KARAM KE
    RIDWAANULLAH ALAIHIM.

    Line 25: PHIR RAAZI HO HAZRATE ABU BAKR AUR HAZRATE UMAR SE
    Line 26: AUR HAZRATE USMAAN AUR HAZRAT ALI SE KE WOH SAAHEBE KARAM HAI(N)
    RADI ALLAHO TA’ALA ALAIHIM AJMAEEN.
    Line 27: AUR MAGHFIRAT KAR US KE MUSANNIF KI AUR BAKHSHISH KAR US KE PARH NE
    WAALE KI

    Line 28: BESHAK, MERA TUJH SE YEHI SAWAAL HAI, YA SAAHEBE BAKHSHISH AUR
    SAAHEBE KARAM KE.

    Line 29 / 30: YA RABB, HAZOOR MUHAMMAD (SAW)’S KE SADQE MEI(N), HAMAARE
    TAMAAM MAQSAD PURE FARMA. AEY BAKHSHISHO(N) KO WAASI FARMA NE
    WAALE, HAMAARE MAAZI KE GUNAAHO(N) KO MO’AAF FARMA.

  31. AEY ISHQE NABI MERE DIL MEI(N) BHI SAMA JAANA
  32. The main lines to be repeated by the Na’at Khwaan are as follows:

    AEY ISHQE NABI MERE DIL MEI(N) BHI SAMA JAANA

    MUJH KO BHI MUHAMMAD KA DIWAANA BANA JAANA

    1. JO RANG KE JAAMI PAR, RUMI PE CHARAAYA THA
    2. US RANG KI KUCH RANGAT, MUJH PE BHI CHARA JAANA
    AEY ISHQE NABI

    3. QUDRAT KI NIGAAHEI(N) BHI, JIS CHEHRE KO TAKTI THI(N)
    4. US CHEHRAAE ANWAR KA, DIDAAR KARA JAANA
    AEY ISHQE NABI

    5. JIS KHWAAB MEI(N) HO JAAYE, DIDAAR NABI HAASIL
    6. AEY ISHQE KABHI MUJH KO, NEEND AESI SULA JAANA
    AEY ISHQE NABI

    7. DIDAAR MUHAMMAD KI, HASRAT TO RAHE BAAQI
    8. JUZ IS KE HAR EK HASRAT, IS DIL SE MITA JAANA
    AEY ISHQE NABI

    9. DUNIYA SE RIYAZ HO JAB, UQBA KI TARAF JAANA
    10. DAAGHE GHAME AHMAD SE, SINE KO SAJA JAANA
    AEY ISHQE NABI

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:
    Line 8: JUZ = US KE SIWA

    Line 9: UQBA = AAKHIRAT

     

  33. CHALO DIYAARE NABI KI JAANIB
  34. The main line to be repeated by the Na’at Khwaan is as follows:

    CHALO DIYAARE NABI KI JAANIB, DUROOD LAB PAR SAJA, SAJA KAR

    1. CHALO DIYAARE NABI KI JAANIB, DUROOD LAB PAR SAJA, SAJA KAR
    2 BAHAAR LUTEI(N)GE HAM KARAM KI, DILO(N) KO DAAMAN BANA, BANA KAR
    CHALO DIYAARE

    3. HAMAARI SAARI ZARURATO(N) PAR KAFAALATO(N) KI NAZAR HAI UNKI
    4. WOH JHOLIY.AA(N) BHAR RAHE HAI(N) SAB KI, KARAM KE MOTI LUTA, LUTA KAR
    CHALO DIYAARE

    5. KABHI JO MERE GHARIB KHAANE KI AAP AA KAR JAGAAEI(N) QISMAT
    6. MAY(N) KHAYR MAQDAM KE GEET GAAUNGA, APNI PALKEI(N) BICHA, BICHA KAR
    CHALO DIYAARE

    7. HAI UNKO UMMAT SE PYAAR KITNA, KARAM HAI REHMAT, SHA’AAR KITNA
    8. HAMAARE JURMO(N) KO DHO RAHE HAI(N), HUZOOR AANSOO BAHA, BAHA KAR
    CHALO DIYAARE

    9. AGAR MUQADDAR NE YAAWRI KI, AGAR MADINEY GAYA MAY(N) KHALID
    10. QADAM, QADAM KHAAK US GALI KI, MAY(N) CHOOM LUNGA, UTHA, UTHA KAR
    CHALO DIYAARE


    Author: JANAAB KHALID MAHMOOD KHALID

    Meanings:
    Line 1: JAANIB = Towards

    Line 3: KAFAALATO(N) = To afford

    Line 6: KHAYR MAQDAM KE GEET = Songs of welcome

    Line 7: SHA’AAR = AADAT, TARIQA

    Line 9: YAAWRI = AGAR SAATH DIYA TO

     

     

     

  35. LAM YA’ATI
  36. The main lines to be repeated by the Na’at Khwaan are as follows:

    LAM YA’ATI NAZIRO KA FI NAZRIN

    MISLE TO NA SHUD PAIDA JAANA

    1. JAG RAAJ KO TAAJ TOREY SAR SO
    2. HAI TUJH KO SHAHEY DO SARA JAANA
    LAM YA’ATI

    3. AL BAHRO ALAAWAL MAVJO TAGHA
    4. MAN BEKASO TUFAA(N) HOSH RUBA
    LAM YA’ATI

    5. MANJDHAAR MEI(N) HU(N) BIGRI HAI HAWAA
    6. MORI NAYYA PAAR LAGA JAANA
    LAM YA’ATI

    7. YA SHAMSO NAZRATE ILA LAYLI
    8. CHU(N) BA TAI’BAH RASI ARZE BA KUNI
    LAM YA’ATI

    9. TORI JYOT KI JHAL, JHAL JAG MEI(N) RACHI
    10. MERI SHAB NE NA DIN HONA JAANA
    LAM YA’ATI

    11. LAKA BADRUN FIL WAJHIL AJMAL
    12. KHAT HAALEY MAAH ZULF ABRE AJAL
    LAM YA’ATI

    13. TORE CHANDAN CHANDRA PAR KUNDAL
    14. REHMAT KI BHARAN BARSA JAANA
    LAM YA’ATI

    15. ANA FI ATSHIV WA SAKHA KA ATAM
    16. AEY GESU-AEY PAAK, AEY ABRE KARAM
    LAM YA’ATI

    17. BARSAN HAARE RIMJHIM, RIMJHIM
    18. DO BOOND IDHAR BHI GIRA JAANA
    LAM YA’ATI

    19. YA KAAFELATI ZIDI AJALAK
    20. RAHME BAR HASRATE TISHNA LABAK
    LAM YA’ATI

    21. MORA JIYERA LARJE DHARAK, DHARAK
    22. TAI’BAH SE ABHI NA SUNA JAANA
    LAM YA’ATI

    23. AR ROOHO FIDA KA FAZID HARKA
    24. YAK SHOLA DIGAR BARZAN ISHQA
    LAM YA’ATI

    25. MORA TAN, MAN, DHAN, SAB PHOONK DIYA
    26. YEH JAA(N) BHI PYAARE JALA JAANA
    LAM YA’ATI

    27. BAS KHAAMA-AEY KHAAM NAWAAEY RAZA
    28. NA YEH TARAZ MERI NA YEH RANG MERA
    LAM YA’ATI

    29. IRSHAADE AHIBBA NA’ATIK THA
    30. NACHAAR IS RAAH PARA JAANA
    LAM YA’ATI

    Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

    Meanings:
    Main Line 2: AAP JAISA KOI PAIDA NAHI(N) HUA HAI, NA HOGA
    Line 4: MAN BEKASO = MAY(N) BEKAS HU(N)
    Line 4: HOSH RUBA = MERE HOSH URA DENE WAALA HAI
    Line 8: "JAB AAP TAI’BAH PAHO(N)CHE, TAB MERI TARAF SE ARZ KAR DE"
    Line 10: "MERI RAAT NE KABHI DIN DEKHA HI NAHI(N)"
    Line 13: KUNDAL = Curled locks

    Line 14: "REHMAT KI BAARISH BARSA JAANA"

    Line 16: GESU-AEY PAAK = "O, PAAK ZULFO WAALE". ABRE KARAM = KARAM KA
    BAADAL

    Line 20: HAMAARE OO’PAR RAHAM FARMA. HAMAARE LAB AAP KI REHMAT KE
    PYAASEI(N) HAI(N)

    Line 22: TAI’BAH SE ABHI TAK KOI SANDESHA NAHI(N) AAYA HAI
    Line 23: MERI ROOH AAP PE FIDA HAI(N)
    Line 24: BARZAN = MAARNA

    Line 24: AAP KE ISHQ KA EK SHOLA YA CHINGAARI MERE DIL KO MAAREY
    Line 27: YEH, MERI QALAM, AAP KI TAABEDAAR HO KAR JO LIKH RAHI HAI
    Line 28 / 29: NA TO YEH MERI TARAZ HAI, YA ANDAAZ. YEH TO relations KA FARMAAN THA
    Line 30: KE AAP AESI NA’AT LIKHO, JO CHAAR ZUBAA(N) MEI(N) HO, i.e., ARABI, FARSI,
    URDU AUR PURBI.

  37. REHMAT KA HAI DARVAAZAAH KHULA
  38. The main lines to be repeated by the Na’at Khwaan are as follows:

    REHMAT KA HAI DARVAAZAAH KHULA, MAANG AREY MAANG

    DETA HAI KARAM UN KA SADA, MAANG AREY MAANG

    1. AAJAAEGA TAI’BAH SE, BULAAWA BHI KISI ROZ
    2. HAR WAQT MADINEY KI DUA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    3. GULSHAN TERI UMMID KA, KHIL JAAEGA AEY DOST
    4. SARKAAR KE KUCHE KI HAWA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    5. MEHROOM RAHEGA NA KOI, UN KE KARAM SE
    6. HAI JOSH PE DARYAAEY SAKHA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    7. BHAR JAAEGA KASHKOL, MURADO(N) SE TERA BHI
    8. BAN KAR MERE AAQA KA GADA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    9. MAAYOOS NA HO YEH MERE, LAJPAAL KA GHAR HAI
    10. HAI KIS LIYE MAAYOOS KHARA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    11. SARKAAR KO SARKAAR SE, MAANGU(N) GAA NIYAZI
    12. SARKAAR NE JIS WAQT KAHA, MAANG AREY MAANG
    REHMAT KA HAI DARVAAZAAH KHULA

    Author: JANAAB ABDUL SATTAR NIYAZI

     

  39. TERA KHAAWA(N) TE TERE GEET GAAWA(N)
  40. The main lines to be repeated by the Na’at Khwaan are as follows:

    TERA KHAAWA(N) TE TERE GEET GAAWA(N), YA RASOOLALLAH

    TERA MILAAD MAY(N) KYO(N) NA MANAAWA, YA RASOOLALLAH

    1. HALIMA KULLI NU VEY KHE KADI SARKAAR NU VEY KHE
    2. KAVEY MAY(N) KERI SEJ TERE LAI SAJAWAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    3. YA RASOOLALLAH, MAY(N) KUCH VI NAEE JO TERE NAAL MERI KOI NISBAT NAEE
    4. PAR MAY(N) SAB KUCH HAA(N) JE MAY(N) TERA SADAAWA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    5. YA RASOOLALLAH, JAGAAO BHAAG MEREY VI ABU AYYUB DE VAA(N)GOO(N)
    6. PAR MUQADDAR OS DA KITHTHO(N) LEY AA(N)VAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    7. YA RASOOLALLAH, MERA VI DIL TE CHAH(N)DA AEY TUSI MEREY VI GHAR AAO
    8. MAANA KE BEAMAL HU(N), NIHAAYAT BURA HU(N) MAY(N)
    9. LEKIN HUZOOR AAP KE DAR KA GADA HU(N) MAY(N)
    10. AAQA, MERA VI DIL TE CHAH(N)DA AEY, TUSI MEREY VI GHAR AAO
    11. PAR MAY(N) KEREY MAAN TE GHAR VICH BULAA(N)WAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    12. MADINEY AAKE HO RAAT DIN MERI IBAADATAEI(N)
    13. TERE ROZE TO(N) NA ANKHIYAA(N) HATTA(N)WAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    14. ZAMAANE BHAR KA YEH QAIDAAH HAI KE JIS KA KHAANA USI KA GAANA
    15. TUMHAARA SAD’QAH HI KHA RAHE HAI(N), TUMHAARE HI GEET GAA RAHE HAI(N)
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    16. MAY(N) HAR DUM TERIYAA(N) NA’ATAA(N) SUNAAWA, YA RASOOLALLAH
    17. KHUDA VI TERI YAAD KARTA SANAAWA, YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    18. AJAL DE AU(N) TO(N) PEHLE JE TERI DEED HO JAAVE
    19. MAY(N) AESI MAUT TO(N) QURBAAN JAAWAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    20. JINA NE TERE YAA(N) QADMAA(N) NU SINE NAAL LAAYAAEY
    21. NASIBA WALIYA(N) HO(N)EEYA OTHTHAAWAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    22. KEVE(N) SUD AASHNA TEHRIR HO JAAEY ZAHOORI DI
    23. QALAM JAAMI DAA(N) MAY(N) KITHTHO LE AAWAA(N), YA RASOOLALLAH
    TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

    Author: JANAAB MUHAMMAD ALI ZAHOORI

    (Extra lines have been added by popular requests)

    Meanings:

    Line 1: KULLI = A small cottage VEY KHE = DEKHEY
    Line 1: H. BIBI HALIMA SA’DIA (RA) KABHI SARKAAR KO DEKHE AUR KABHI APNA CHOTA SA
    GHAR KO DEKHE.

    Line 2: KAVEY = KEH RAHI THI SEJ = BISTAR

    Line 2: KYO(N) KI ITNI BARI HASTI MERE GHAR AAYI HAI, TO MAY(N) AAP KE LIYE KAISA
    BISTAR SAJAAU(N).

    Line 4: MAY(N) SAB KUCH HU(N) AGAR MAY(N) AAP KA KEHLAATA.
    Line 4: SADAAWA(N) = KEHLAAU(N)

    Line 5: DE VAA(N)GOO(N) = UNKI TARAAH

    Line 6: OS DA = UNKI TARAF

    Line 18: AU(N) = AANE SE PEHLE; YAANI MAUT SE PEHLE AAP KA DIDAAR
    HO JAAEI(N)

    Line 19: TO MAY(N) AESI MAUT PE QURBAAN HO JAAU(N)
    Line 21: WOH JAGAAH NASIB WAALI HAI, JAHAA(N) AAP KE PAIR MUBAARAK NE QADAM
    RAKHKHE HAI(N)

    Line 22: SUD = FAAIDAAH; TEHRIR = LIKHKHI HUI; KAISE FAAIDE WAALI
    JAAN PEHCHAAN HO JAAEI(N)

  41. MUJH MAY(N) UNKI SANA KA SALIQA KAHAA(N)
  42. The main lines to be repeated by the Na’at Khwaan are as follows:

    MUJH MAY(N) UNKI SANA KA SALIQA KAHAA(N)

    WOH SHAAHE DO JAHAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)

    1. UN KA MADD-HA SARA KHAALIQE ASRA
    2. WOH RASOOLE ZAMAA(N) WOH KAHAA(N) MAY(N) KAHAA(N)
    3. UN KE DAAMAN SE WABASTA MERI NIJAAT
    4. UNPE QURBAAN MERI HAYAATO MAMAAT
    5. MAY(N) GUNAHGAAR WOH SHAAFFAAEY AASIYAA(N)
    6. BEKASO(N) KI AMAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)
    MUJH MAY(N) UNKI SANA

    7. WOH MADINAH NAGINA JO HAI ARSH KA
    8. WOH MADINAH BHARAM JO BANA FARSH KA
    9. WOH MADINAH JAHAA(N) REHMATE BEKARAA(N)
    10. MAY(N) BHI PAHO(N)CHU(N) WAHAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)
    MUJH MEI(N) UNKI SANA

    11. SHAK NAHI(N) AEY RIYAZ IS MAY(N) HARGIZ ZARA
    12. MAY(N) SARAAPA KHATA WOH SARAAPA ATA
    13. NAAM UN KA RAHE KYO(N) NA VIRDE ZUBAA(N)
    14. HAI JO TASKINE JAA(N) WOH KAHAA(N) MAY(N) KAHAA(N)
    MUJH MAY(N) UNKI SANA


    Author:
    JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:
    Line 1: MADD-HA = TAA’RIF; UNKI TAA’RIF KAR NE WAALA, KHAALIQ KHUD HAI

    Line 3: NIJAAT = RIHAAI. MERI NIJAAT UN KE DAAMAN SE JURI HUI HAI

    Line 4: MAMAAT = MAUT

    Line 5: AASIYAA(N) = GUNAHGAAR
    Line 6: AMAA(N) = SALAAMATI
    Line 8: BHARAM = IZZAT FARSH = ZAMI(N)
    Line 9: BEKARAA(N) = In this context, there is no limit to your REHMAT.

    Line 14. TASKINE JAA(N) = JAAN KI TASALLI HAI. (TASKIN = Consolation or the comfort
    factor)

     

  43. HUEY JO HAAZIR, DARE NABI PAR
  44. The main lines to be repeated by the Na’at Khwaan are as follows:

    HUEY JO HAAZIR, DARE NABI PAR, TASAWWUR UN KA JAMA, JAMA KAR

    BARE ADAB KA MAQAAM HAI YEH, CHALE HAI SAR KO JHUKA, JHUKA KAR

    1. MADINAH YA RABB HO MERA MASKAN, MADINAH YA RABB HO MERA MADFAN
    2. DUA KHUDA SE YEH MAANGTA HU(N), MAY(N) HAATH APNA UTHA, UTHA KAR
    HUEY JO HAAZIR

    3. JO BARGAAHE NABI MEI(N) AAYE, DUROOD LE KAR SALAAM LE KAR
    4. KARIM NE PHIR NAWAAZA, KARAM KE JALWE DIKHA, DIKHA KAR
    HUEY JO HAAZIR

    5. ILAAHI JAB MAUT MUJH KO AAYE, HUZOOR KI NA’AT HO ZUBAA(N) PAR
    6. JAHAA(N) MEI(N) JAB TAK HO MERA JEENA, JIYU(N) MAY(N) NA’ATEI(N) SUNA, SUNA KAR
    HUEY JO HAAZIR

    7. NADIM KUCH BHI NAHI(N) HAI LEKIN, AGAR HAI KUCH TO KARAM HAI UN KA
    8. NABI NE BAKHSHI HAI SARFARAAZI, GIRE HUWO(N) KO UTHA, UTHA KAR
    HUEY JO HAAZIR

    Author: JANAAB RIYAZ NADIM NIYAZI

    Meaning:

    Line 1: MASKAN = Residence, abode, to live. MADFAN = To bury

  45. WAHDATE ZAAT KI TABLIGH
  46. The main lines to be repeated by the Na’at Khwaan are as follows:

    WAHDATE ZAAT KI TABLIGH SARAAPA TUM HO

    JIS KI HAR LEHR HAI TAWHID WOH DARYA TUM HO

    1. ARZO ADAM-O-ISA NE TUMHAARI KI HAI
    2. KITNI MA’SOOM RASOOLO(N) KI TAMANNA HO
    WAHDATE ZAAT KI


    3. EK, EK BAAT ZAMAANE PE ASAR KARTI HAI
    4. HAQQ KI AAWAAZ HO, ALLAH KA LEHJA TUM HO
    WAHDATE ZAAT KI


    5. KOI SAANI HAI TUMHAARA NA KHUDA KA HAI SHARIK
    6. JAISE YAKTA HAI KHUDA WAISE HI YAKTA TUM HO
    WAHDATE ZAAT KI


    Author: JANAAB SABA AKBAR ABADI

    Meaning:

    Line 5: SAANI = Unique

     

  47. MANGTE HAI KARAM UN KA SADA
  48. The main lines to be repeated by the Na’at Khwaan are as follows:

    MANGTE HAI KARAM UN KA SADA MAANG RAHE HAI(N)

    DIN RAAT MADINEY KI DUA MAANG RAHE HAI(N)

    1. HAR NE’AMATE KONEIN HAI, DAAMAN MEI(N) HAMAARE
    2. HAM SAD’QAAEY MEHBOOBE KHUDA, MAANG RAHE HAI(N)
    MANGTE HAI KARAM


    3. YU(N) KHO GAYE SARKAAR KE, ALTAAFO KARAM MEI(N)
    4. YEH BHI TO NAHI(N) HOSH KE, KYA, MAANG RAHE HAI(N)
    MANGTE HAI KARAM


    5. IS DORE TARAQQI MEI(N) BHI, ZEHNO(N) KE ANDHERE
    6. KHURSHIDE RISAALAT KI ZIA, MAANG RAHE HAI(N)
    MANGTE HAI KARAM


    7. DAAMAN AMAL MEI(N) KOI, NEKI NAHI(N) KHALID
    8. BAS, NA’ATEI(N) MUHAMMAD KA SILA, MAANG RAHE HAI(N)
    MANGTE HAI KARAM


    Author: JANAAB KHALID MAHMOOD KHALID

  49. BADI KARIM TERI ZAAT, YA RASOOLALLAH
  50. The main lines to be repeated by the Na’at Khwaan are as follows:

    BADI KARIM TERI ZAAT, YA RASOOLALLAH

    TERE KARAM KI HAI KYA BAAT, YA RASOOLALLAH

    1. MERI UMMID KE GULSHAN SADA BAHAAR RAHE
    2. TERE KARAM KI HO BARSAAT, YA RASOOLALLAH
    BADI KARIM TERI


    3. TARAS GAYA HU(N) TERE DAR KI HAAZRI KE LIYE
    4. MACHAL TE REHTE HAI(N) JAZBAAT, YA RASOOLALLAH
    BADI KARIM TERI


    5. NAZAR KE SAAMNE JALWE HO(N) SABZ GUMBAD KE
    6. KABHI TO AAYE WOH LAMHAAT, YA RASOOLALLAH
    BADI KARIM TERI

     

     

  51. YU(N) TO SAARE NABI MOHTARAM HAI MAGAR
  52. The main lines to be repeated by the Na’at Khwaan are as follows:

    YU(N) TO SAARE NABI MOHTARAM HAI MAGAR

    REHMATE DO JAHAA(N) IK TERI ZAAT HAI

    AEY HABIBE KHUDA TERI KYA BAAT HAI

    1. ROOHE KAU’NO MAKAA(N) PE NIKHAAR AA GAYA
    2. ROOHE INSAANIYAT KO QARAAR AA GAYA
    3. HAR KISI NE KAHA, MARHABA, MARHABA
    4. AAMADE MUSTAFA, TERI KYA BAAT HAI
    YU(N) TO SAARE NABI


    5. HAZRATE AMINAH KE DULAARE NABI
    6. GHAMZADAAH UMMATO(N) KE SAHAARE NABI
    7. ROZE MEHSHAR KAHEGI, YEH KHALQE KHUDA
    8. SAB KE MUSHKIL KUSHA, TERI KYA BAAT HAI
    YU(N) TO SAARE NABI

    9. CHAAR SU REHMATO(N) KI GHATA CHA GAYI
    10. BAAGHE AHMAD MEI(N) FASLE BAHAAR AA GAYI
    11. DIL KA GUNCHA KHILA, ISME A’ZAM MILA
    12. ZIKRE SALLE ALA, TERI KYA BAAT HAI
    YU(N) TO SAARE NABI

    Author: JANAAB MUHAMMAD ALI ZAHOORI

    (This is a brief vesion of his original Na’at).

    Meanings:
    Line 1: NIKHAAR = TAAZGI

    Line 6: GHAMZADAAH = GHAM KA MAARA

    Line 11: MERE DIL KI KALI KHILI KYO(N) KI MUJHE AAP

    KA AZMAT WAALA MUBAARAK NAAM MILA

  53. SAAYEI(N) MEI(N) TUMHAARE HAI(N)
  54. The main lines to be repeated by the Na’at Khwaan are as follows:

    SAAYEI(N) MEI(N) TUMHAARE HAI(N), QISMAT YEH HAMAARI HAI

    QURBAAN DILO JAA(N) HAI(N), KYA SHAAN TUMHAARI HAI

    1. KYA PESH KAREI(N) TUM KO, KYA CHIZ HAMAARI HAI
    2. YEH DIL BHI TUMHAARA HAI, YEH JAA(N) BHI TUMHAARI HAI
    SAAYEI(N) MEI(N)


    3. GO LAAKH BURE HAI(N) HAM, KAHELAATE TUMHAARE HAI
    4. EK NAZAR KARAM KARNA, YEH ARZ HAMAARI HAI
    SAAYEI(N) MEI(N)


    5. HAM CHOD KE IS DAR KO, JAAEI(N) TO KAHAA(N) JAAEI(N)
    6. YEH UMR TUMHAARE HI, TUKRO(N) PE GUZAARI HAI
    SAAYEI(N) MEI(N)

     

     

  55. JASHNE AAMADE RASOOL (SAW)
  56. The main lines to be repeated by the Na’at Khwaan are as follows:

    JASHNE AAMADE RASOOL ALLAH HI ALLAH

    BIBI AMINAH KE PHOOL ALLAH HI ALLAH

    ALLAHI BOLO, BOLO ALLAH HI ALLAH

    BIBI AMINAH KE PHOOL ALLAH HI ALLAH

    1. JAB KE SARKAAR TASHRIF LAANEY LAGEY
    2. HOORO GHILMAA(N) BHI KHUSHIYAA(N) MANA NE LAGEY
    3. HAR TARAF UNKI ROSHNI CHA GAYI
    4. MUSTAFA KYA MILEY ZINDAGI MIL GAYI
    5. AEY HALIMA, TERI GAUD MEI(N) AA GAYA
    6. DONO(N) AA’LAM KE RASOOL, ALLAH HI ALLAH
    JASHNE AAMADE


    7. CHEHRAAEY MUSTAFA JAB DIKHAAYA GAYA
    8. JHUK GAYE TAAREY AUR CHAAND SHARMA GAYA
    9. AMINAH DEKH KAR MUSKURAANE LAGI(N)
    10. AUR HAWWA MARIAM BHI KHUSHIYAA(N) MANA NE LAGI(N)
    11. AMINAH BIBI SAB SE YEH KEH NE LAGI(N)
    12. DUA HO GAYI QUBOOL, ALLAH HI ALLAH
    JASHNE AAMADE


    13. SHAADIYAANE KHUSHI KE BAJAAEY GAYE
    14. SHAAD KE NAGHME SUNAAEY GAYE
    15. HAR TARAF SHOR SALLEY ALA HO GAYA
    16. AAJ PAIDA HABIBE KHUDA HO GAYA
    17. PHIR TO JIBRIL NE BHI YEH AILAAN KIYA
    18. YEH KHUDA KE RASOOL, ALLAH HI ALLAH
    19. YEH RASOOLO(N) KE RASOOL, ALLAH HI ALLAH
    JASHNE AAMADE

    Meanings:

    Line 10: HAWWA MARIAM = Reference is made to the fact
    that during the crucial and trying period of birth of the Holy Prophet
    Huzoor Muhammad (SAW), both H. Bibi Hawwa (RA) and H. Bibi
    Mariam (RA) had come down inorder to give physical and moral support
    to H. Bibi Aminah (RA).

    Line 13: SHAADIYA NE = DAF BAJAANA

    Line 14: SHAAD KE NAGHME = KHUSHI KE NAGHME

     

  57. SAB RASOOLE KHUDA BAN KE AAEY
  58. The main lines to be repeated by the Na’at Khwaan are as follows:

    SAB RASOOLE KHUDA BAN KE AAEY, WOH HABIBE KHUDA BAN KE AAEY

    PEKRE DILRUBA BAN KE AAEY, ROOHE ARZO SAMAA(N) BAN KE AAEY

    1 HAZRATE AMINAH KE DULAARE, WOH HALIMA KI AANKHO(N) KE TAARE
    2 WOH SHIKASTA DILO(N) KE SAHAARE, BEKASO(N) KI DUA BAN KE AAEY
    SAB RASOOLE

    3 TAAJDAARO(N) NE DI HAI SALAAMI, BAADSHAAHO(N) NE KI HAI GHULAAMI
    4 BEMISAAL UN KA ISME GIRAAMI, MUSTAFA MUJTABA BAN KE AAEY
    SAB RASOOLE

    5 WOH NABI REHMATE AA’LAMEE(N) HAI(N), JO BHI HAI UN KE ZERE NAGI(N) HAI
    6. AISA MUKHTAAR DEKHA NAHI(N) HAI, JAISE KHAYRUL WARA BAN KE AAEY
    SAB RASOOLE

    7. DASTE QUDRAT NE AISEY SAJAAYE, HUSNE TAKHLIQ KO RASHK AAEY
    8. JIS KA PAAYA KISI NE NA PAAYA, WOH KHUDA KI RAZA BAN KE AAEY
    SAB RASOOLE

    9. KYA ZAHOORI LIKHE SHAAN UNKI, MADD-HA KARTA HAI QUR’AN JINKI
    10. NA’AT PARHTA HAI HASSAN JINKI, WOH MERE RAHNUMA BAN KE AAEY
    11. WA AHSANO MIN KA LAM TARAKATTO AYNI
    12. WA AJMALO MIN KA LAM TAALEDIN NISHAAOU
    13. KHULIKTA MUBARRA AM MIN KULLE AYBIN
    14. KA ANNA KA QAD KHULIKTA KAMA TASHAAU
    SAB RASOOLE

    Author: JANAAB MUHAMMAD ALI ZAHOORI

    Meanings:

    Line 5: ZERE = NICHE NAGI(N) = NIGAAH
    Line 7: On beholding your vision, the essence of beauty itself is filled with
    pride, with regards to your HUSNO JAMAAL.

     

     

  59. MAY(N) KAISE NA’AT PARHU(N)
  60. The main lines to be repeated by the Na’at Khwaan are as follows:

    ASHKO(N) SE JAB TAK NA WUZU HO, YA SHAAHE ZEESHAAN

    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    1. AB TAK MUJH KO, HO NA SAKI HAI, APNI HI PEHCHAAN
    2. MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)
    3. AAP KI TO HAR EK ADA HAI, QUR’AN KI TAFSIR
    4. AAP KI YAAD SE BHAR JAATI HAI, IMAAN KI TAUQIR
    5. SUBHO AZAL SE SHAAM ABAD TAK, NOOR KI HAI TANVIR
    6. AURO(N) KO BHI ZIKR KA KEH KAR, ZIKR KARE QUR’AN
    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    7. NA’ATEI(N) MUHAMMAD SE ADAM KI, TAUBAH HUI QUBOOL
    8. LEHNE DAUDI SE UBHRA HUA, NA’AT KA AALA SHO’OOR
    9. NA’AT SE MAHEKA AMINAH BIBI KE, GULSHAN KA PHOOL
    10. NA’ATEI(N) DUAE KHALIL KO SUN KAR, RAQS KARE WAJDAAN
    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    11. NA’AT LIKHE, SIDDIQE AKBAR, SIDQ HAI JINKI SHAAN
    12. NA’AT LIKHE, FAROOQE A’ZAM, ADL HAI JINKI AAN
    13. NA’AT LIKHE, USMANE GHANI TO, NAAZ KARE QUR’AN
    14. NA’AT LIKHE, KHUD SHERE KHUDA KA, HAIDAR SA ZEESHAAN
    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    15. HUBBE RISAALAT, NA’ATEI(N) MUHAMMAD, HAMZAH KI PEHCHAAN
    16. NA’AT SE AIH’L-E BAIT MEI(N) SHAAMIL, PHAARAS KE SALMAAN
    17. EK OVAISE QARNI HAI JO, BIN DEKHE QURBAAN
    18. LAHEKE BILAALI APNI JAGAAH HAI NA’AT KA KHUD AILAAN
    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    19. HUBBE AIH’L-E BAIT HI THEHRA, IMAA(N) KA MAY(N) YAAR
    20. FATEMA ZOHRA NA’AT MEI(N) LIKHE, AAQA KE ANWAAR
    21. MAULA ALI KI NA’ATEI(N) RIFAAQAT, REHMAT KE AASAAR
    22. NA’AT HASAN-O-HUSSAIN KI MANZIL, KARBAL KA MAIDAAN
    MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

    Meanings:

    Line 4: TAUQIR = IZZAT

    Line 5: AZAL SE = From beginning

    Line 5: ABAD TAK = Until the end of

    Line 5: TANVIR = NOOR, ROSHANI (Rays of light)

    Line 6: QUR’AN KHUD BHI HAZOOR (SAW) KA ZIKR KARTA HAI
    AUR DUSRO(N) KO BHI ZIKR KA HUKM DETA HAI
    Line 8: SHO’OOR = Consciousness

     

  61. TERI GALI MEI(N)
  62. 1. KIS CHIZ KI KAMI HAI, MAULA, TERI GALI MEI(N)
    2. DUNIYA TERI GALI MEI(N), UQBA TERI GALI MEI(N)
    3. BEKHUD PARE HAI(N) LAAKHO(N), AASHIK TERI GALI MEI(N)
    4. PAR YUSUF KA HO RAHA HAI, SAUDA TERI GALI MEI(N)
    5. QIBLA TERI GALI MEI(N), KA’ABAH TERI GALI MEI(N)
    6. LAAZIM HAI AASHIKO(N) KO, SAJDAAH, TERI GALI MEI(N)
    7. KEHTI THI ROOHE MUSA, AAKAR TERI GALI MEI(N)
    8. JO TOOR PAR NA DEKHA, WOH DEKHA TERI GALI MEI(N)
    9. WOH THOOK TE NAHI(N) HAI(N), SHAANE SIKANDARI PAR
    10. BISTAR LAGA HUA HAI, JIN KA TERI GALI MEI(N)

    Meanings:

    Line 2: UQBA = AAKHIRAT; US KO DUNIYA BHI MIL GAYI, AAKHIRAT BHI
    Line 3: BEKHUD = BEHOSH
    Line 4: YUSUF (AS) BHI AAP KE OO’PAR QURBAN HAI

    Line 9: They are so engrossed in the love of the Prophet Muhammad (SAW), that in their eyes the
    royalty is not worth spitting on.

     

  63. BADI UMMID HAI
  64. The main lines to be repeated by the Na’at Khwaan are as follows:

    BADI UMMID HAI SARKAAR QADMO(N) MEI(N) BULAAEI(N) GE
    KARAM KI JAB NAZAR HOGI, MADINEY HAM BHI JAAEI(N) GE

    1. AGAR JAANA MADINEY MEI(N) HUA, GHAM KE MAARO(N) KA
    2. MAKINE GUMBADE KHADRA KO HAALE DIL SUNAAEI(N) GE
    BADI UMMID HAI


    3. QASAM ALLAH KI HOGA WOH MANZAR DEED KE QAABIL
    4. QIYAAMAT MEI(N) RASOOLALLAH JAB TASHRIF LAAEI(N) GE
    BADI UMMID HAI


    5. GUNAHGAARO(N) MEI(N) KHUD AAKE SHAAMIL PAARSA HO(N) GE
    6. SHAFIYE HASHR JAB DAAMAANE REHMAT MEI(N) CHUPAAEI(N) GE
    BADI UMMID HAI


    7. GHAME ISHQE NABI SE HOGA JAB MAAMOOR DIL NAYYAR
    8. TERE JHURMAT QADE MAY(N) BHI SITAAREI(N) JAGMAGAAEI(N) GE
    BADI UMMID HAI

    Author: JANAAB SHARIFUDDIN NAYYAR

     

     

  65. TERE AASTAA(N) PE AAEY
  66. The main lines to be repeated by the Na’at Khwaan are as follows:

    TERE AASTAA(N) PE AAEY, TERI YAAD KHE(N)CH LAAEE

    RAKHKHE KHUDA SALAAMAT, TERE DAR SE AASHNAAEE

    1. HUZOOR NOOR HAI, MAHMOOD HAI, MUHAMMAD HAI
    2. JAGAAH, JAGAAH, NAYE UNWAAN HAI SANA KE LIYE
    3. AJAB NASHA BENAAM SA HUA MEHSOOS
    4. ZUBAA(N) JAB BHI KHULI HAI, TERI SANA KE LIYE
    TERE AASTAA(N) PE


    5. TERI GALI KE PHEREY, MERI ZINDAGI KA HAASIL
    6. TERE GHAM SE AASHNA HU(N), YEH HAI MERI PAARSAAI
    TERE AASTAA(N) PE


    7. MAY(N) KAHI(N) JO LARKHRAAYA, MAY(N) KABHI JO DAGMAGAAYA
    8. TERI MASTI-AEY NAZAR HI, MUJHE THAAMNE KO AAI
    TERE AASTAA(N) PE

    9. MERI MANZILEY SIMAT KAR, AAI(N) QARIB MERE
    10. YU(N) HI HAR QADAM PE KI HAI, TERE GHAM MEI(N) REHNUMAAI
    TERE AASTAA(N) PE

    11. TERE NAAM SE ZAHOORI, KO YEH JAANTI HAI DUNIYA
    12. TERA JAB SE HO GAYA HU(N), MERI HO GAYI KHUDAAI
    TERE AASTAA(N) PE

    Author: JANAAB MUHAMMAD ALI ZAHOORI

    Meanings:
    Main Line 1 AASTAA(N) = AAP KA DARBAAR

    Main Line 2 AASHNAAEE = JAAN PEHCHAAN

    Line 2: UNWAAN = Topics
    Line 3: BENAAM = I was intoxicated with the love for the Holy Prophet

    Huzoor Muhammad (SAW), which could not be named.

    Line 6: AASHNAA = DOSTI. I am for ever missing you and this my

    PAAKIZGEE.

    Line 6: PAARSAAI = PAAKIZGEE

    Line 10: REHNUMAAI = Guidance

     

  67. ISHQE AHMAD CHAAHIYE
  68. The main lines to be repeated by the Na’at Khwaan are as follows:

    ISHQE AHMAD CHAAHIYE, HUBBE MADINAH CHAAHIYE

    JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE

    1. ZINDAGI AUR MAUT DONO(N) UN KE GHAM MEI(N) HO(N) BASAR
    2. AISA MARNA CHAAHIYE AUR AISA JEENA CHAAHIYE
    3. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
    ISHQE AHMAD CHAAHIYE

    4. BAARISHE ANWAAR KI, BARSEGI MUSALSAL SUBHO TAK
    5. AUR ZIKRE NOORE MUSTAFA MEI(N), EK SHABINA CHAAHIYE
    6. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
    ISHQE AHMAD CHAAHIYE

    7. MUSHKO AMBAR KO MAY(N) LEKAR KYA KARU(N) AEY DOSTO
    8. MUJH KO SARKAARE MADINAH, KA PASINA CHAAHIYE
    9. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
    ISHQE AHMAD CHAAHIYE

    10. HAI TERI DARGAAH MEI(N), YA RABB TAMANNAAEY RIYAZ
    11. DAFAN HO NE KE LIYE, KHAAKE MADINAH CHAAHIYE
    12. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
    ISHQE AHMAD CHAAHIYE

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

  69. REHMAT BARAS RAHI HAI, MUHAMMAD KE SHEHR MEI(N)
  70. The main lines to be repeated by the Na’at Khwaan are as follows:

    REHMAT BARAS RAHI HAI, MUHAMMAD KE SHEHR MEI(N)

    HAR SHAY MEI(N) TAAZGI HAI, MUHAMMAD KE SHEHR MEI(N)

    1. AATE HAI BAKHSWAANE, GUNAAHO(N) KO GUNAHGAAR
    2. QISMAT BADAL RAHI HAI, MUHAMMAD KE SHEHR MEI(N)
    REHMAT BARAS RAHI HAI

    3. HAR EK BHAR RAHA HAI, YAHAA(N) DAAMANE MURAAD
    4. KHAIRAAT MIL RAHI HAI, MUHAMMAD KE SHEHR MEI(N)
    REHMAT BARAS RAHI HAI

    5. DAULAT SUKU(N) KI HAR JAGAAH, HAM DHUNDHTE RAHE
    6. AAKHIR YEH MIL GAYI, YEH MUHAMMAD KE SHEHR MEI(N)
    REHMAT BARAS RAHI HAI

    7. ROOH HAR BASHAR HAI, SUWE MADINAH KIYE HUEY
    8. DUNIYA SAMA GAYI HAI, MUHAMMAD KE SHEHR MEI(N)
    REHMAT BARAS RAHI HAI

    9. ROSHAN HAI JIS KE NOOR SE, DONO(N) JAHAA(N) RIYAZ
    10. AESI SHA’MA’ JALI HAI, MUHAMMAD KE SHEHR MEI(N)
    REHMAT BARAS RAHI HAI

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:
    Line 7: SUWE = Towards

    Line 10: SHA’MA’ = Candle

     

  71. MERI AARZOO, MERI ZINDAGI
  72. The main lines to be repeated by the Na’at Khwaan are as follows:

    MERI AARZOO, MERI ZINDAGI, TERA KOOCHA TERA DIYAAR HAI

    MERA DIL FIDA TERE NAAM PAR, MERI JAAN TUJH PE NISAAR HAI

    1. JISEY MIL GAI HO TERI NAZAR, USEY SUBHO SHAAM KI KYA KHABAR
    2. USEY HOSH KAB HAI JAHAA(N) KA, JISEY MIL GAYA YEH KHUMAAR HAI
    MERI AARZOO, MERI ZINDAGI

    3. SAARI RABB NE NE’AMATEI(N) BAANT KAR, RAKHKHA NA KUCH APNE LIYE MAGAR
    4. JO CHUNA TO APNE LIYE CHUNA, MERE MUSTAFA TERA PYAAR HAI
    MERI AARZOO, MERI ZINDAGI

    5. TERE NAALE PAAK KI KHAAK KA, SHABE AUJ DEKHA HAI MARTABA
    6. SARE ARSH BHI JO PAHO(N)CH GAYA, WOH TERI GALI KA KHUMAAR HAI
    MERI AARZOO, MERI ZINDAGI

    7. PARHU(N) JHOOM, JHOOM KE MAY(N) DUROOD, PARHU(N) JHOOM, JHOOM KE MAY(N) SALAAM
    8. AUR AESI BANDAGI MEI(N) SUROOR HAI, AUR AESI BANDAGI MEI(N) QARAAR HAI
    MERI AARZOO, MERI ZINDAGI

    9. MAY(N) GUNAHGAAR RAKHKHE SHARAM, MERI AAS BAS HAI TERA KARAM
    10. KAHAA(N) REHMATO(N) KI HADD TERI, KAHAA(N) BAKHSHISHO(N) KA SHUMAAR HAI
    MERI AARZOO, MERI ZINDAGI

    11. TERI CHAAHATO NE SAJA DIYA, DILEY DAAGHDAAR AYAAZ KA
    12. TERI YAAD SE HI MERE NABI, MERI ZINDAGI MEI(N) BAHAAR HAI
    MERI AARZOO, MERI ZINDAGI

    Author: JANAAB AYAAZ

    Meanings:
    Main Line 1: KOOCHA = GALI
    Main Line 1: DIYAAR = SHAHER (City)

    Line 2: KHUMAAR = SHUROOR (Intoxication)

    Line 5: SHABE AUJ = Referring to Shabe Me’raaj

    Line 5 / 6: Even the dust below your holy feet has reached the Arshe Mo’alla.
    Line 8: QARAAR = SUKUN
    Line 9: MERI LAAJ RAKHNA

    Line 10: There is no limit to your Rehmat and Bakhshish.
    Line 11: DAAGHDAAR = DAAGH WAALA DIL

     

  73. KABHI AEY HAQIQATEY MUNTAZAR
  74. The main lines to be repeated by the Na’at Khwaan are as follows:

    KABHI AEY HAQIQATE MUNTAZAR, NAZAR AA LIBAASE MAJAAZ MEI(N)
    KE HAZAARO(N) SAJDE TARAP RAHE, HAI MERI JABINE NAYAAZ MEI(N)

    1. TU BACHA, BACHA KE NA RAKH USE, TERA AAINA HAI WOH AAINA
    2. KE SHIKASTA HO TO AZIZ TAR, HAI NIGAAHE AAINA SAAZ MEI(N)
    KABHI AEY HAQIQATE

    3. NA WOH ISHQ MEI(N) RAHI GARMIYAA(N), NA WOH HUSN MEI(N) HO SHAUKHIYAA(N)
    4. NA WOH GHAZNAVI MEI(N) TARAP RAHI, NA WOH KHAM HAI ZULFE AYAAZ MEI(N)
    KABHI AEY HAQIQATE

    5. NA KAHI(N) JAHAA(N) MEI(N) AMAA(N) MILI, JO AMAA(N) MILI TO KAHAA(N) MILI
    6. MERE JURME KHAANA KHARAAB KO, TERE AFWE BANDA NAWAAZ MEI(N)
    KABHI AEY HAQIQATE

    7. JO MAY(N) SAR BA SAJDAAH HUA KABHI, TO ZAMI(N) SE AANE LAGI SADA
    8. TERA DIL TO HAI SANAM AASHNA, TUJHE KYA MILEGA NAMAAZ MEI(N)
    KABHI AEY HAQIQATE

    Author: JANAAB, DR. ALLAMA IQBAL

    Meanings:

    Main Line 1: MUNTAZAR = The one who waits in Intezaar.

    Main Line 1: "AEY HUZOOREY PAAK, MUHAMMAD (SAW), BAS TERA HI INTEZAAR
    HAI, ISI LIYE ZAAHERI TAUR PAR NAZAR AAO".
    Main Line 1: MAJAAZ MEI(N) = ZAAHIRI SOORAT MEI(N)

    Main Line 2: JABINE NIYAAZ = Lowering of forehead out of respect. The Sajdaah
    referred to here is the SAJDAAEY TA’AZIM = EHTERAAM, one of ADAB.
    Line 1: AAINA = DIL (Heart)

    Line 2: AZIZ TAR = The most beloved

    Line 2: AAINAAEY SAAZ = KHAALIQ, The Creator

    Line 2: The heart has to be broken in yearning for the love of the Prophet Muhammad (SAW),
    only then does it become Aziz Tar or most beloved one of Allah Ta’ala. It can then be
    healed by the Almighty. Once mended, it is filled with knowledge of the Ghaib and the
    spiritual world (Ma’arifat).

    Line 4: KHAM HAI ZULFE = Curled locks

    Line 4: AYAAZ = The Wazir of Mahmood Gaznavi

    Line 4: AAJ KAL KE JO AYAAZ HAI, UN KE BAALO(N) MEI(N) NA WOH KHAM HAI
    Line 6: JURME = ZULM
    Line 6: KHAANA = GHAR
    Line 6: AFWE = MO’AAF. YA ALLAH TU BANDO(N) KO MO’AAF KARNA
    Line 8: SANAM = BUTO(N) KO JAAN NE WAALA

    Line 8: AASHNA = JAAN NA

     

  75. KUCH AISA MEHSOOS HO RAHA HAI
  76. The main lines to be repeated by the Na’at Khwaan are as follows:

    DILO(N) KE GULSHAN MAHEK RAHE HAI(N)
    YEH KAIF KYO(N) AAJ AA RAHE HAI(N)
    KUCH AISA MEHSOOS HO RAHA HAI(N)
    HUZOOR TASHRIF LA RAHE HAI(N)

    1. NAVAAZHISO(N) PAR, NAVAAZHISEI(N) HAI(N)
    2. INAAYATO(N) PAR, INAAYATEI(N) HAI(N)
    3. NABI KI NA’ATEI(N), SUNA, SUNA KAR
    4. HAM APNI QISMAT JAGA RAHE HAI(N)
    KUCH AISA MEHSOOS

    5. KAHAA(N) KA MANSAB, KAHAA(N) KI DAULAT
    6. QASAM KHUDA KI, YEH HAI HAQIQAT
    7. JINHE BULAAYA, HAI MUSTAFA NE
    8. WOHI MADINEY KO, JA RAHE HAI(N)
    KUCH AISA MEHSOOS

    9. MAY(N) APNE KHAYRUL WARA KE SAD’QE
    10. INKI SHAANE ATA KE SAD’QE
    11. BHARA HAI AIBO(N) SE MERA DAAMAN
    12. HUZOOR PHIR BHI NIBAAH RAHE HAI(N)
    KUCH AISA MEHSOOS

    13. HABIBE DAAVAR, GHARIB PARWAR
    14. RASOOLE AKRAM, KARAM KE PEKAR
    15. KISI KO DAR PAR BULA RAHE HAI(N)
    16. KISI KE KHWAABO(N) MEI(N) AA RAHE HAI(N)
    KUCH AISA MEHSOOS

    17. BANEGA JAANE KA PHIR BAHAANA
    18. KAHEGA AAKAR KOI DIWAANA
    19. CHALO NIYAZI, TUMHE MADINEY
    20. MADINEY WAALE BULA RAHE HAI(N)
    KUCH AISA MEHSOOS

    Author: JANAAB ABDUL SATTAR NIYAZI

    Meanings:

    Main Line 2: KAIF = SUROOR

    Line 5: KAHAA(N) KA MANSAB = KAHAA(N) KA YEH INSAAF HAI
    Line 13: HABIBE DAAVAR = ALLAH TA’ALA KE MEHBOOB

    Line 13: PARWAR = PARWARISH KAR NE WAALE

     

     

  77. NABI KA JHANDA RAHEGA UNCHA
  78. The main lines to be repeated by the Na’at Khwaan are as follows:

    KHUDA KI MARZI, KHUDA KA MANSHA, NABI KA JHANDA RAHEGA UNCHA

    HUA NA HOGA, BAS UN KE JAISA, NABI KA JHANDA RAHEGA UNCHA

    1. UNHE YEH SHAAN DI HAI KITNI RABB NE, UNHI KE KHUTBE PARHHAI, HAI SAB NE
    2. WOH HAR JAGAAH MAAHE TAI’BAH CHAMKA, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    3. YEHI HAI IK BEHTARIN NUSKHA, YEHI HAI KHULDE BARI(N) KA RASTA
    4. UNHI KI ULFAT, UNHI KA USWA, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    5. MERE NABI NE JISE HAI BAKHSA, PHIR US NE KASHKOL TOR DAALA
    6. NA LAB PE HARFE SAWAAL AAYA, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    7. NABI KI AALE ABA KE GULSHAN, KE PHOOL KAISE MAHEK RAHE HAIN
    8. ALI-O-ZAHRA, HASAN-O-HUSSAIN, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    9. RAHA HAI CHARCHA, RAHEGA CHARCHA, BAJA HAI BAJTA RAHEGA DANKA
    10. RAHEGA UNCHA, NABI KA JHANDA, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    11. RASOOLO(N) NABIYO(N) NE HAI JO MAANGA, WASILA UN KA, UNHI KA SAD’QAH
    12. RAZA BHI HAI UN KA EK MANGTA, NABI KA JHANDA RAHEGA UNCHA
    KHUDA KI MARZI

    Author: JANAAB MAULANA RAZA UL MUSTAFA (Oxford based)

    Meanings:
    Line 2: MAAHE = CHAAND

    Line 3: KHULDE BARI(N) = SAB SE AALA JANNAT
    Line 4: ULFAT = MOHABBAT
    Line 4: USWA = BEHTARIN NAMOONA
    Line 7: AALE ABA = AIH’L-E BAIT

     

  79. MADINEY KE WAALI, SHAHENSHAAHE AALI
  80. 1. TERE TUKRO PE PALE, GHAIR KI THOKAR PE NA DAAL
    2. JHIRKIYAA(N) KHAAEI(N) KAHAA(N), CHOR KE DAR TERA
    3. TERI SARKAAR MEI(N), LAATA HAI RAZA US KO SHAFI
    4. JO MERA GHAUS HAI, WOH LAADLA BETA TERA
    5. MADINEY KE WAALI, SHAHENSHAAHE AALI
    6. PANAAH DO MUJHE, APNE DAR KA SAWAALI, SHAHENSHAAHE AALI
    7. TAMANNA HAI YU(N), SAAMNE TERE AAOU(N)
    8. TO TERE LIYE, TAUHFE DO SAATH LAAU(N)
    9. DUROODO(N) KE GAJRE, SALAAMO(N) KI DAALI
    10. MADINEY MEI(N) NEEND AAEY, MUJH KO KISI DIN
    11. MERI AANKH AISEY KHULE, MERE AAQA
    12. SUNE KAAN MERE, AZAANE BILAALI
    13. BANAALO MUJHE, APNE DAR KA SAWAALI
    14. YEH HASRAT HAI MERI, TERE DAR PE AAOU(N)
    15. NAZAR SABZ GHUMBAD PE, APNI JAMAAU(N)
    16. KABHI CHOOM LU(N), TERE ROZE KI JAALI
    17. BANAALO MUJHE, APNE DAR KA SAWAALI
    18. RIYAZ, YEH NA’ATEI(N) NABI KA SILA HAI
    19. KARAM TUJH PE KAISA, KHUDA NE KIYA HAI
    20. YEH RAAH TERI BAKHSHISH KI, KAISI NIKAALI
    21. BANAALO MUJHE, APNE DAR KA SAWAALI
    22. MADINEY KE WAALI, SHAHENSHAAHE AALI

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:

    Line 2: JHIRKIYA = JHARAK NA, DHUTKAAR NA
    Line 18: SILA = NA’AT KA SILA (BADLA)

     

  81. WOH KAMAALE HUSNE HUZOOR HAI KE
  82. 1. WOH KAMAALE HUSNE HUZOOR HAI KE, GUMAANE NAQS JAHAA(N) NAHI(N)
    2. YEHI PHOOL KHAAR SE DUR HAI, YEHI SHA’MA’ HAI KE DHUAA(N) NAHI(N)
    3. MAY(N) NISAAR TERE KALAAM PAR, MILI YU(N) TO KIS KO ZUBAA(N) NAHI(N)
    4. WO SUKHN HAI JIS MEI(N) SUKHN NA HO, WOH BAYAA(N) HAI, JIS KA BAYAA(N) NAHI(N)
    5. BAKHUDA, KHUDA KA YEHI DAR, NAHI(N) AUR KOI MAFAR, MAQAR
    6. JO WAHAA(N) SE HO, YAHI(N) AAEY HO, JO YAHAA(N) NAHI(N) TO WAHAA(N) NAHI(N)
    7. TERE AAGEY YU(N) HAI(N) DABE, LACHE, FUS-HAAEY ARAB KE BARE, BARE
    8. KOI JAANE MUNH MEI(N) ZUBAA(N) NAHI(N), NAHI(N) BALKE JISM MEI(N) JAA(N) NAHI(N)
    9. KARU(N) MADD-HE AIH’L-E DOVUL RAZA, PARE IS BALA MEI(N) MERI BALA
    10. MAY(N) GADA HU(N), APNE KARIM KA, MERA DEEN PAARAAEY NAA(N) NAHI(N)

    Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

    Meanings:

    Line 1: GUMAAN = SOCHNA
    Line 1: GUMAANE NAQS = JIS KE BAARE MEI(N) NAQS SOCH NE KA GUMAAN BHI
    NAHI(N) HAI.

    Line 2: KHAAR = KAANTA

    Line 3: NISAAR = QURBAAN

    Line 4: SUKHN = KALAAM. Reference is made to the Holy Qur’an and the Hadith.
    AAP JAISI ZUBAA(N) KISI KO NA MILI, NA MILEGI.
    Line 4: JO BAYAA(N) AAP NE KIYA HAI, AISA BAYAA(N) AUR KOI BHI NAHI(N) KAR SAKEGA.
    Line 5: BAKHUDA = KHUDA KI QASAM

    Line 5: MAFAR MAQAR = You cannot change this. IS MEI(N) AUR KOI CHIZ KI
    GUNJAAEESH NAHI(N).

    Line 7: FUS-HAAEY = Refers to the famous poets and the elite intellectuals. (BARE,
    BARE KALAAM PARH NE WAALE). This word merits detailed
    explanation. It’s use here is derived from "FASIH AUR BALIGH".
    Therefore you can say in Urdu: "YEH BAHOT FASAAHAT AUR
    BALAAGHAT WAALI ZUBAA(N) BOLTA HAI." "YEH BAHOT
    FASIH AUR BALIGH HAI". BALAAGHAT = Rhetoric eloquence
    Line 8: These poets and intellectuals became speechless in front of Hazoor (SAW)’S
    most eloquent of speeches and discourses.

    Line 9: MADD-HE = TAA’RIF

    Line 9: AIH’L-E DOVUL = Rich and idle people. (DOVUL = DAULAT).

     

  83. HAAJIYO, AAO SHAHENSHAAH KA ROZA DEKHO
  84. 1. HAAJIYO, AAO SHAHENSHAAH KA ROZA DEKHO
    2. KAA’BAH TO DEKH CHUKE, KAA’BAH KA KAA’BAH DEKHO
    3. RUKNE SHAAMI SE, MITTIYE-WEHSHATE SHAAME GHURBAT
    4. AB MADINEY KO CHALO, SUBH DILAARA DEKHO
    5. AABE ZAM ZAM TO PIYA, TO KHOOB BUJHAAI PYAASEI(N)
    6. AAO, JUDE SHAHE KAUSAR KA BHI DARYA DEKHO
    7. KHOOB AANKHO(N) SE LAGAAYA HAI GHILAAFE KAA’BAH
    8. KASARE MEHBOOB KE PARDE KA BHI JALWAAH DEKHO
    9. WAHAA(N) MUTIO(N) KA, JIGAR KHAUF SE PAANI PAAYA
    10. YAHAA(N) SIYAAHKAARO(N) KA, DAAMAN PAR MACHALNA DEKHO
    11. DHO CHUKA ZULMATE DIL, BOSAAEY SANGE ASWAD
    12. KHAAK BOSI MADINEY KA BHI, RUTBA DEKHO
    13. GHAUR SE SUN TU RAZA, KAA’BE SE AATI HAI YEH SADA
    14. MERI AANKHO(N) SE MERE PYAAR KA ROZA DEKHO.

    Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

    Meanings:

    Line 3: SHAAME GHURBAT = Poor evening

    Line 3: I am helpless here, as I spend my evening in front of "MITTI SE JURA HUA PATHTHAR;
    RUKNE SHAAMI".

    Line 4: MADINEY KI SUBH, JO DIL KO KHE(N)CH NE WAALI HAI, US KO DEKHO.
    Line 6: JUDE = KARAM WAALE

    Line 8: KASARE MEHBOOB = MEHBOOB KA MAHEL

    Line 8: HAZOOR (SAW) KA PARDAAH, i.e., UN KE GHILAAF KO BHI DEKHO.
    Line 9 / 10: WAHAA(N) (MAKKAH SHARIF MEI(N)), DIL NE KHAUF (YA DARR) KE MAARE
    PAANI PAAYA. Meaning the worshippers had shed tears out of sheer fear. However, in
    Madinah Sharif, you saw tears being shed out of sheer love
    for the Prophet Muhammad (SAW).

    Line 11: HAJRE ASWAD KO BOSA DETE WAQT, HAMAARE DIL KE ANDAR JO
    SIYAAHI THI, WOH ZULMAT AUR GUNAAHO(N) NE
    AANSHU BAHAAEY. TO IS TARAAH HAM NE HAJRE ASWAD KO DHO LIYA.
    Line 12: By contrast, compare the loving and affectionate way,
    we kiss the holy dust of Madinah Sharif.

     

  85. MAAHE RAMAZAAN KI FURQAT
  86. The main lines to be repeated by the Na’at Khwaan are as follows:

    MAAHE RAMAZAAN KI FURQAT NE MAARA

    DIL HUA JAATA HAI PAARA, PAARA

    1. TERI ULFAT THI, HAR EK KE DIL MEI(N)
    2. TERI AZMAT THI, HAR EK KE DIL MEI(N)
    3. TUNE HAM SE KIYA KYO(N) KINAARA
    DIL HUA

    4. TUNE UJRE HUEY GHAR BASAAYE
    5. TUNE ROTE HUEY DIL HANSAAEY
    6. TERE BIN HOGA KAISEY NAZAARA
    DIL HUA

    7. GHAR MEI(N) LAAEI(N)GE, KIS KI BARKAT
    8. HAM PAR BARSEGI AB, KIS KI REHMAT
    9. PHIR BHI DIDAAR DENA KHUDAARA
    DIL HUA

    10. TERE SHAIDA AB KYA KAREI(N)
    11. TERI FURQAT MEI(N) JAL, JAL MAREI(N)
    12. TERA JAANA HAI, KIS KO GAWAARA
    DIL HUA

    13. A’ZAM KHASTA RO, RO PUKAARE
    14. PHIR BHI AMIN KE YEH DIN HAMAARE
    15. JAAO, HAAFIZ, KHUDA HO TUMHAARA
    DIL HUA

    Author: JANAAB MUHAMMAD A’ZAM CHISHTI

    Meaning:
    Main Line 2: PAARA, PAARA = TUKRA, TUKRA

     

  87. SAFAR TAI’BAH PAR RAWAANA HO NE SE PEHLE
  88. 1 ASHKE PEHAM KI MAY(N) BARSAAT LAGAALU(N) TO CHALU(N)
    2. APNE DAAMAN SE HAR IK DAAGH MITAALU(N) TO CHALU(N)
    3. CHOOMLU(N) CHASH’ME TASAWWUR MEI(N), DARE SHAAHE UMAM
    4. SABZ GUMBAD KO NIGAAHO(N) MEI(N) BASAALU(N) TO CHALU(N)
    5. TORDU JHUTHI "ANA" KE, SAB HI PAIMAA’NOH KO
    6. APNE HO NE KI ALAAMAAT MITAALU(N) TO CHALU(N)
    7. AAJZI KE PHOOL HAWAAO(N) MEI(N) BIKHERU(N) PEHLE
    8. MAGHFIRAT KA SARO SAAMAAN UTHAALU(N) TO CHALU(N)
    9. DAAMANE ARZE HOONAR CHAAK HUA JAATA HAI
    10. KHUSHK HO(N)THO PE ZARE NA’AT SAJAALU(N) TO CHALU(N)
    11. KASARE IMAA(N) PE MUSALLAT HAI, MUFAADAAT KA JABAR
    12. SHEHRE AD-HAAM KE AZAAM GIRAALU(N) TO CHALU(N)
    13. JAAN DAIDU(N) SARE DAHLIZ PAYAMBAR MEI(N) BHI, RASTA KOI HAZOORI KA
    14. HAR TARAF PHAILA HAI AFKAAR, NADAAMAT KA HAJHOOM
    15. KAR KE MADD-HAAT KO RAGEJAA(N) MEI(N) CHUPAALU(N) TO CHALU(N)
    16. SAATH LETA CHALU(N) AURAAQE TAMANNA KA NISAAB
    17. JOHRE ISHQE HAWAADAS SE BACHAALU(N) TO CHALU(N)
    18. SAJDAAEY SHUKR BHI WAAJIB HAI, MERE HO(N)THO PAR
    19. JAANIBE SHEHRE NABI, NAAME KHUDA LU(N) TO CHALU(N)
    20. SAAMNE SHEHRE PAYAMBAR KE GUZAR GAA HAI, RIYAZ
    21. ZARRE, ZARRE KO MAY(N) PALKO PE SAJAALU(N) TO CHALU(N)
    22. SHAUQ DAAMAN KO NAHI(N) CHORTA LEKIN
    23. MAY(N) RIYAZ TISHNAGI HARFE SHATAAISH KI BUJAALU(N) TO CHALU(N)

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:

    Line 1: ASHK = Tears PEHM = Continuous
    Line 1: ASHKE PEHAM = LAGAATAAR AANSHU BAHAANA (To decorate
    one’s self with the garments of tears)

    Line 3: CHASH’ME TASAWWUR = AANKHEI(N) BAND KAR KE (In my imagination),
    AGAR MAY(N) CHOOMLU(N) HAZOOR KA DAR
    TO
    Line 5: JHUTHI "ANA" = If I should break the false pride of the Nafs. The "I"
    ness of the being; the self importance , which is
    forever self gratifying.

    Line 5: PAIMAA’NOH = Cups

    Line 6: ALAAMAAT = NISHAANIYAA(N) (Symbols)

    Line 7: AAJZI = Humbleness

    Line 7: If I should sprinkle the humbleness and thereby don the garment of humility.
    Line 9: DAAMANE ARZ (YAANI MAANG NE KA TARIQA AUR FUN), AB BETAABI
    MEI(N) PHAT RAHA HAI. He is in sheer desparation now.

    Line 10: ZAR = Gold; HO(N)THO PE NA’AT KE ZEVAR
    SAJAALU(N) TO

    Line 11: KASARE IMAA(N) = IMAAN KA MAHEL

    Line 11: MUSALLAT = QABZA

    Line 11: MUFAADAAT = APNE FAAIDE KA SOCHNA (Selfishness)
    Line 11: It seems that our self interest seems to prevail over our core foundation of Imaan.
    Line 12: AD-HAAM = WAHEM / SHAK (Doubts / inquisitiveness / prying)
    Line 12: AZAAM = IRAADA KARNA

    Line 12: WAHEM KE SHEHR KE IRAADE KO GIRAALU(N) TO CHALUN
    Line 13: SARE DAHLIZ = CHOKHAT

    Line 13: USKI CHOKHAT PE APNI JAAN DENA CHAAHTA HU(N). ISI LIYE HAAZRI
    DENE KA KOI BAHAANA CHAAHIYE.

    Line 14: AFKAAR = Plural of FIKR

    Line 14: NADAAMAT = SHARMINDAGI (APNE GUNAAHO(N) KI
    WAJAAH SE)

    Line 15: MADD-HAAT = MID’HAT or TA’ARIF (Praise)

    Line 15: If I were to go to Madinah Sharif, after my soul, body and spirit nay indeed if
    the whole of my subconscience and interior, down to each and every individual
    cell and corpuscle had adopted his praise and love.

    Line 16: AURAAQ = Pages, plural of WARAQ (a page).

    Line 16: NISAAB = Pamphlet

    Line 16: AURAAQE TAMANNA KA NISAAB = If I could take the pages of my wish list.
    Line 17: JOHRE ISHQ = Essence of love

    Line 17: HAWAADAS = Incidents

    Line 17: If I can safeguard my love for the Prophet Muhammad (SAW) from the political
    incidents of work place and the duniya at large, which sways my IMAAN.
    Line 19: AGAR ALLAH KA NAAM LE KAR, JAANIBE (Towards) SHEHRE NABI CHALU(N) TO
    Line 20: The way to Madinah is only at an arm’s length away. It is always in front of you, should
    you wish to take it. But do you wish to take it ?

    Line 21: MADINAH SHARIF KI MITTI KE EK, EK ZARRE KO MAY(N) AANKHO(N) MEI(N) SURME KI TARAAH SAJAALU(N) TO

    Line 22: SHAUQ = TAMANNA

    Line 23: TISHNAGI = Thirst
    Line 23: HARFE SHATAAISH = TA’ARIF KE HARF (Words)

    Line 23: Should I quench my thirst by reciting the goodness of the Holy Prophet
    Muhammad (SAW).


  89. NABI KE ISHQ NE, JIS KO HASIN BANAAYA HAI
  90. 1. NABI KE ISHQ NE, JIS KO HASIN BANAAYA HAI
    2. WOHI FARID, WOHI DAATA, BAN KE AAYA HAI
    3. JAHAA(N) KAHI(N) BHI QADAM, MERA DAGMAGAAYA HAI
    4. SAHAARA DENE KARAM, AAP HI KA AAYA HAI
    5. SATA SAKEGI NA HAM KO BHI, GARMI-AEY MEHSHAR
    6. HAMAARE SAR PE HABIBE KHUDA KA SAAYAAH HAI
    7. ISI TAMANNA MEI(N) JITE HAIN, KOI YEH KEHDE
    8. CHALO, CHALO, TUMHE SARKAAR NE BULAAYA HAI
    9. GHAME HABIBE KHUDA NE JISE NAWAAZ DIYA
    10. ALIM, AA’LAME GHAM MEI(N) BHI MUSKURAAYA HAI

    Author: JANAAB ALIM AHMED ALIM

     

  91. RUKH PE REHMAT KA
  92. 1. RUKH PE REHMAT KA JHUMAR SAJAAYE, KAMLIWAALE KI MEHFIL SAJI HAI
    2. MUJH KO MEHSOOS YU(N) HO RAHA HAI, UNKI MEHFIL MEI(N) JALWA GARI HAI
    3. NA’AT HUSNE SHAHE DO SARA HAI, NA’AT HI ZIKRE RABBUL AALA HAI
    4. NA’AT LIKHNA MERI ZINDAGI HAI, NA’AT KEHNA MERI BANDAGI HAI
    5. HUSN ME’RAAJ KI RAAT DEKHO, KAMLI WAALE KI BAARAAT DEKHO
    6. HAR TARAF CHAANDNI, CHAANDNI HAI, HAR TARAF ROSHNI, ROSHNI HAI
    7. WOH SAMA KAISA ZEESHAAN HOGA, JAB KHUDA MUSTAFA SE KAHEGA
    8. AB TO SAJDE SE SAR KO UTHAALO, AAP KI SAARI UMMAT BARI HAI
    9. DIL KE GULSHAN KI MAHEKI FIZAAEI(N), WAJD MEI(N) HAI(N) NIYAZI HAWAAEI(N)
    10. UN KE HUSNE TASAWWUR SE, MERE DIL KI AABAD BAARAAHDARI HAI

    Author: JANAAB ABDUL SATTAR NIYAZI

    Meanings:

    Line 1: RUKH PE = CHEHRE KE OO’PAR

    Line 1: MERE CHEHRE KE OO’PAR, UNKI REHMAT KA JHUMAR MAY(N) PEHNU
    Line 2: UNKI MEHFIL MEI(N) JALWA GARI HAI = HAZOOR MEHFIL MEI(N)
    ZAROOR TASHRIF LE AAEI(N) HAI(N)

    Line 10: BAARAAHDARI = BAARAAH DARVAAZEY. May the dimensions of my Heart,
    be always open to receive the Rehmat of Allah Subhaanuhu Wa Ta’ala; by my constant
    remembrance and love of the Hazoor, Prophet Muhammad (SAW).

  93. WOH RASOOL, MERA RASOOL HAI
  94. 1. JO GALE LAGAAEY, ADU KO BHI, WOH RASOOL MERA RASOOL HAI
    2. KOI KHAALI HAATH GAYA NAHI(N), YEH MERE SAAQI KA ASOOL HAI
    3. TU JO CHAAHE RAAZI HO MUSTAFA, TU JO CHAAHE TUJH KO MILE KHUDA
    4. KISI TUTE DIL KO TALAASH KAR, KE WOH DIL KHUDA KO QABOOL HAI
    5. ISEY JHUK KE CHOOMA HAI ARSH NE, HAI LAGI NABI KE YEH PAAO(N) SE
    6. ISEY DAAL AANKHO(N) MEI(N) SHAUQ SE, YEH DARE RASOOL KI DHOOL HAI
    7. WOH NABI JO MERA BHALA KARE, MERI BAKHSHISO(N) KI DUA KARE
    8. MUJHE BHOOL JAAEY WOH HASHR MEI(N), MERE DUSHMANO(N) KI YEH BHOOL HAI
    9. YEH NIYAZI JAAEI(N) KAHAA(N), SHAHA KE NAAM LEVA YEH AAP KA
    10. YEHI KEHNA JAAKE, TU AEY SABA, KE WOH GHAMZADAAH HAI, MALOOL HAI

    Author: JANAAB ABDUL SATTAR NIYAZI

    Line 1: ADU = DUSHMAN

    Line 2: SAAQI = PILAANE WAALA. (From HAUZE KAUSAR in JANNAT).
    Line 3/4: Oh! Wayfarer, if you want to please Allah and his Holy Prophet Muhammad (SAW), then
    look for a broken heart, which is thoroughly engrossed in their love.
    Line 10: SABA = HAWA

    Line 10: GHAMZADAAH = GHAM KA MAARA

     

  95. RAKHSHANDA TERE HUSN SE
  96. 1. RAKHSHANDA TERE HUSN SE, RUKHSAARE YAQI(N) HAI
    2. TAABINDA TERE ISHQ SE, IMAA(N) KI JABI(N) HAI
    3. JIS MEI(N) HO TERA ZIKR, WOHI BAZM HAI RANGI(N)
    4. JIS MEI(N) HO TERA NAAM, WOHI BAAT HASI(N) HAI
    5. CHAMKA HAI TERI ZAAT SE, INSAAN KA MUQADDAR
    6. TU KHAATIME DAURAA(N) KA, DARAKHSHANDA NAGI(N) HAI
    7. CHAMKI THI KABHI JO TERE NAQSHE KAFEY PAA SE
    8. AB TAK WOH ZAMI(N) CHAAND, SITAARO(N) KI ZAMI(N) HAI
    9. AAYA HAI TERA ISM MUBAARAK MERE LAB PAR
    10. GAR CHE YEH ZUBAA(N) ISKI SAZAAWAAR NAHI(N) HAI

    Author: JANAAB SUFI GHULAAM MUSTAFA TABASSUM

    Meanings:
    Line 1: RAKHSHANDA = Visible (e.g., CHAMAKNA)

    Line 1: MERE GAAL CHAMAK RAHE HAI(N), AAP KE NOOR SE
    Line 2: TAABINDA = CHAMAKDAAR

    Line 2: MERI JABI(N) (Forehead) CHAMAK RAHI HAI, SIRF MERE PYAAR KI WAJAAH SE

    Line 3: BAZM = MEHFIL
    Line 6: KHAATIME DAURAA(N) = AAKHRI DAUR KA

    Line 6: DARAKHSHANDA = Shiny
    Line 6: NAGI(N) = Jewel (NAG)
    Line 7: NAQSHE = Prints
    Line 7: KAFEY PA = Foot
    Line 10: GAR CHE = Although
    Line 10: MERI ZUBAA(N) US KE QAABIL NAHI(N) HAI

  97. MAN MOHANE NABI MAKKI, MADANI
  98. 1. MAN MOHANE NABI MAKKI, MADANI, HAM PAR BHI KARAM FARMA JAANA
    2. TORI DID KE PYAASE BAITHE HAI(N), MORE SHAHA, PYAAS BUJHA JAANA
    3. LAJPAALO(N) KE LAJPAAL NABI, MORI KUTIYAA(N) MEI(N) BHI AAO KABHI
    4. TORI RAAHAT KO MAY(N) KARU(N) BINTI, MORE SOYE BHAAG JAGA JAANA
    5. TERE NAAM KA SAD’QAH KHAATE HAI(N), HAM TERE HI GUN GAATE HAI(N)
    6. KOI JAANE, JAANE NA JAANE, HAM NE TO TUMHE DAATA JAANA
    7. HAM PAR BHI KARAM KI KIJO NAZAR, QISMAT MEI(N) RAHE TAI’BAH KA SAFAR
    8. SARKAAR, TUMHAARI GALIYO(N) MEI(N) MANGTO(N) KA RAHE AANA JAANA
    9. YEH KITNA KARAM ALLAH KA HUA, YEH KITNA BARA AIJAAZ MILA
    10. DUNIYA NE NIYAZI KO SHAAHA, JAANA TO TERA MANGTA JAANA

    Author: JANAAB ABDUL SATTAR NIYAZI

    Meanings:

    Line 3 KUTIYAA(N) = CHOTA SA GHAR

    Line 9: AIJAAZ = BARAAI, Commendation

     

  99. TERE QADMO(N) MEI(N) AANA, MERA KAAM HAI
  100. The main lines to be repeated by the Na’at Khwaan are as follows:

    TERE QADMO(N) MEI(N) AANA, MERA KAAM HAI
    MERI QISMAT JAGAANA, TERA KAAM HAI
    MERI AANKHO(N) KO HAI, DEED KI AARZOO
    RUKH SE PARDAAH HATHAANA, TERA KAAM HAI

    1. MERE DIL MEI(N) HAMESHAAH, TERI YAAD HAI
    2. ZEHAN TERE TASAWWUR KA, MOHTAAJ HAI
    3. IK NIGAAHEI(N) KARAM HI, MERI LAAJ HAI
    4. LAAJ MERI NIBHAANA, TERA KAAM HAI
    TERE QADMO(N) MEI(N) AANA

    5. AAKHRI WAQT HO, TERE BIMAAR KA
    6. EK QATRA MILE, JAAME DIDAAR KA
    7. AAKHRI HAI MERE DIL KI, HASRAT YEHI
    8. YEH HASRAT MITAANA, TERA KAAM HAI
    TERE QADMO(N) MEI(N) AANA

    9. TAUSHAAEY AAKHIRAT HAI, SANA KHWAAN KA
    10. ZIKR KARTA RAHE, TERE FAIZAAN KA
    11. NA’AT TERI SUNAANA, MERA KAAM HAI
    12. MERI BIGRI BANAANA, TERA KAAM HAI
    TERE QADMO(N) MEI(N) AANA

    13. MERE DIL KA SUKU(N), MERE DIL KI SADA
    14. HAI ZAHOORI SANAAEY, HABIBE KHUDA
    15. YEH SADAAEY AQIDAT, AEY BAADE SABA
    16. JAAKE UNKO SUNAANA, TERA KAAM HAI
    TERE QADMO(N) MEI(N) AANA

    Author: JANAAB MUHAMMAD ALI ZAHOORI

    Meanings:
    Line 9: TAUSHAAEY = Assets

    Line 15: BAADE = Air

    Line 15: SABA = Morning

     

  101. SHEHRE KONEIN JALAALAT TERI
  102. 1. ALLAH, ALLAH, SHEHRE KONEIN, JALAALAT TERI
    2. FARSH KYA, ARSH PE JAARI HAI HUKUMAT TERI
    3. MAUT AAJAAYE MAGAR AAYE DIL KO AARAAM
    4. DAM NIKAL JAAYE MAGAR NIKALEY NA ULFAT TERI
    5. DEKHNE WAALE KAHA KARTE HAI(N), ALLAH, ALLAH
    6. YAAD AATA HAI KHUDA, DEKH KE SOORAT TERI
    7. TUHI HAI MULKE KHUDA, MILKE KHUDA KA MAALIK
    8. RAAJ TERA HAI, ZAMAANE MEI(N), HUKUMAT TERI
    9. HAM NE MAANA KE GUNAAHO(N) KI NAHI(N) HADD LEKIN
    10. TUHE UN KA TO HASAN TERI HAI JANNAT TERI

    Author: JANAAB HASAN RAZA KHAN

    Meaning:
    Line 7: MILKE KHUDA KA MAALIK = JO MILKIYYAT ALLAH TA’ALA KE QABZE
    MEI(N) HAI, US KO ALLAH NE AAP KO MAALIK BANA DIYA HAI.

  103. MADINEY KO JAAEY, YEH JEE CHAAHTA HAI
  104. 1. MADINEY KO JAAEI(N), YEH JEE CHAAHTA HAI
    2. MUQADDAR BANAAEI(N), YEH JEE CHAAHTA HAI
    3. JAHAA(N) DONO(N) AA’LAM HAI(N), MEHWE TAMANNA
    4. WAHAA(N) SAR JHUKAAEI(N), YEH JEE CHAAHTA HAI
    5. MUHAMMAD KI BAATEI(N), MUHAMMAD KI SIRAT
    6. NAHI(N) AUR SUNAAEI(N), YEH JEE CHAAHTA HAI
    7. MADINEY KE AAQA, DO AA’LAM KE MAULA
    8. TERE PAAS AAEI(N), YEH JEE CHAAHTA HAI
    9. PAHO(N)CH JAAEI(N) BEHZAAD, JAB HAM MADINEY
    10. TO KHUD KO NA PAAEI(N), YEH JEE CHAAHTA HAI

    Author: JANAAB BEHZAAD LAKHNAWI

    Meaning:

    Line 3 MEHWE = Absorbed

     

  105. JO ARSH PAR JALWAAGAR HUEY

  106. This NA’AT is composed in the memory of "ME’RAAJ SHARIF".

    1. WOH SARWARE KISHWARE RISAALAT, JO ARSH PAR JALWAAGAR HUEY THE
    2. NAYE NIRAALE TARAB KE SAAMAAN, ARAB KE MEHMAAN KE LIYE THE
    3. WOHI TO AB TAK CHALAK RAHA HAI, WOHI TO JOBAN TAPAK RAHA HAI
    4. NAHAANE MEI(N) JO GIRAATHA PAANI, KATORE TAARO(N) NE BHAR LIYE THE
    5. BACHA JO TALWO(N) KA UN KE DHOWAN, BANA WOH JANNAT KA RANGO ROGHAN
    6. JINHO(N) NE DULHA KI PAAI UTRAN, WOH PHOOL KHUZAARE NOOR KE THE
    7. UTAAR KAR UN KE RUKH KA SAD’QAH, YEH NOOR KA BAN RAHA THA BARA
    8. KE CHAAND SURAJ MACHAL, MACHAL KAR, JABI(N) KI KHAIRAAT MAANG TE THE
    9. KAU’NO MAKAA(N) KE JHOOTE NUKTO, TUM AWWAL AAKHIR KE PHAIR MEI(N) HO
    10. MUHIB KI CHAAL SE TO PUCHO, KIDHAR SE AAEY KIDHAR GAYE THE

    Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

    Meanings:

    Line 1 KISHWARE = MULK, HUKUMAT

    Line 2: TARAB KE SAAMAAN = KHUSHI KE SAAMAAN

    Line 3: JOBAN = JAWAANI

    Line 6: KI PAAI UTRAN = JAB KOI CHIZ UTAARI

    Line 9: KAU’NO MAKAA(N) = DUNIYA (In this context DUNIYAWI CHIZ).

    Line 9: PHAIR = CHAKKAR

    Line 9: You are engrossed in the worldly matters.

    Line 10: MUHIB = JIS KO DEKH KAR AAP KO SUROOR AA JAATA
    HAI. HAZOOR (SAW) MEHBOOB HAI AUR ALLAH TA’ALA UN KA MUHIB HAI.
    Line 10: Refers to SHABE ME’RAAJ. Hence the words: "KIDHAR SE AAEY KIDHAR GAYE THE".

  107. JIS TARAF CHASH’ME MUHAMMAD KE ISHAARE
  108. 1. JIS TARAF CHASH’ME MUHAMMAD KE ISHAARE HO GAYE
    2. JITNE ZARRE SAAMNE AAEY, SITAARE HO GAYE
    3. YA MUHAMMAD AAP KI NAZARO(N) KA YEH IJAAZ HAI
    4. JIS TARAF NAZAREI(N) UTHI(N), SAB TUMHAARE HO GAYE
    5. MAY(N) HOO(N) AUR YAADEI(N) MADINAH AUR HAI TANHAAIYAA(N)
    6. APNE BEGAANE SABHI MUJH SE KINAARE HO GAYE
    7. APNI KAMLI KA ZARA SAAYAAH INAAYAT HO MUJHE
    8. DIL KE DUSHMAN JA, MUHAMMAD DIL SE PYAARE HO GAYE
    9. SABZ GHUMBAD KE ISHAARE, SAGAR MARHABA
    10. JAG MAGA KAR ZINDAGI KE MAAH PAARE HO GAYE

    Author: JANAAB SAGAR SIDDIQI

    Meanings:

    Line 2: ZARRE = CHOTE SE CHOTA

    Line 10: MAAH = CHAAND

     

  109. WOH LA MAKAA(N) KE MAKI(N) HUEY
  110. This NA’AT is also composed in the memory of "ME’RAAJ SHARIF".

    1. WOH LA MAKAA(N) KE, MAKI(N) HUEY
    2. SARE ARSH TAK, NASHI(N) HUEY
    3. WOH NABI JIS KE HAI, YEH MAKAA(N)
    4. WOH KHUDA HAI JIS KO, MAKAA(N) NAHI(N)
    5. SARE ARSH PAR HAI, TERI GUZAR
    6. DILE ARSH PAR HAI, TERI NAZAR
    7. MALAKUTO MULK MEI(N) KOI SHAY NAHI(N)
    8. WOH JO BE-AYAA(N) NAHI(N)
    9. JAISE MERA SARKAAR HAI, AISA KOI NAHI(N)
    10. AB MERI NIGAAHO(N) MEI(N), JACHTA NAHI(N) KOI
    11. TUMSA TO HASI(N) AANKH NE TO, DEKHA NAHI(N) KOI
    12. KYA SHAANE LATAAFAT HAI, SAAYAAH NAHI(N) KOI

    Meanings:

    Line 7: SHABE ME’RAAJ KI RAAT, AAP KO HAR CHIZ (SHAY) BATAAI GAYI
    Line 7: MALAKUTO MULK MEI(N) = AASMAA(N) AUR ZAMI(N) MEI(N)
    Line 8 AYAA(N) = ZAAHIR

    Line 12: SHAANE LATAAFAT = Derived from the word "LUTF", e.g., JIS KO DEKH
    KAR SUROOR AATA HAI.

  111. NAZARO(N) MEI(N) DO JAHAA(N) HAI(N), REHMAT HO DO
    JAHAA(N) KI
  112. The main line to be repeated by the Na’at Khwaan is as follows:

    NAZARO(N) MEI(N) DO JAHAA(N) HAI(N), REHMAT HO DO JAHAA(N) KI

    1. YAAD HAI MUJH KO TOOR PAR, TERI WOH LAN TARAANIYAA(N)
    2. UNSE KAHA NAHI(N), NAHI(N), AAP KO SAB DIKHA DIYA
    NAZARO(N) MEI(N)

    3. ROSHAN HAI TUJH SE DUNIYA, RAUNAQ HO AASMAA(N) KI
    4. GHAMKHWAAR BEKASO(N) KE, AUR CHAARASAAZ SAB KE
    NAZARO(N) MEI(N)

    5. PARHTI DUROOD TUJH PAR, MAKHLOOQ AASMAA(N) KI
    6. AB TO BULA LO DAR PE, UMMAT KE AASIYO(N) KO
    NAZARO(N) MEI(N)

    7. JIS NE PUKAARA TUJH KO, AAKAR USE AMAA(N) DI
    8. MUSHTAAQ AMBIYA HAI(N), TERE DAR KI HAAZRI KE
    NAZARO(N) MEI(N)

    9. TERI ZAAT EK KHUSHBOO, MATLOOB LA MAKAA(N) KI
    10. JINNO, BASHAR, MALA-IK, SAB MUNTAZIR KHARE HAI(N)
    NAZARO(N) MEI(N)

    11. TERE HUSN KI JHALAK KE, JO AZEEM HAI(N) JAHAA(N) MEI(N)
    12. AAQA JAMIL KO BHI, KAR DIJIYE ISHAARA
    NAZARO(N) MEI(N)

    13. TERE DAR KI HAAZRI AB, RAAHAT HAI MERI JAA(N) KI
    14. MATLOOB LA MAKAA(N) KI, ZEENAT KO INNO AAN KI
    NAZARO(N) MEI(N)

    Author: JANAAB JAMIL

     

    Meanings:

    Main Line: AAP KI NAZAR MEI(N) DONO(N) JAHAA(N) HAI. But at the same time, "AAP DONO(N)
    JAHAA(N) KI REHMAT HAI".

    Line 1: AAYAAT "LAN TARAANIYAA(N)" = Refers to the well known Aayaat 143, in the
    Surah "AL A’ARAAF" of the Holy Qur’an. "QAALA, LAN TARAANI WA LA KENIN ZUR….". Meaning, "You cannot bear to see me….". H. Musa (AS) asked to see Allah Subhaanuhu Wa Ta’ala and the answer was an emphatic "no".

    Line 4: AAP BEKASO(N) KE GHAM KHAANE WAALE HAI(N).

    Line 4: CHAARASAAZ = ILAAJ KAR NE WAALA

    Line 8: MUSHTAAQ = Longing for ardently, e.g., all the Prophets long to be and
    are fond of giving "HAAZRI" in your "DARBAAR".

    Line 9: MATLOOB = Derived from TALAB, e.g., to desire

    Line 9: LA MAKAA(N) = Literal meaning is "the place of no place". Reference is
    therefore made to the place where on the night of Shabe
    Me’raaj, even H. Jibraeel (AS) stopped and could not go
    any further. It is a place where the concept and the logic
    of time and space as we know it ends, a place of
    "LA MAKAA(N)".

    Line 10: MUNTAZIR = The one who awaits, e.g., INTEZAAR KAR NE WAALA.
    SAB INTEZAAR MEI(N) KHARE HAI(N).

    Line 14: ZEENAT = Grace, sheer elegance, beauty, adornment

    Line 14: INO AAN = YAHAA(N), WAHAA(N), e.g., In this case "DONO(N)
    JAHAA(N)".

    Line 14: Even the place of "LA MAKAAN" is TALABGAAR of Prophet Muhammad (SAW) who is the ZEENAT of DONO(N) JAHAA(N).

     

  113. REHMAT BARAS RAHI HAI
  114. 1. REHMAT BARAS RAHI HAI, MEHFIL BARI SAJI HAI
    2. ANWAAR KI GHARI HAI, MEHFIL BARI SAJI HAI
    3. FAIZAANE MUSTAFA HAI, HAR EK SIMAT JAARI
    4. LAB PAR NABI, NABI HAI, MEHFIL BARI SAJI HAI
    5. QAADIRO; ABDE QADIR, KE CHAAYE HAM PE SAAYE
    6. BIGRI BANI HUI HAI, MEHFIL BARI SAJI HAI
    7. KHUSH BAKHT HAI YEH SAARE, JO HAI(N) SHARIKE MEFFIL
    8. HAI JIS KE MUSTAFA SE, SAARI FIZA MUATTAR
    9. HAR SIMAT ROSHNI HAI, MEHFIL BARI SAJI HAI
    10. AKHTAR SAJI THI KEHDE, DUNIYA SE BARMALA TU
    11. YEH DORE QAADRI HAI, MEHFIL BARI SAJI HAI

    Author: JANAAB AKHTAR

    Meaning:

    Line 10: BARMALA = Declare it publicly and openly.

     

     

  115. TERE MEHBOOB KA, JALWA NAZAR AAEY
  116. 1. YA RABB, TERE MEHBOOB KA, JALWA NAZAR AAEY
    2. US NOORE MUJASSIM KA, SARAAPA NAZAR AAEY
    3. AEY KAASH KABHI AISA BHI HO, KHWAAB MEI(N) MERE
    4. HU(N) JIS KI GHULAAMI MEI(N), WOH AAQA NAZAR AAEY
    5. ROSHAN RAHE(IN) AANKHEI(N), YEH MERI BAA’DE FANA BHI
    6. GAR WAQTE NIZ’A WOH, SHAHE WAALA NAZAR AAEY
    7. TA HASHR MERI QABR MEI(N), HO JAAYE UJAALA
    8. MARQAD MEI(N) JO UN KA, RUKHE ZAIBA NAZAR AAEY
    9. JIS DAR KA BANAAYA HAI, GADA MUJH KO ILAAHI
    10. US DAR PE KABHI KAASH, YEH MANGTA NAZAR AAEY
    11. KAA’BAH AEY RIYAZ, US KO BANA LUNGA MAY(N) DIL KA
    12. AGAR NAQSHE QADAM MUJH KO, NABI KA NAZAR AAEY

    Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

    Meanings:

    Line 7: TA = Until

    Line 8: MARQAD = QABR

    Line 8: RUKH = CHEHRA

    Line 8: ZAIBA = KHOOBSOORAT

     

  117. EID MANA NE DO
  118. The main lines to be repeated by the Na’at Khwaan are as follows:

    AAQA KE GHULAAMO(N) KO AB EID MANA NE DO

    SARKAAR KI AAMAD HAI, RAAHO(N) KO SAJA NE DO

    1. CHARCHA HAI YEHI HAR SU, KEHTA HAI YEH HAR KOI
    2. TASHRIF NABI LAAEY, MEHFIL KO SAJA NE DO
    AAQA KE GHULAAMO(N) KO

    3. GHAR, GHAR MEI(N) CHARAAGHAA(N) HAI, REHMAT KA UJAALA HAI
    4. AAQA KI SANA KAR KE, TAQDIR JAGA NE DO
    AAQA KE GHULAAMO(N) KO

    5. KHUSHIYAA(N) HAI SAB HI KARTE, SARKAAR KI AAMAD PAR
    6. IK NAGHMA HAI LAAHUTI, MUJH KO BHI SUNA NE DO
    AAQA KE GHULAAMO(N) KO

     

  119. AAQA BEMISAAL AA GAYA, AMINAH KA LAAL AA GAYA
  120. The main line to be repeated by the Na’at Khwaan is as follows:

    AAQA BEMISAAL AA GAYA, AMINAH KA LAAL AA GAYA

    1. JALWE HAR TARAF BIKHAR GAYE, SAAHIBE JAMAAL AA GAYA
    2. BOL SACH NABI KO DEKH KAR, HUSNE BEMISAAL AA GAYA
    AMINAH KA LAAL AA GAYA

    3. UNKI REHMATEI(N) HAI(N) IS QADAR, KUFR PAR ZAWAAL AA GAYA
    4. ZIKR HAI NABI KE ISHQ KA, YAAD YU(N) BILAAL AA GAYA
    AMINAH KA LAAL AA GAYA

    5. RAKH LIYA HUZOOR NE BHARAM, LAB PE SAWAAL AA GAYA
    6. DAAMANE NABI MILA USEY, JO BHI KHASTA HAAL AA GAYA
    AMINAH KA LAAL AA GAYA

    Meaning:

    Line 5: BHARAM = IZZAT

  121. MUBAARAK TUJHE YEH BARAAI HALIMA
  122. MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

    1. MUBAARAK TUJHE YEH BARAAI HALIMA
    2. BARE ILM WAALE KO LAAI HALIMA
    3. MILA DINO DUNIYA KA SARDAAR TUJH KO
    4. TERI BAAT HAQQ NE BANAAI HALIMA
    5. YEH HILMO SAWAAB UN KE HISSE MEI(N) AAYA
    6. KE LAAI UNHE AAJ DAAI HALIMA
    7. BANI SA’AD KA DAST RASHKE CHAMAN HAI
    8. GULE HASHIMI CHUN KE LAAI HALIMA
    9. WOH ALLAH WAALA TERI GAUD MEI(N) HAI
    10. BARI DAULATEI(N) LOOT LAAI HALIMA
    11. JO HOOR-O-MALAK KO MAYASSAR NAHI(N) HAI
    12. WOH NE’AMAT TERE HAATH LAAI HALIMA
    13. TERI GAUD MEI(N) WOH GULEY MUTALLIB HAI
    14. KE TAALIB HAI JIS KI KHUDAAI HALIMA
    15. NABI TUJH SE RAAZI, KHUDA TUJH SE RAAZI
    16. BARI KI TUNE KAMAAI HALIMA
    17. HUI MUSHKILEI(N) SAARI AASAAN AKBAR
    18. BANI JAB MUHAMMAD KI DAAI HALIMA

    Author: JANAAB AKBAR

     

    Meanings:

    Line 5: HILM = MOHABBAT

    Line 7: RASHKE CHAMAN = The pride of the beautiful garden (BAAGH)

    Line 7: Oh! Prophet Muhammad (saw), you are the pride of the garden of Bani Sa’ad (the tribe of
    H. BiBi Halima Sa’dia.)

    Line 11: MALAK = MALAAIKA (Angels)

    Line 11: MAYASSAR = MILTA

    Line 14: TAALIB = TALAB KAR NE WAALA

     

  123. SOTE JHULE MEI(N) BADRUD DUJA THE
  124. MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

    1. SOTE JHULE MEI(N) BADRUD DUJA THE
    2. PAAEY AARAAM KHAYRUL WARA THE
    3. BOLI SA’ADIYYAH BA JAA(N) FISHAANI
    4. UTHO, UTHO HALIMA KE JAANI
    5. BOLI SAD’QE HALIMA YEH DAAI
    6. TERE QADMO(N) MEI(N) FAIZ PAAI
    7. SOTA KAB KHAALIQE DO JAHAANI
    8. UTHO, UTHO, HALIMA KE JAANI
    9. UTHO, TUM ARSH KE GHOSH SAWAARI
    10. ARSH SOTA NAHI(N) MERE PYAARE
    11. ARSHO QURSI, TUMHI SE SUHAANI
    12. UTHO, UTHO HALIMA KE JAANI
    13. CHAAND SURAJ NAHI(N) SOTE WAARI
    14. CHARKHE ULFAT MEI(N) DIN RAAT SAARI
    15. MAAHE TAI’BAH KARO MAHERBAANI
    16. UTHO, UTHO HALIMA KE JAANI
    17. JHAAD SOTE NAHI(N) AUR JUNGLE
    18. DARDE ULFAT MEI(N) REHTE HAI BEKAL
    19. BANA JAB SE GAYA HAI MUBAANI
    20. UTHO, UTHO HALIMA KE JAANI
    21. AABE ZAMZAM KO JAAKAR MAY(N) LAAUN
    22. HAATH AUR MOONH TUMHAARE DHULAAUN
    23. PAAU(N) DHO, DHO PIUNGI MAY(N) PAANI
    24. UTHO, UTHO HALIMA KE JAANI
    25. TUM TO QISMAT JAHAA(N) KE HO MAULA
    26. SOTI QISMAT PARI MERE MAULA
    27. UTH KE MUSHKIL KARO TUM AASAANI
    28. UTHO, UTHO HALIMA KE JAANI
    29. KHWAABE GAFLAT SE HO KE MAY(N) BEDAAR
    30. DEKHU(N) HAZRAT KA AANKHO(N) SE DIDAAR
    31. ITNI NADAAN PE HO MAHERBAANI
    32. UTHO, UTHO HALIMA KE JAANI

    Meanings:

    Line 3: BA JAA(N) FISHAANI = AAP PE MERI JAAN QURBAAN HO.
    Line 9: GHOSH SAWAARI = BURAAQ PE SAWAARI KAR NE WAALE
    Line 14: CHARKHE = Go around

    Line 13/14: Even the sun and the moon are engrossed in love and therefore entranced. MOHABBAT
    MEI(N) WAJD MEI(N) AAKE, WOH BHI CHAKKAR LAGAATE REHTE HAI(N).
    Line 15: MAAHE = CHAAND

    Line 18: BEKAL = BEQARAAR

     

  125. YEH HALIMA KEH RAHI THI
  126. MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

    1. YEH HALIMA KEH RAHI THI, MERE GUL AZAAR SOJA
    2. TERE JAAG NE KE SAD’QE, MERI JAANEZAAR SOJA
    3. TUJHE DE RAHI HU(N) LORI, KARTI HU(N) PYAAR SOJA
    4. RAATO(N) KO JAAGNA HAI, MERE HOSHIYAAR SOJA
    5. BANI SA’AD KA QABILA, HUA BAAGH, BAAGH TUJH SE
    6. MERE NOORE AYN SOJA, MERE SHIR KHWAAR SOJA
    7. HAYYE AYN WAQTE RAAHAT, MERE SINE SE LIPAT JA
    8. AANKHO(N) MEI(N) NEEND KA HAI, TERE KHUMAAR SOJA
    9. HAI YEH GARMIYO(N) KA MAUSAM, KARI DHOOP PAR RAHI HAI
    10. NA JA BAKARIYAA(N) CHARAANE, SU AEY KAUSAR SOJA
    11. JHULA, JHULA RAHE THE, KEH, KEH KE YEH FARISHTE
    12. AARAAM KAR HABIBE PARWARDIGAAR SOJA
    13. TERI CHAAND SI JABIN PAR, MERI ROOH HO TASADDUQ
    14. TERI MAST ANKHRIYO(N) PAR, MERI JAANISAAR SOJA
    15. KYA JAANE KYA KAREGI, TERI SHARMGI(N) NIGAAHEI(N)
    16. HAI YEH GHAAFILO(N) KE HAQQ MEI(N), BARI HOSHIYAAR SOJA
    17. HAI YEH WAA’DA USKA SACHCHA, ALLAH BAKSH DEGA
    18. UMMAT KE MAARE ITNA NA HO BEQARAAR SOJA
    19. HUA VARM PAAEY SHAAH PAR, TO KAHA KHUDA NE AKBAR
    20. TERA ITNA JAAGNA HAI MUJHE NAAGAWAAR SOJA

    Author: JANAAB AKBAR

    Meanings:

    Line 1: AZAAR = JAISE

    Line 2: JAANEZAAR = JAAN SE BHI PYAARA

    Line 5: BANI SA’AD = The community of H. Bibi Halima Sa’dia (RA)

    Line 6: SHIR KHWAAR = DOOTH PINA. Meaning "OH! MERE DOOTH

    PINE WAALE BACHCHE

    Line 7: HAYYE AYN = MERE AANKHO(N) KI ZINDAGI

    Line 8: KHUMAAR = MASTI, i.e., NEEND KA KHUMAAR / SUROOR

    Line 10: SU AEY = KI TARAF

    Line 13: TASADDUQ = QURBAAN

    Line 14: ANKHRIYO(N) = AANKHEI(N)

    Line 14: MERI JA NISAAR = JIS PE MERI JAAN QURBAAN HOTI HAI

    Line 19: VARM = Swollen feet

    Line 19: Refers to the Aayaats 1 – 3; in Surah "AL MOZAMMIL" of the Holy Qur’an. "Oh! Kamli
    Waale! Stand up for prayer by night, but not all night, half of it, or a little less, or a
    little more and recite the Qur’an in slow measured rhythmic tones".

     

  127. AAJ MUHAMMAD AAEY MORE GHAR
  128. MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

    1. AAJ MUHAMMAD AAEY MORE GHAR, DAAI HALIMA KEHTI HAI GHAR, GHAR
    2. GHARWA SAJAAU(N) MEHDI LAGAAU(N), TAN MAN VAARU(N) BAL, BAL JAU(N)
    3. JAAN HI DE DU(N) UN KE CHARAN PAR, AAO SAKHI SAB HILMIL GAAEY
    4. APNE PIYAA KA JASHN MANAAEI(N), SALLE ALA KI DHOOM HAI GHAR, GHAR
    5. SAR PAR TAAJ ALAM NASHRAAH KA, DAALE GALE TAWHID KI MAALA
    6. SUNDAR MUKHRA, ALLAHO AKBAR, GHAM KI BADARIYA HAR SU CHAAI
    7. REHMATE AA’LAM TERI DUHAAI, DAASI HU(N) DAATA DEKHO NAZAR BHAR
    8. ANJUM BEKAS AAP KA MANGTA, BHIKSHA DE DO JAG KE DAATA
    9. BUND HU(N) MAY(N) AUR AAP HAI(N) SAAGAR

    Author: JANAAB QAMRUDDIN ANJUM

    Meanings:

    Line 7: DUHAAI = WAASTA. (O REHMATUL LIL AA’LAMEEN. TERA WAASTA)

    Line 8: BHIKSHA = KHAIRAAT

  129. SALAAM – AEY BEKASO(N) KE WAALI
  130. The main lines to be repeated by the Na’at Khwaan are as follows:

    AEY BEKASO(N) KE WAALI, LAILO SALAAM HAMAARA
    UMMAT KE PAST KE WAALI, LAILO SALAAM HAMAARA

    1. MAJHDHAAR MEI(N) PHASI HAI, AAQA HAMAARI NAYYA
    2. LILLAAH MADAD KO AAO, TUM BIN NAHI(N) THI MAIYYA
    3. TUM PAR NAZAR JO DAALI, LAILO SALAAM HAMAARA
    AEY BEKASO(N) KE WAALI

    4. KIS TARAAH JEE SAKEI(N)GE, MAR, MAR KE JEENEY WAALE
    5. LAILO KHABAR HAMAARI, AAQA MADINEY WAALE
    6. KEHTE HAI(N) SAB SAWAALI, LAILO SALAAM HAMAARA
    AEY BEKASO(N) KE WAALI

    7. KAU’NO MAKAA(N) KE TUM HO, KAU’NO MAKAA(N) TUMHAARA
    8. REHMAT SARAAPA REHMAT, HAI AASTAA(N) TUMHAARA
    9. SUNLO HUZOORE AALI, LAILO SALAAM HAMAARA
    AEY BEKASO(N) KE WAALI

    10. AATE HAI(N) PUR KHATA HAI(N), RANJO ALUM KE MAARE
    11. JO KUCH BHI HAI(N) MAGAR HAI(N), HAM UMMATI TUMHAARE
    12. JAAEI(N) NA DAR SE KHAALI, LAILO SALAAM HAMAARA
    AEY BEKASO(N) KE WAALI

    13. BEKAS HU(N) NA’ATAWAA(N) HU(N), PHIR BHI YEH JUSTAJU HAI
    14. HAM MO’MINO(N) KE AAQA, BAS ITNI HI AARZOO HAI
    15. BOLE PAKAR KE JAALI, LAILO SALAAM HAMAARA
    AEY BEKASO(N) KE WAALI

    Meanings:

    Main Line 2:PAST = Meekest. (In Farsi, the true expression is "PASTO
    BAALA", meaning "NICHE AUR OO’PAR KE DONO(N) LOGO(N) KE, AAP HI WAALI HAI.

    Line 13: NA’ATAWAAN = Helpless. JIS MEI(N) TAAQAT NA HO.

     

  131. SALAAM — MUSTAFA JAANE REHMAT —VERSION 4
  132. N.B.: Please note that 9 well known, popular and most loved Salaams have already been included in Volume 1 of this Book. Subsequently, only 2 have been added here.

    The main lines to be repeated by the Na’at Khwaan are as follows:

    MUSTAFA JAANE REHMAT PE LAAKHO(N) SALAAM

    SHAM-AEY BAZME HIDAAYAT PE LAAKHO(N) SALAAM

    1. JIS KE AAGE SARE SARWARAA(N) KHAM RAHE
    2. US SARE TAAJE RIF’AT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    3. PATLI, PATLI GULE QUDS KI PATTIYAA(N)
    4. UN LABO(N) KI NAZAAKAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    5. JIS KI MIMBAR BANI, GARDANE AULIYA
    6. US QADAM KI KARAAMAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    7. WOH DAHAN JIS KI HAR BAAT, WAHI-AEY KHUDA
    8. CHASH’MAAEY ILMO HIKMAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    9. JIS KI TASKI(N) SE ROTE HUEY HANS PARE
    10. US TABASSUM KI AADAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    11. NOOR KE CHASME LEHRAAEI(N), DARYA BAHEI(N)
    12. UNGLIYO(N) KI KARAAMAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    13. KUL JAHAA(N) MILK AUR JAW KI ROTI GHIZA
    14. US SHIKAM KI QANA’AT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    15. KHAAI QUR’ANEY KHAAKE GUZAR KI QASAM
    16. US KAFE PAA KI HURMAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    17. ALLAH, ALLAH, WOH BACHPANE KI PHABAN
    18. US KHUDA DAAD SHAUKAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    19. WOH DASO JIN KO JANNAT KA MUZDA MILA
    20. US MUBAARAK JAMA’AT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    21. JIN KE DUSHMAN PE LAA’NAT HAI ALLAH KI
    22. UN SAB AIH’L-E MOHABBAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    23. MERE USTAAD, MAA-BAAP, AUR BHAAI BAHEN
    24. AIH’L-E WALDO ASIRAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    25. KHALQ KE DAAD RAS, SAB KE FARIYAAD RAS
    26. KAHFE ROZE MUSIBAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    27. SHAM-AEY BAZME ‘DANA HU’ MAY(N) GHAM KUM ANA
    28. SHARHE MATNE HUYYAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    29. JIS SE KHAAREY KOO(N)WEY(N) SHIRAAEY JAA(N) BANE
    30. US ZULAALEY HALAAWAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    31. WOH DUA, JIS KA JOBAN BAHAARE QUBOOL
    32. US NASIME IJAABAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    33. JIS KA AANCHAL NA DEKHA, MAAHO MEHR NE
    34. US RIDAAE NAZAAHAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    35. AUR JITNE HAI(N) SHEHZAADE, US SHAAH KE
    36. UN SAB AIH’L-E MAKAANAT PE LAAKHO(N) SALAAM
    MUSTAFA JAANE REHMAT

    38. ASSALAAM AEY SABZ GUMBAD KE MAKI(N)
    39. ASSALAAM AEY REHMATUL LIL AA’LAMEEN
    40. YA ILAAHI, SAD’QAAEY AALE RASOOL
    41. YEH SALAAME AAJZAANA HO QABOOL

    Meanings:

    Line 1: SARE SARWARAAN = BAADSHAAHO(N) KA SAR

    Line 1: KHAM = JHUKA HUA

    Line 2: TAAJE RIF’AT = UNCHE TAAJ WAALE

    Line 3: GUL = PHOOL

    Line 3: QUDS = That which pertains to Jannat, e.g., Heavenly
    Line 3: AAP KE LAB, JANNAT KE PHOOL KI PATTIYO(N) KI TARAAH KHOOBSOORAT HAI
    Line 5 / 6: These lines refer to H. Ghaus Paak, Shaikh Abdul Qadir Jilani (RA).
    Line 8: CHASH’MAAEY ILM = Fountain of knowledge and wisdom (HIKMAT)
    Line 9: TASKI(N) = TASALLI

    Line 12: Refers to his many miracles. UNKI UNGLIYO(N) SE NOOR AUR PAANI JO BEHTA THA
    Line 13: KUL JAHAA(N) = SAARA JAHAA(N)

    Line 13: MILK = SAARA JAHAA(N) AAP KI MILKIYYAT HAI
    Line 13: GHIZA = Food

    Line 14: SHIKAM = Stomach QANA’AT = SABR

    Line 15: KHAAKE GUZAR = JAHAA(N) SE AAP GUZAR TE THE, US KHAAK
    (dust) KI QASAM, QUR’AN NE KHAAI THI.
    Line 16: HURMAT = AZMAT

    Line 17: PHABAN = Innocence. Refers to the beautiful, harmless and
    captivating innocence, orphened childhood of the Prophet
    Muhammad (SAW), which appealed greatly to Allah Subhaanuhu Wa Ta’ala.
    Line 18: KHUDA DAAD = KHUDA KI DI HUI

    Line 19: MUZDA = KHUSH KHABARI

    Line 24: WALDO = AAP KI AULAAD ASIRAT = AZIZ AUR AQAARIB

    Line 25: DAAD RAS = MADAD KE LIYE PAHO(N)CH NE WAALE
    Line 25: FARIYAAD RAS = KISI KI FARIYAAD SUN KAR PAHO(N)CH NE
    WAALE

    Line 26: KAHFE = Palm

    Line 26: ROZE MUSIBAT = ROZE HASHR (The day of QIYAAMAT)
    Line 29: Refers to the incident of the water of the salty wells becoming sweet.
    Line 30: ZULAALEY = ZAAIKA KO ACHCHA KAR DENE WAALE
    Line 31: BAHAARE QUBOOL = AWWAL TO HAM DUA KARTE HAI. AUR US KO JO
    QABOOLIYYAT MIL NE WAALI HAI, US KO JO HAWA LEKE JA RAHI HAI, US HAWA KE
    OO’PAR BHI KYO(N) NA HO LAAKHO(N) SALAAM.
    Line 32: NASIM = HAWA

    Line 32: IJAABAT = JO AAP KA PAIGHAAM LEKE JAATI HAI.
    Line 33: AANCHAL = DUPATTA MAAHO MEHR = CHAAND AUR SURAJ

    Line 33: Refers to the incredible pious nature of H. Bibi Ayesha (RA). In a figure of speech,
    (in this verse), even her dupatta had not seen the day light.
    Line 34: RIDAAE = CHAADAR. H. BIBI AYESHA SIDDIQA (RA) JO
    MUJASSIMAAEY SHARMO HAYA THI. (MUJASSIMA = Like a sculpture.)
    Line 36: AIH’L-E MAKAANAT = AIH’L-E BAIT

  133. SALAAM —YA NABI SALAAM ALAI KA—VERSION 4
  134. N.B.: For more popular Salaams, please refer to Volume 1 of this Book.

    The main lines to be repeated by the Na’at Khwaan are as follows:

    YA NABI SALAAM ALAI KA, YA RASOOL SALAAM ALAI KA

    YA HABIB SALAAM ALAI KA, SAALWA TULLAH ALAI KA

    1. YA NABI UMMI LAQAB TUM, YA HABIB MEHBOOBE RAB TUM
    2. YA RASOOL AALI NASAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    3. JO HUA TUM SE HUA HAI, JO KIYA, TUM NE KIYA HAI
    4. DO JAHAA(N) KE HO SABAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    5. KHATM HAI TUM PAR RISAALAT, SARNIGU(N) AIH’L-E BALAAGHAT
    6. AUR HO UMMI LAQAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    7. ZAL ZALA EK AISA AAYA, HIL GAYA SAB KASARE KISRA
    8. AAEY DO DUNIYA MEI(N) JAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    9. CHAMKA JAB NOORE RISAALAT, BUJH GAYI SHAM-AEY JAHAALAT
    10. MEHRE DEE(N) MAAHE ARAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    11. MO’MINO(N) AAQA TUMHAARA, HO GAYA HAI AAJ PAIDA
    12. MUNTAZIR THE JIS KE SAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    13. KYO(N) KHUDA SHAIDA NA HOWE, KYO(N) JAHAA(N) QURBAA(N) NA HOWE
    14. MISLE GUL HO KHANDA LAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    15. AAEY HAI(N) DAR PE TUMHAARE, DAAMANE MAQSOOD PASAARE
    16. HO SHAHENSHAAHE ARAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    17. HAM BURE HAI(N), YA BHALE HAI(N), AAP KE HAI(N), AAP KE HAI(N)
    18. KHAAS HO MEHBOOBE RAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    19. EK NAZAR SHAAHE UMAM HO, GHAMZADO(N) PAR BHI KARAM HO
    20. REHMATE AA’LAM HO JAB TUM, SAALWA TULLAH ALAI KA
    YA NABI

    Author: JANAAB KALIM AHMEDABADI

    Meanings:

    Line 2: AALI NASAB = UNCHE KHAANDAAN WAALE

    Line 5: SARNIGU(N) = SAR JHUKAAE HUEY

    Line 5: AIH’L-E BALAAGHAT = AAP KE SAAMNE FASAAHAT AUR BALAAGHAT WAALE

    (Learned scholars) SAR JHUKAAE HUEY KHARE THE.

    Line 7: KASARE = Palace

    Line 7: KISRA = King of Persia at the time.

    Line 7: At the time of the birth of the Holy Prophet Muhammad (SAW), the palace of the King shook
    heavily, predicting that the days of the Persia’s mighty empire were numbered.
    Line 10. MEHRE DEE(N) = DEEN KA SURAJ

    Line 10. MAAHE ARAB = ARAB KA CHAAND

    Line 13: SHAIDA = AASHIK, QURBAAN

    Line 14: MISLE GUL = PHOOL KI TARAAH

    Line 14: KHANDA = MUSKURAATA HUA

    Line 15: MAQSOOD = MAQSAD WAALA

     

  135. SALAAM —YA NABI SALAAM ALAI KA—VERSION 5
  136. The main lines to be repeated by the Na’at Khwaan are as follows:

    YA NABI SALAAM ALAI KA, YA RASOOL SALAAM ALAI KA

    YA HABIB SALAAM ALAI KA, SAALWA TULLAH ALAI KA

    1. AAQA, AAP REHMATO(N) KE TAAJ WAALE, DO JAHAA(N) KE RAAJ WAALE
    2. ARSH KE ME’RAAJ WAALE, AASIYO(N) KE LAAJ WAALE
    YA NABI

    3. AAQA, CHOR KAR DAAMAN TUMHAARA, AUR LE KIS KA SAHAARA
    4. KAUN HAI DAATA HAMAARA, KIS KE DAR PE HO GUZAARA
    YA NABI

    5. AAP KE DAR KI FAQIRI, DO JAHAA(N) KI HAI AMIRI
    6. AB AA GAYA WAQTE PIRI, KIJIYO LILLAAH DASTGIRI
    YA NABI

    7. HAI YEH HASRAT DAR PE AAEI(N), ASHK KE DARYA BAHAAEI(N)
    8. DAAGH SINE KE DIKHAAEI(N), SAAMNE JA KAR SUNAAEI(N)
    YA NABI

    9. PURI YA RABB, YEH DUA KAR, HAM DARE MAULA PE JAAKAR
    10. PEHLE KUCH NA’ATEI(N) SUNA KAR, PHIR PARHEI(N) SAR KO JHUKA KAR
    YA NABI

    11. BAKHSH DO JO CHIZ CHAAHO, KYO(N) KE MEHBOOBE KHUDA HO
    12. AAP TO BAABE SAKHA HO(N), HAA(N) MUJHE BHI KUCH ATA HO
    YA NABI

    13. HO EK HARF KE BADLE MEI(N) DAS ATA NEKI
    14. TUMHAARE HAATH MEI(N) KUNJI HAI HAR KHAZAANE KI
    YA NABI

    15. AAP SULTAANE MADINAH, MEHBATE WAHI-AEY SAKINA
    16. NOOR SE MA’MOOR SINA, MUSHK SE BEHTAR PASINA
    YA NABI

    17. LAAEI(N) JO IMAAN TUM PAR, KYO(N) NA DEI(N) WOH JAAN TUM PAR
    18. MAHERBAAN REHMAAN TUM PAR, KHALQ SAB QURBAAN TUM PAR
    YA NABI

    19. HIJR MEI(N) MUSHKIL HAI JINA, DIL HUA CHAAK AUR SINA
    20. THAAMIYE MERA SAFINA, YA SHAAFI AL MUZNABINA
    YA NABI

    21. KAASH HAASIL HO HUZOORI, DUR HO JAAEY YEH DURI
    22. DIL KI YEH HASRAT HO PURI, DEKH LU(N) WOH SHAKLE NOORI
    YA NABI

    23. DIL MEI(N) TUM MASNAD NASHI(N) HO, IS MAKAA(N) KE TUMHI MAKI(N) HO
    24. HAM MAREI(N) TO WOH ZAMI(N) HO, AUR SIRHAANE BHI TUMHI HO
    YA NABI

    25. NOOH KE TUM NAAKHUDA HO, KHALQ KE MUSHKIL KUSHA HO
    26. SAB KE TUM HAAJAT RAWA HO, JO KAHU(N) US SE SIWA HO
    YA NABI

    27. BAKHSH DO MERI KHATAAEI(N), DUR HO GHAM KI GHATAAEI(N)
    28. BHEJ DO APNI ATAAEI(N), WAJD MEI(N) HAM YU(N) SUNAAEI(N)
    YA NABI

    29. HASHR MEI(N) TUM BAKHSWAANA, JAB KAHI(N) NA HO THIKAANA
    30. APNE DAAMAN MEI(N) CHUPAANA, HAR MUSIBAT SE BACHAANA
    YA NABI

    31. JAA(N) KANI KE WAQT AANA, KALIMAAEY TAYYAB SIKHAANA
    32. CHEHRAAEY ANWAR DIKHAANA, HAM KO IMAA(N) PAR UTHAANA
    YA NABI

    33. AEY SHAFI-AEY ROZE MEHSHAR, HAI(N) SIYAAH ISYAA(N) SE DAFTAR
    34. GHAUS KA SAD’QAH KARAM KAR, CHASH’ME DIL KO KAR KE MUNAWWAR
    YA NABI

    35. AEY SABA ROZE PE JAANA, DASTE BASTA YEH SUNAANA
    36. YA NABI DAR PE BULAANA, AUR JALWAAE ZAIBA DIKHAANA
    YA NABI

    37. FAKHRE ADAM FAKHRE HAWWA, FAKHRE NOOHO FAKHRE YAHYA
    38 FAKHRE IBRAHIMO MUSA, FAKHRE ISMAILO ISA
    39. FAKHRE ABDULLAHO AMINAH, FAKHRE HALIMAHO FATIMA BINTE ASAD
    YA NABI

    40. AZ TUFAILE GHAUS-E A’ZAM, BAADSHAAHE HAR DO AA’LAM
    41. SADQAAEY IMAAME A’ZAM, DUR HO SABHI RANJO GHAM
    YA NABI

    42. AEY SHAHENSHAAHE RISAALAT, HAI YAHAA(N) JO AIH’L-E SUNNAT
    43. DAAEY-MI SAB PAR HO REHMAT, BAANIYE MEHFIL PE BARKAT
    YA NABI

    44. AKBARE SHAIDA TUMHAARA, PHIR RAHA HAI MAARA, MAARA
    45. JA BAJA TUM KO PUKAARA, USKI AB SUNLO KHUDAARA
    YA NABI

    46. YEH DO HI DHUN HAI(N), KHUDA AUR NABI KO, AEY AKBAR
    47. USEY TO BAKHSH NE KI AUR UNKO BAKHSHWAANE KI
    YA NABI

    48. ASSALAAM AEY JAANE AA’LAM, ASSALAAM IMAANE AA’LAM
    49. SHAAHE DEE(N) SULTAANE AA’LAM, TUM SE HAI SAMAANE AA’LAM
    YA NABI

    50. ASSALAAM AEY SHAAHE AA’LAM, ASSALAAM UMMAT KE WAALI
    51. JHOLI REH JAAEY NA KHAALI, ARZ KARTE HAI(N) SAWAALI
    YA NABI

    Authors: JANAAB AKBAR, et al.

    Meanings:

    Line 6: WAQTE PIRI = Old age

    Line 12: BAABE SAKHA = SAKHAAWAT KA DARVAAZAAH

    Line 15: MEHBATE = AASRA. AAP KA AASRA HAI

    Line 15: WAHI-AEY SAKINA = SUKUN KI KHUSH KHABARI DENE WAALA.

    Line 19: HIJR MEI(N) = JUDAAI MEI(N)

    Line 20: SAFINA = Boat

    Line 20: YA SHAAFIAL MUZNABINA = GUNEHGAARO(N) KE SHAFI

    Line 23: MASNAD = TAKHT (Holy Throne) NASHI(N) = BETHE HUEY

    Line 23: AAP HAMAARE DIL KE TAKHT PAR BETHE HUEY HO(N). US PAR AAP HI KA RAAJ HAI.

    Line 26: US SE SIWA HO = MAY(N) AAP KI JITNI TA’ARIF KARU(N),

    US SE BHI KAEE GUNAH ZAYAADA HO. There is no limit to your TA’ARIF.

    Line 31: KANI = NIKALNA

    Line 33: ISYAAN = GUNAAHO(N) DAFTAR = AMAL NAAMA

    Line 33: KAALE (SIYAAH) HAI(N) GUNAAHO(N) SE AMAL NAAMA HAMAARA

    Line 34: CHASH’ME DIL = The inner eye of the heart

    Line 34: MUNAWWAR = ROSHAN. HAMAARE DIL KI AANKH KO ROSHAN KARNA.

    Line 35: DASTE BASTA = HAATH BAANDH KAR (When you visit his Roza Mubaarak, fold
    your hand gracefully and recite this Salaam.)

    Line 36: ZAIBA = KHOOBSOORAT

    Line 43: DAAEY-MI = HAMESHAAH

    Line 45 JA BAJA = Every place

    Line 49: SHAAHE DEEN = DEEN KE SHAAH

     

  137. MANQABAT DEDICATED TO HAZRAT ABU BAKR SIDDIQ (RA)
  138. 1 BAYAA(N) HO KIS ZUBAA(N) SE MARTABA, SIDDIQE AKBAR KA
    2. HAI YAARE GHAAR MEHBOOBE KHUDA, SIDDIQE AKBAR KA
    3. ILAAHI RAHEM FARMA, KHAADIME SIDDIQE AKBAR HU(N)
    4. TERI REHMAT KE SAD’QE WAASTA, SIDDIQE AKBAR KA
    5. RASOOL AUR AMBIYA KE BAAD, JO AFZAL HO AA’LAM SE
    6. YEH AA’LAM MEI(N) HAI KIS KA MARTABA, SIDDIQE AKBAR KA
    7. GADA SIDDIQE AKBAR KA, KHUDA SE FAZAL PAATA HAI
    8. KHUDA KE FAZAL SE MAY(N) HU(N) GADA, SIDDIQE AKBAR KA
    9. SAMBHAALO KUCH MILI KHAAKE SARE KUWE PAYAMBAR SE
    10. MUSATAFA AAINA HAI NAQSHE, YA SIDDIQE AKBAR KA
    11. HUEY FAROOQ-O-USMANO-ALI, JAB DAAKHILE BAIT
    12. BANA FAKHRO SALAASIL SILSILA, SIDDIQE AKBAR KA
    13. MAQAAME KHWAABE RAAHAT CHAIN SE AARAAM KAR NE KO
    14. BANA PEHLUE MEHBOOBE KHUDA, SIDDIQE AKBAR KA
    15. ALI HAI(N) US KE DUSHMAN AUR WOH DUSHMAN ALI KA
    16. JO DUSHMAN AQL KA DUSHMAN HUA, SIDDIQE AKBAR KA
    17. LUTAAYA RAAHE HAQQ MEI(N) GHAR KAEE BAAR IS MOHABBAT SE
    18. KE LUT, LUT, KAR HASAN GHAR BHAR GAYA, SIDDIQE AKBAR KA

    Author: JANAAB HASAN

    Meanings:

    Line 9: KUWE = GALI SE

    Line 12: SALAASIL = Plural of SILSILA

    Line 13/14: UNKO AARAAM KAR NE KI JAGAAH JO MILI HAI, WOH BHI
    AAKHIR HAZOOR (SAW) KE PEHLU (PADOSH) MEI(N) MILI HAI.

  139. MANQABAT DEDICATED TO HAZRAT UMAR IBN AL KHATTAB,
    FAROOQE A’ZAM (RA)
  140. 1. NAHI(N) KHUSHBAKHT MOHTAAJAANE AA’LAM MEI(N) KOI HAMSA
    2. MILA TAQDIR SE HAAJAT RAWA FAROOQE A’ZAM SA
    3. TERA RISHTA BANA SHIRAAZ SE JAMEEYATE KHAATIR
    4. PARA THA DAFTARE DEENE KITAABULLAH BARHAM SA
    5. TERE JUDO KARAM KA KOI ANDAAZA KARE KYO(N) KAR
    6. TERA EK, EK GADA FAIZO SAKHAAWAT MEI(N) HAI HAATIM SA
    7. TUMHAARE DAR SE JHOLI BHAR MURAADEI(N) LE KAR UTHTHEI(N)
    8. NA KOI BAADSHAAH TUMSA, NA KOI BENAWA HAMSA
    9. FIDA AEY UMME KULSUM, AAP KI TAQDIRE YAAWAR KE
    10. ALI BAABA HUA DULHA, DULHA HUA FAROOQE AKRAM SA
    11. GHAZAB MEI(N) DUSHMANO(N) KI JAAN HAI, TEGHE SHERE AFGAN SE
    12. KHURUJO RAFAZ KE GHAR MEI(N), NA KYO(N) BARPA HO MAATAM SA
    13. SHAYAATI(N) MUZMAHIL HAI(N), TERE NAAME PAAK KE DAR SE
    14. NIKAL JAAEY NA KYO(N), RAFFAZ BAD ATWAAR KA DAM SA
    15. MANAAE EID JO ZILHAJJ MEI(N), TERI SHAHAADAT KI
    16. ILAAHI, ROZO MAAHO SAN, UNHE GUZRE MUHARRAM SA
    17. HASAN DAR AA’LAME PASTI SAARE RIF’AT AGAR DAARI
    18. BAYAA(N) FARQE IRAADAT BAR DARE FAROOQE A’ZAM SA

    Author: JANAAB HASAN

     

  141. MANQABAT DEDICATED TO HAZRAT USMANE GHANI (RA)
  142. 1. ALLAH SE KYA PYAAR HAI, USMANE GHANI KA,
    2. MEHBOOBE KHUDA YAAR HAI, USMANE GHANI KA
    3. RANGIN WOH RUKHSAAR HAI, USMANE GHANI KA
    4. BULBUL GULE GULZAAR HAI, USMANE GHANI KA
    5. GARMI PE YEH BAAZAAR HAI, USMANE GHANI KA
    6. ALLAH KHARIDAAR HAI, USMANE GHANI KA
    7. DIL SOKHTO HIMMAT JIGAR, AB HOTE HAI(N) THANDE
    8. WOH SAYAAEY DIWAAR HAI, USMANE GHANI KA
    9. JO DIL KO ZIYA DE, JO MUQADDAR KO JILA DE
    10. WOH JALWAAEY DIDAAR HAI, USMANE GHANI KA
    11. JIS AAINEY MEI(N), NOORE ILAAHI NAZAR AAEY
    12. WOH AAINA RUKHSAAR HAI, USMANE GHANI KA
    13. BIMAAR HAI JIS KO NAHI(N), AAZAARE MOHABBAT
    14. ACHCHA HAI JO BIMAAR HAI, USMANE GHANI KA
    15. ALLAHO GHANI HADD NAHI(N), INAAMO(N) ATA KI
    16. WOH FAIZ PE DARBAAR HAI, USMANE GHANI KA
    17. RUK JAAEI(N) MERE KAAM HASAN, HO NAHI(N) SAKTA
    18. FAIZAAN MADADGAAR HAI, USMANE GHANI KA

    Author: JANAAB HASAN

    Meanings:

    Line 7: SOKHT = JALA HUA, i.e., H. USMAN IBN AFFAN (RA) KA DIL,
    HAZOOR (SAW) KE ISHQ MEI(N) JALA HUA THA.
    Line 7: JIGAR KI JO HIMMAT HAI, WOH AB THANDI HO RAHI HAI, HAZOOR
    (SAW) KO MIL NE SE.

    Line 9: ZIYA = ROSHANI

    Line 9: JILA DE = CHAMKA DE

    Line 13: AAZAARE = DARD / DUKH

    Line 13: WOH BIMAAR HAI JIS KO H. USMANE GHANI (RA) KE MOHABBAT KA DARD
    NAHI(N) HAI.

    Line 14: JO H. USMANE GHANI (RA) KA BIMAAR HAI, WOH DAR ASL ACHCHA HAI.
    Line 15: ALLAH TA’ALA NE UN KE OO’PAR JITNE INAAMO(N) ATA KIYE, USKI
    KOI HADD NAHI(N) HAI.

    Line 16: UN KE DARBAAR SE SAB KO FAIZ MILTA HAI.

    Line 18: AAP KA FAIZAAN MERA MADADGAAR HAI.

     

     

  143. MANQABAT DEDICATED TO HAZRAT MAULA ALI
    (KARAMALLAAHU WAJHU) MUSHKIL KUSHA (RA)
  144. 1 AEY BAADSHAAHE LAA FATAAH, MAULA ALI MUSHKIL KUSHA
    2 HAMRAAZ MEHBOOBE KHUDA, MAULA ALI, MUSHKIL KUSHA
    3 KYA ASHFIYA(N), KYA AZKIYA(N), KYA ATQIYA(N), KYA AULIYA
    4 HAI SAB KA TUMSE SILSILA, MAULA ALI MUSHKIL KUSHA
    5 SHAAHE ZAMAN, KA’ABAH WATAN, AZDAR FIGAN KHAIBAR SHIKAN
    6 SAD MARHABA, SAD MARHABA, MAULA ALI MUSHKIL KUSHA
    7 KYA SHAAN HAI, SHAANE NABI, KYA AAN HAI, AANE NABI
    8 KYA NAAM HAI, NAAME KHUDA, MAULA ALI MUSHKIL KUSHA
    9 NOORE SAMAD, SHERE KHUDA, MAAHE SHARAF, SHAAHE NAJAF
    10 ABRE KARAM, BEHRE SAKHA, MAULA ALI MUSHKIL KUSHA
    11 TALWAAR DI ALLAH NE, DUKHTAR RASOOLALLAH NE
    12. THEHRE NASIRI KE KHUDA, MAULA ALI MUSHKIL KUSHA
    13. US AANKH SE JIS AANKH NE MAKHMOOR DO AA’LAM KIYE
    14. MERI TARAF BHI DEKHNA, MAULA ALI MUSHKIL KUSHA
    15. RAD HO GAYI USKI BALA, JIS NE AQIDAT SE KAHA
    16. MUSHKIL MEI(N) HU(N), AA JAAO, YA MAULA ALI MUSHKIL KUSHA
    17. KAB TAK MUSIBAT MEI(N) RAHU(N), KAB TAK YEH RANJO GHAM SAHU(N)
    18. AAKHIR TO HU(N) MAY(N) AAP KA, MAULA ALI MUSHKIL KUSHA
    19. BEBAS KARI MANZIL MEI(N) HU(N), BEKAS BARI MUSHKIL MEI(N) HU(N)
    20. KIJIYE MERI MADAD, YA MAULA ALI MUSHKIL KUSHA
    21. AKBAR JO CHAAHE MAANGNA, WARIS KA DAIDE WAASTA
    22. PHIR DEKHNA DETE HAI(N) KYA, MAULA ALI MUSHKIL KUSHA

    Author: JANAAB AKBAR

    Meanings:

    Line 1: LAA FATAAH = Arabic for "No Victory"; meaning no one was
    able to be victorious over H. Ali (Karamallaahu Wajhu) Mushkil Kusha (RA).
    Line 3: ASHFIYAN = NEIK SUFIYAA(N) LOG

    Line 3: ATQIYA = MUTTAQI; TAQWA KA MARKAZ

    Line 5: SHAAHE ZAMAN = ZAMAANO KA SHAAH

    *Line 5: AZDAR = DARVAAZAAH (Outlined in detail below)

    Line 5: FIGAN = DAALNA

    Line 5: SHIKAN = TORNA

    Line 6: SAD = Hundred

    Line 9: NOORE SAMAD = Samad is one of Allah’s attribute meaning, he is
    the "Eternal" and "Absolute". Whilst the meaning of Eternal is clear in our mind
    the latter means that absolute existence can only be predicated of him. All other
    existence is temporal or conditional; that he is dependent on no person or thing,
    but all persons or things are dependent on him thus negativing
    the idea of shirk and other gods.

    Line 9: MAAHE SHARAF = AAP TAMAAM SHARIF LOGO(N) KE
    CHAAND HAI

    Line 10: ABRE KARAM = KARAM KA BAADAL

    * H. Ali (Karamallaahu Wajhu) Mushkil Kusha (RA), participated in most of
    the battles fought in the life time of the Master. He joined all battles and expeditions,
    including Badr, Uhud and Junge Khandaq. In the latter battle in the fifth year of Hijrah,
    all enemies of Islam joined hands. They led a huge army against Madinah
    Sharif. The Holy Prophet (SAW) defended the city by digging a deep and wide trench
    around it. But one day Abdwood, a warrior of all Arabian fame, jumped across the
    trench on horseback. No one dared to go near him. At last, H. Ali came out to fulfill his challenge:

    "Remember, Ali," said the Holy Prophet (SAW), "it is Abdwood."

    "Yes, Master I know it," Replied H. Ali (RA).

    In a few minutes Ali threw down his huge rival and cut off his head.

    The Jews had a chain of strong forts at Khaibar. These were a source of an ever-present threat to the Muslims. The Holy Prophet (SAW) led an army to deal with this threat. The Jews put up a stiff fight. But their several forts fell one after another. However, ‘Qumus’ proved to be the strongest Jewish fort. Its commander, Marhab, beat back all attacks. At last the Holy Prophet (SAW) said, "Tomorrow I am going to give the standard to a man who is loved by Allah and his Prophet and who loves Allah and his Prophet. Allah will grant him victory."

    Everyone was eager to know who the fortunate man was. The next morning H. Ali (RA) was granted the standard. H. Ali (RA) penetrated the gigantic door (and hence the words "Azdar Figan" in this Na’at), slew Marhab and his brother and took the fort.

  145. MANQABATS DEDICATED TO HAZRAT GHAUS-UL A’ZAM (RA)
  146. These Manqabats are especially dedicated to Hazrat Ghaus-ul A’zam Dastagir, Ghaus As Saqalain, Hazrat Ghaus Paak, Shaikh Muhyiddin Abdul Qadir Jilani (RA), Qutbe Rabbani, Mehboobe Subhani, Pirane Pir, Waliyo(n) Ke Wali, Jis Ka Pair Har Waliyo(n) Ke Gardan Pe Hai. It can be recited wherever and whenever you need help. Many Na’at Khwaan will recite them when a "GYARVI(N) SHARIF" is celebrated:

     

    1. IMDAAD KUN, IMDAAD KUN
    2. 1. IMDAAD KUN, IMDAAD KUN, AZ HAR BALA AAZAAD KUN
      2. DAR, DIN-O-DUNIYA SHA’AD KUN, YA GHAUS-UL A’ZAM DASTAGIR
      3. SAD’QAH RASOOLE PAAK KA, SAD’QAH ALI KE LAAL KA
      4. KHAYRUL BASHAR KA WAASTA, AAO MADAD KE WAASTE
      5. TAI’BAH NAGAR KI JAAN HO, USMAN, ALI KI SHAAN HO
      6. AAP KO ALI KA WAASTA, AAO MADAD KE WAASTE
      7. RANJO ALAM KI SHAAM HO, LAB PE TUMHAARA NAAM HO
      8. GANJE SHAKAR KA WAASTA, AAO MADAD KE WAASTE
      9. KHAWAJA PIYA HAI AAP KE, KHAWAJA QUTUB HAI(N) AAP KE
      10. AAP KO WALI KA WAASTA, AAO MADAD KE WAASTE
      11. MURDE JILAAEY AAP NE, DUBI TIRAEE AAP NE
      12. NANA NABI KA WAASTA, AAO MADAD KE WAASTE

      Meanings:
      Line 2: GHAUS = One who comes to another’s rescue
      Line 4: KHAYRUL BASHAR = Reference is made to H. MUHAMMAD
      (SAW) JO INSAAN KI KHAIR-O-
      BARKAT KE LIYE AAYE THE

       

       

    3. WAAH KYA MARTABA AEY GHAUS HAI BAALA TERA
    4. The main lines to be repeated by the Na’at Khwaan are as follows:

      GHAUSE A’ZAM BAMANE BESARO SAAMAA(N) MADADE

      QIBLAAE DEE(N) MADADE KAA’BAAEY IMAA(N) MADADE

      1. WAAH KYA MARTABA AEY GHAUS HAI BAALA TERA
      2. UNCHE, UNCHO KE SARO(N) SE, QADAM AALA TERA
      GHAUSE A’ZAM BAMANE

      3. SAR BHALA KYA KOI JAANE, KE HAI KAISA TERA
      4. AULIA MALTE HAI AANKHEI(N), WOH HAI TALWA TERA
      GHAUSE A’ZAM BAMANE

      5. KYA DABE JIS PE HIMAAYAT KA HO PANJA TERA
      6. SHER KO KHATRE MEI(N) LAATA NAHI(N) KUTTA TERA
      GHAUSE A’ZAM BAMANE

      7. TU HASANI, HUSSAINI, KYO(N) NA MUHYIDDIN HO
      8. AEY, KHIZR MAJMAAEY BAHRAIN HAI CHASH’MAH TERA
      GHAUSE A’ZAM BAMANE

      9. QASME DE, DE KE KHILAATA HAI, PILAATA HAI TUJHE
      10. PYAARA ALLAH TERA CHAAHNE WAALA TERA
      GHAUSE A’ZAM BAMANE

      11. MUSTAFA KE TANE BESAAYE KA SAAYAAH DEKHA
      12. JIS NE DEKHA MERI JAAN, JALWAAEY ZAIBA TERA
      GHAUSE A’ZAM BAMANE

      13. KYO(N) NA QASIM HO KE TU IBNE ABUL QASIM HAI
      14. KYO(N) QADIR HO KE MUKHTAAR HAI BAABA TERA
      GHAUSE A’ZAM BAMANE

      15. NABAWI MEI(N) ALAWI FASL, BATOOLI GULSHAN
      16. HASANI PHOOL, HUSSAINI HAI MAHEKNA TERA
      GHAUSE A’ZAM BAMANE

      17. TUJH SE DAR, DAR SE SAG, AUR SAG SE MUJH KO NISBAT
      18. MERI GARDAN MEI(N) BHI HAI, DUR KA DAURAA(N) TERA
      GHAUSE A’ZAM BAMANE

      19. IS NISHAANI KE JO SAG HAI(N), NAHI(N) MAARE JAATE
      20. HASHR TAK MERE GALE MEI(N) RAHE PATTA TERA
      GHAUSE A’ZAM BAMANE

      21. MERI QISMAT QASAM KHAAEY SAGAANE BAGHDAAD
      22. BARTAANIYA MEI(N) BHI HU(N) TO DETA RAHU(N) PEHRA TERA
      GHAUSE A’ZAM BAMANE

      23. "WARAFA’ANA LAKA ZIKREKA" KA HAI SAAYAAH TUJH PAR
      24. BOL BAALA HAI TERA, ZIKR HAI UNCHA TERA
      GHAUSE A’ZAM BAMANE

      25. BAD SAHI, CHOR SAHI, MUJRIME NAKAARA SAHI
      26. AEY WOH KAISA HI SAHI, HAI TO KARIMA TERA
      GHAUSE A’ZAM BAMANE

      27. FAKHRE AAQA MEI(N) RAZA AUR BHI EK NAZM RAFI
      28. CHAL LIKHA LAAEY SANA KHWAANO MEI(N) CHEHRA TERA
      GHAUSE A’ZAM BAMANE

      Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

      Meanings:

      Main Line 1: BE SARO SAAMAA(N) = Unprovided, helplessness

      Line 5: HIMAYAT = Favour

      Line 6: KYO(N) KI MUJH PE AAP KI HIMAAYAT KA PANJA HAI, MAY(N) BARE, BARE SHER KO
      BHI NIPAT LETA HU(N)

      Line 8: CHASH’MAH = Fountain Head; SAARE SAMANDARO(N) KA MAJMA, AAP
      KE CHASH’ME SE NIKALTA HAI(N). Here the word CHASH’MAH implies that in the world of
      Auliya Allah, you are the fountain head of all the Faiz.

      Line 11: AAP NE HAZOOR (SAW) KE SAAYE MEI(N) WAQT GUZAARA,
      JIN KA SAAYAAH HI NAHI(N) HAI

      Line 12: ZAIBA = KHOOBSOORAT

      Line 13: You are a QASIM (meaning NE’AMATEI(N) BAANT NE WAALA), since you are the son of a
      QASIM.
      Line 14: MUKHTAAR = Reference is made to H. MUHAMMAD (SAW) JIN KO ALLAH
      TA’ALA NE BAANT NE KA IKHTYAAR DIYA HAI

      Line 15: Apart from Hazoor SAW’s relationship, you have a direct lineage from both H. Ali (RA = ALAWI)
      and H. Bibi Fatimah (RA = BATOOLI).

      Line 17: SAG = KUTTA

      Line 23: Reference is made to the Aayaat 4; in Surah "ALAM NASHRAH" of the Holy
      Qur’an."WARAFA’ANA LAKA ZIKREKA". "And raised high the esteem in which thou art held ".
      This Surah gave a message of hope and encouragement to the Holy Prophet Muhammad
      (SAW) in the time of difficulty. The Prophet (SAW)’s virtues, magnanimity of his character and
      his love for mankind were fully recognised, even in his life time and his name stands
      untarnished and highest amongst the heroic leaders of mankind.

       

    5. TAJALLI-AEY NOORE FIDAM GHAUSE A’ZAM
    6. The main lines to be repeated by the Na’at Khwaan are as follows:

      TAJALLI-AEY NOORE FIDAM GHAUSE A’ZAM

      ZIYAAEY SIRAAJO ZULM GHAUSE A’ZAM

      1. KHABAR LO HAMAARI KE HAM HAI(N) TUMHAARE
      2. KARO HAM PE FAZLO KARAM GHAUSE A’ZAM
      TAJALLI-AEY

      3. TERE HOTE HAM PAR SITAM DHAAE DUSHMAN
      4. SITAM HAI, SITAM HAI, SITAM GHAUSE A’ZAM
      TAJALLI-AEY

      5. WOH IK WAAR KA BHI NA HOGA TUMHAARE
      6. KAHAA(N) HAI MUKHAALIF MEI(N) DAM GHAUSE A’ZAM
      TAJALLI-AEY

      7. NA PALLA HAI HALKA HAMAARA NA HAM HO(N)
      8. NA BIGRE HAMAARA BHARAM GHAUSE A’ZAM
      TAJALLI-AEY

      9. KHUDAARA AB AAO KE DAM HAI LABO(N) PAR
      10. KARO HAM PE YAASIN, FIDAM GHAUSE A’ZAM
      TAJALLI-AEY

      11. TUMHAARE KARAM KA HAI NOORI BHI PYAASA
      12. MILE YAM SE US KO BHI NAM FIDAM GHAUSE A’ZAM
      TAJALLI-AEY

      Author: JANAAB NOORI

      Meanings:
      Line 3: DHAAE = KARE

      Line 9: DAM = As the time death approaches

      Line 10: FIDAM = FIDA / QURBAAN HONA

      Line 12: YAM = PAANI KA KOO(N)WA

      Line 12: NAM = As in NAMI; YAANI JIS TARAAH PAANI PINE KE BAAD SUKUN AA
      JAATA HAI. The meaning is that, "Ya, H. Ghaus Paak, you are a never ending well /
      fountain of knowledge, wisdom, wealth, etc. Being closer to Allah than us, implore Allah, so
      that by your Duas, he may grant us some of this wealth and also attain a peace of mind.

       

    7. SARKAARE GHAUSE A’ZAM, NAZARE KARAM KHUDAARA
    8. The main lines to be repeated by the Na’at Khwaan are as follows:

      SARKAARE GHAUSE A’ZAM, NAZARE KARAM KHUDAARA

      MERA KHAALI KAA’SAH BHAR DO, MAY(N) FAQIR HU(N) TUMHAARA

      1. MAULA ALI KA SAD’QAH, GANGE SHAKAR KA SAD’QAH
      2. MERI LAAJ RAKHNA MIRA, MAY(N) FAQIR HU(N) TUMHAARA
      SARKAARE GHAUSE A’ZAM

      3. MIRA BANE HAI(N) DULHA, SHAADI RACHI HUI HAI
      4. SAB AULIYA BARAATI, KYA KHOOB HAI NAZAARA
      SARKAARE GHAUSE A’ZAM

      5. JHOLI KO MERI BHARDO, WARNA KAHEGI DUNIYA
      6. GHAUSE JHALI KA MANGTA, PHIRTA HAI MAARA, MAARA
      SARKAARE GHAUSE A’ZAM

      7. DUNIYA MEI(N) SAB KA KOI, KOI TO AASRA HAI
      8. MERA BAJUZ TUMHAARE, KOI NAHI(N) SAHAARA
      SARKAARE GHAUSE A’ZAM

      9. YEH ADAAEY DASTGIRI, KOI MERE DIL SE PUCHE
      10. WAHI(N) AA GAYE MADAD KO, MAYNE JAHAA(N) PUKAARA
      SARKAARE GHAUSE A’ZAM


      11. YEH TERA KARAM HAI MIRA, JO BULA LIYA HAI DAR PAR
      12. KAHAA(N) ROSIYAAH YEH MANGTA, KAHAA(N) AASTAA(N) TUMHAARA
      SARKAARE GHAUSE A’ZAM

      Meanings:
      Line 6: JHALI = BARE GHAUS
      Line 8: BAJUZ = BAGHAIR

      Line 12:ROSIYAAH = KAALA CHEHRA WAALA

    9. PIRAANE PIR KA
    10. The main lines to be repeated by the Na’at Khwaan are as follows:

      UNCHA JAHAA(N) MEI(N) NAAM HAI, PIRAANE PIR KA

      BIGRI BANAANA KAAM HAI, PIRAANE PIR KA

      1. AFZAL HAI JAISE NABIYO(N) MEI(N), PYAARE MUSTAFA
      2. WALIYO(N) MEI(N) WOH MAQAAM HAI, PIRAANE PIR KA
      UNCHA JAHAA(N) MEI(N)

      3. USKI GHULAAM BAN GAYI, HAR SHAY JAHAA(N) KI
      4. JO BHI HUA GHULAAM HAI, PIRAANE PIR KA
      UNCHA JAHAA(N) MEI(N)

      5. MUNKIR NAKIR CHAL DIYE, YEH KEH KE QABR SE
      6. SONE DO YEH GHULAAM HAI, PIRAANE PIR KA
      UNCHA JAHAA(N) MEI(N)

      7. MAY(N) QADIRI HU(N) SHUKR HAI, RABBE QADIR KA
      8. DAAMAN HAI MERE HAATH MEI(N), PIRAANE PIR KA
      UNCHA JAHAA(N) MEI(N)

       

    11. ASIRO(N) KE MUSHKIL KUSHA, GHAUSE A’ZAM
    12. 1. ASIRO(N) KE MUSHKIL KUSHA, GHAUSE A’ZAM
      2. FAQIRO(N) KE HAAJAT RAWA, GHAUSE A’ZAM
      3. GHIRA HAI BALAAO(N) MEI(N), BANDA TUMHAARA
      4. TERE HAATH MEI(N) HAATH, MAYNE DIYA HAI
      5. TERE HAATH HAI LAAJ, YA GHAUSE A’ZAM
      6. MURIDO(N) KO KHATRA NAHI(N), BEHRE GHAM SE
      7. KE BERE KE HAI(N) NAAKHUDA GHAUSE A’ZAM
      8. TUMHI DUKH SUNO APNE AAFAT ZADO(N) KA
      9. TUMHI DARD KI DO, DAWA GHAUSE A’ZAM
      10. BHANVAR MEI(N) PHA(N)SA HAI, HAMAARA SAFINA
      11. BACHA GHAUSE A’ZAM, BACHA GHAUSE A’ZAM
      12. ZAMAANE KE DUKH DARD KI RANJO GHAM KI
      13. TERE HAATH MEI(N) HAI, DAWA GHAUSE A’ZAM
      14. PHA(N)SA HAI TABAAHI MEI(N), BERA HAMAARA
      15. SAHAARA LAGA DO, ZARA GHAUSE A’ZAM
      16. MASHAAIKH JAHAA(N) AAEI(N), BEHRE GADAAI
      17. WOH HAI TERI DAULATSARA, GHAUSE A’ZAM
      18. MERI MUSHKILO(N) KO BHI AASAAN KIJIYE
      19. KE HAI(N) AAP MUSHKIL KUSHA, GHAUSE A’ZAM
      20. WAHAA(N) SAR JHUKAATE HAI(N), SAB UNCHE, UNCHE
      21. JAHAA(N) HAI TERA NAQSHE PAA, GHAUSE A’ZAM
      22. KAHE KIS SE JAAKAR, HASAN APNE DIL KI
      23. SUNE KAUN TERE SIWA, GHAUSE A’ZAM

      Author: JANAAB HASAN

      Meanings:
      Line 1: ASIRO(N) = QAIDIO(N)

      Line 7: NAAKHUDA = KASHTI KO CHALAANE WAALA. (Guider of my Taqdir, Qismat, Nasib, Destiny – BERA)

      Line 16: BEHRE GADAAI = MAANG NE KE LIYE AAEI(N)

       

       

    13. KOSHISH NA KARNA
    14. The main lines to be repeated by the Na’at Khwaan are as follows:

      DARE GHAUS KA GAR TU, SAA-IL BANA HAI
      QADAM KO HATA NE KI, KOSHISH NA KARNA
      MILEGI BEMAANGE, TAMANNAAEI(N) DIL KI
      ZUBAA(N) TAK HILA NE KI, KOSHISH NA KARNA

      1. WOH DEI(N)GE YAQINAN, TUJHE AASRA BHI
      2. MILEGA WAHI(N) SE, TUJHE MUD-DA-AA BHI
      3. SAKHI GHAUSE A’ZAM KA, DAR CHOD KAR TU
      4. KAHI(N) AUR JAANE KI, KOSHISH NA KARNA
      DARE GHAUS KA GAR TU

      5. JO BAGHDAAD LE JAAEY, TUJH KO NASIBA
      6. LAGA DENA DERA, WAHI(N) PAR GHARIBAA
      7. WAHAA(N) MAR KE BHI UN KE, QADMO(N) SE KEHNA
      8. YAHAA(N) LAUT AANE KI, KOSHISH NA KARNA
      DARE GHAUS KA GAR TU


      9. LAHAD MEI(N) BHI UN KA, GADA HU(N) FARISHTO
      10. MURIDAANE GHAUSUL WARA HU(N) FARISHTO
      11. MAY(N) YA GHAUS KEH KAR, BULA LUNGA DEKHO
      12. MUJHE TUM DARA NE KI, KOSHISH NA KARNA
      DARE GHAUS KA GAR TU


      13. KAHI(N) PHOOLA, PHALA, YEH GULSHAN NA UJRE
      14. TERE HAATH SE UN KA, DAAMAN NA CHUTE
      15. ZAMAANE KI FIKR SE, IMAAN APNA
      16. KAHI(N) DAGMAGA NE KI, KOSHISH NA KARNA
      DARE GHAUS KA GAR TU


      17. MAY(N) EHQAR HU(N) KYA, KHUSH NASIBI HAI PAAI
      18. MILI GHAUS KE DAR KI, MUJH KO GADAAI
      19. CHAMAKTA HU(N) MAY(N) CHAAND, BAN KAR MUKHAALIF
      20. YAHAA(N) JAGMAGA NE KI, KOSHISH NA KARNA
      DARE GHAUS KA GAR TU

      Meanings:
      Line 2: MUD-DA-AA = MAQSAD; AAP JO CHIZ CHAAHTE HAI(N)

      Line 17: EHQAR = CHOTA

       

       

    15. TU HAI WOH GHAUS KE, HAR GHAUS HAI SHAIDA TERA
    16. 1. TU HAI WOH GHAUS KE, HAR GHAUS HAI SHAIDA TERA
      2. TU HAI WOH GHAUS KE, HAR GHAUS HAI PYAARA TERA
      3. JO WALI QABL THE, YA BAAD HUEY, YA HO(N)GE
      4. SAB ADAB RAKHTE HAI(N), DIL MEI(N) MERE AAQA TERA
      5. SAARE AQTAAB JAHAA(N) KARTE HAI(N), KA’ABE KA TAWAAF
      6. KA’ABAH KARTA HAI TAWAAFE DAREWAALA TERA
      7. AUR PARWAANE HAI(N) JO HOTE HAI(N) KA’ABE PE NISAAR
      8. SHA’MA’ EK TU HAI KE, PARWAANA HAI KA’ABAH TERA
      9. TU HAI NAUSHAH, BAARAAT HAI YEH SAARA GULZAAR
      10. LAAI HAI FASL SAMA GOONDH KE SEHRA TERA
      11. DAALIYAA(N) JHOOMTI HAI(N), RAQSE KHUSHI JOSH PE HAI
      12. BULBULE JHOOLTI HAI(N), GAATI HAI(N) SEHRA TERA
      13. MAZHAARAAEI(N), CHISHTO, BUKHAARAAO, IRAAQO, AJMER
      14. KAUNSI QIST PE, BARSA NAHI(N) JHAALA TERA
      15. SUKKE JOSHAM JO HAI(N), WOH TUJHE KYA JAANEI(N)
      16. KHIZR KE HOSH SE PUCHE KOI RUTBA TERA
      17. DILE ADA KO RAZA TEZ NAMAK KI DHUN HAI
      18. EK ZARA AUR CHIRAKTA RAHE KHAAMAH TERA

      Meanings:

      Line 6: DAREWAALA = AAP KA DARVAAZAAH. In the outward world, where as,
      we are busy performing the Tawaaf of Ka’abah, in the world of the Ghaib (unseen), the
      Ka’abah is busy doing the Tawaaf of your holy court yard.

      Line 9: GULZAAR = BAAGH

      Line 10: CHAMAN KI SAARI CHIZO(N) SE AAP KA SEHRA BAN KE AAYA HAI
      Line 13: MAZHAARAAEI(N) = MAZHAARAAT

      Line 18: KHAAMAH = QALAM; AISE HI LIKHTA RAHE

       

    17. RASOOLALLAH KA JALWA HAI, JALWA GHAUS-UL A’ZAM KA
    18. 1. RASOOLALLAH KA JALWA HAI, JALWA GHAUS-UL A’ZAM KA
      2. AJAB PYAARA, AJAB AALA HAI, NAQSHA GHAUS-UL A’ZAM KA
      3. FARISHTEY RAUKTE HAI(N) KYO(N), MUJHE JANNAT MEI(N) JAANE DO
      4. YEH DEKHO HAATH MEI(N), DAAMAN HAI KIS KA, GHAUS-UL A’ZAM KA
      5. MERI PHOOTI HUI TAQDIR KI, QISMAT HI CHAMAK JAAEY
      6. BANAAEY MUJH KO SAG APNA, JO KUTTA GHAUS-UL A’ZAM KA
      7. AZIZO KAR CHUKO TAYYAAR, JAB MERE JANAAZEY KO
      8. TO LIKH DENA KAFAN PAR, NAAM LEVA GHAUS-UL A’ZAM KA
      9. JAB LAHAD MEI(N) FARISHTEY MUJH SE PUCHEI(N), TO KEH DUNGA
      10. TARIQE QAADRI HU(N), NAAM LEVA GHAUS-UL A’ZAM KA
      11. THIKAANA US KE NICHE, YA KHUDA, MIL JAAEI(N) HAM KO BHI
      12. KHADA HO HASHR MEI(N) JIS WAQT, JHANDA GHAUS-UL A’ZAM KA
      13. KHUDA KE FAZAL SE HAM PAR HAI, SAAYAAH GHAUS-UL A’ZAM KA
      14. HAME DONO(N) JAHAA(N) MEI(N) HAI, SAHAARA GHAUS-UL A’ZAM KA
      15. GHAUS-UL A’ZAM DULHA AUR BARAATI AULIYA HO(N)GE
      16. MAZA DIKHLAAEGA MEHSHAR MEI(N), SEHRA GHAUS-UL A’ZAM KA
      17. HAMAARI LAAJ KIS KE HAATH MEI(N), BAGHDAAD WAALE KE
      18. MUSIBAT TAAL DENA KAAM KIS KA, GHAUS-UL A’ZAM KA
      19. KHUDAAVANDA, DUA MAQBOOL KAR, HAM ROSIYAAHO(N) KI
      20. GUNAAHO(N) KO HAMAARE BAKHSH, SAD’QAH GHAUS-UL A’ZAM KA

       

       

    19. PIR MERE BAGHDAADI GHAUSUL ANAAM
    20. The main lines to be repeated by the Na’at Khwaan are as follows:

      PIR MERE BAGHDAADI GHAUSUL ANAAM

      WOH HAI MERE AAQA, MAY(N) UN KA GHULAAM

      1. CHAHITE KHUDA AUR RASOOLE ZAMAN KE
      2. HAQIQAT MEI(N) HAI LAADLE PANJATAN KE
      3. HAI KUL AULIYA KE WAHI TO IMAAM
      PIR MERE BAGHDAADI

      4. BADI SHAAN WAALE MERE GHAUSUL A’ZAM
      5. CHIRAAGHE VILAAYAT, WALIYE MUKARRAM
      6. KARAAMAT KI SHOHRAT ZAMAANE MEI(N) AAM
      PIR MERE BAGHDAADI

      7. BAAT AISI WALIYO(N) MEI(N), NAHI(N) HAI KISI KI
      8. BULAND AISI HAI GHAUSUL A’ZAM KI HASTI
      9. HAR SIMAT MACHI HAI, UNHI KI DHOOM-DHAAM
      PIR MERE BAGHDAADI

      10. GHAUS KE HI KE KAANDHE PAR QADAM HAI NABI KE
      11. QADAM GHAUS KE, KAANDHE PAR HAR WALI KE
      12. YEH HAI UN KA RUTBA, YEH AALA MAQAAM
      PIR MERE BAGHDAADI

      13. QAADRI MAIKHAANA AUR GHAUS MERE SAAQI
      14. KAISE RAHEGI PHIR MERI ROOH PYAASI
      15. MA’ARIFAT KA MUJH KO WOHI DEI(N) JAAM
      PIR MERE BAGHDAADI

      16. DIL SE UNHE EK BAAR, JIS NE PUKAARA
      17. US KO MILA ALLAH KE, KARAM KA SAHAARA
      18. SAB PE TAJALLI HAI YEHI SUBHO SHAAM
      PIR MERE BAGHDAADI

       

       

    21. PIRAANE PIR, MERI BIGRI BANAAO
    22. The main lines to be repeated by the Na’at Khwaan are as follows:

      PIRAANE PIR, MERI BIGRI BANAAO

      ROSHAN ZAMIR, MERI BIGRI BANAAO

      1. ABDE QADIR HO TUM, DASTAGIR HO
      2. WALIYO(N) KE BAADSHAAH, PIRAANE PIR HO
      3. WASF BAYAA(N) HO, KYA ROSHAN ZAMIR HO
      4. AEY DILBAR NABI KE, MERE SARKAAR AAO
      PIRAANE PIR MERI

      5. AAYA HAI DAR PE, JO BHI SAWAALI
      6. MAANGE BINA AAQA HASRAT NIKAALI
      7. KHAALI NA LAUTA, DAR KA SAWAALI
      8. AEY BHATKE HUWO(N) KO, AAQA RABB SE MILAAO
      PIRAANE PIR MERI

      9. IBNE SAKHI, MERA BHAR DENA KAA’SAH
      10. BHAR DENA KAA’SAH, KAB SE HU(N) PYAASA
      11. RUKH SE HATAAO(N) GHAUS, PARDAAH ZARA SA
      12. AEY MAN KE AMIR, MERE SAPNO(N) MEI(N) AAO
      PIRAANE PIR MERI

      13. REHMAT KE AAB WAALE, BHAR DO GAGARIYA
      14. BHAR DO GAGARIYA, KAR DO NAZARIYA
      15. WAHEDAT KE RANG WAALE, RANG DO CHUNARIYA
      16. AEY JAAM PILA KE, HAME MAST BANAAO
      PIRAANE PIR MERI

      17. HAATH UTHA KE PIR BEDE TIRAAYE
      18. NAZAR JO DAAL DI, MURDE JILAAEY
      19. KAR KE ISHAARA, KAAM BIGRE BANAAEI(N)
      20. AEY HAM BHI HAI(N) MUNTAZIR, HO(N)TH HILAAO
      PIRAANE PIR MERI

      21. JAB TAK HAI SAANS, TUJH SE AAS NA TUTE
      22. JITEJI MUJH SE, TERI CHOKHAT NA CHUTE
      23. YEH JAAN JAAEY, CHAAHEY DUNIYA BHI CHUTE
      24. AEY KAR DO KARAM, MERI AAS BANDHAAO
      PIRAANE PIR MERI

      25. AASI HAI AAKHIR, CHAAKAR TUMHAARA
      26. THAAM LIYA HAI AAQA, DAAMAN TUMHAARA
      27. TUMHI WASILA AAQA, TUMHI SAHAARA
      28. AEY MAN MEI(N) SAMAAO, KALI DIL KI KHILAAO
      PIRAANE PIR MERI

       

      1. ASSALAAM AEY GHAUSE A’ZAM

    The main lines to be repeated by the Na’at Khwaan are as follows:

    ASSALAAM AEY GHAUSE A’ZAM ASSALAAM

    ASSALAAM AEY QUTBE AA’LAM ASSALAAM

    1. ASSALAAM AEY TAAJDAARE AULIA, AS SALAAM AEY PESHWAAEY ATQIYA
    2. ASSALAAM AEY REHNUMAAEY ASFIYA, ASSALAAM AEY RAHBARE RAAHE HUDA
    ASSALAAM AEY

    3. ASSALAAM AEY IBNE SULTAANE UMAM, ASSALAAM AEY SAAHEBE JAHO HASHAM
    4. ASSALAAM AEY PARTAVE HUSNE QADAM, AS SALAAM AEY NOORE KHURSHIDE KARAM
    ASSALAAM AEY

    5. WAAQAI, MEHBOOBE SUBHAANI HO TUM, FIL HAQIQAT QUTBE RABBAANI HO TUM
    6. AARIFE HAQQ, SHAM-AEY IRFAANI HO TUM, MASH’AALEY TANVIRE YAZDAANI HO TUM
    ASSALAAM AEY

    7. AAP HAI(N) GHAUSUL VARA, GHASUL ANAAM, AAP SAARE AULIYA KE HAI(N) IMAAM
    8. RONAQE DEENEY MUHAMMAD, LA KALAAM, AAP SE QAIM HAI(N), DUNIYA MEI(N) MUDAAM
    ASSALAAM AEY

    9. TUM HO WALIYO(N) KE WALI, PIRO(N) KE PIR, SAYYAD-US-SAA’DAAT HO, MIRO(N) KE MIR
    10. TUM HO APNE KHAADIMO(N) KE DASTAGIR, KYO(N) RAHE MEHRUM PHIR HAM
    ASSALAAM AEY

    Meanings:

    Line 1: PESHWAA = IMAAM; ATQIYA = MUTTAQI LOG

    Line 3: IBNE SULTAANE UMAM = UMMAT KE SULTAAN KI AULAAD

    Line 3: SAAHEBE JAHO HASHAM = US HAZRAT KE BETE HO, JINKE QABZE MEI(N) HAR

    KISM KI DAULAT HAI

    Line 4: PARTAVE = Reflection, splendour, influence

    Line 4: HUSNE QADAM = AAP KE KHOOBSOORAT QADMO(N) KE SAD’QE

    Line 4: KHURSHIDE KARAM = KARAM KA SURAJ
    Line 6: AARIFE HAQQ = HAQQ KI MA’ARIFAT JAAN NE WAALE

    Line 6: SHAM-AEY IRFAANI = AAP MA’ARIFAT KI SHA’MA’ HAI

    Line 6: MASH’AALEY = Torch Bearer

    Line 6: TANVIRE YAZDAANI = AAP ALLAH KE NOOR KI ROSHANI HAI(N)

    Line 7: VARA / ANAAM = ZAMAANE KE

    Line 8: LA KALAAM = No dispute on this matter

    Line 8: MUDAAM = HAMESHAAH

    Line 9: SAA’DAAT = Plural of SAYYAD, meaning AAP SAYYADO(N) KE

    SAYYAD HAI

    Line 9: MIR = AMIR

     

  147. MANQABAT DEDICATED TO KHAWAJA GHARIB NAWAAZ,
    HAZRAT MOINUDDIN CHISHTI — AJMERI (RA)
    1. TERI CHOKHAT PE JABI(N) JIS NE JHUKAAI KHAWAJA
    2. 1. TERI CHOKHAT PE JABI(N) JIS NE JHUKAAI KHAWAJA
      2. SAAKHE UMMID WAHI(N) USKI BANDHAAI KHAWAJA
      3. USKI QISMAT PE NA KYO(N) NAAZ KARE YEH DUNIYA
      4. JIS KO MIL JAAEY TERE DAR KI GADAAI KHAWAJA
      5. DIN JO KAT JAAEY TO KATE NAHI(N) KAT TI RAATEI(N)
      6. AB NAHI(N) DIL KO GAWAARA YEH JUDAAI KHAWAJA
      7. KAUN SUNTA THA YAHAA(N), TERE KARAM SE PEHLE
      8. TU JO AAYA TO GHARIBO(N) KI BANAAI KHAWAJA
      9. APNI THOKAR KA SHARAF, JIS KO BHI BAKHSA TUNE
      10. US NE THOKAR KABHI DUNIYA MEI(N) NA KHAAI KHAWAJA
      11. MUSTAFA HO(N), KE ALI HO(N), KE HO(N) GHAUS-UL A’ZAM
      12. SAB KE DARBAAR MEI(N) HAI(N), TERI RASAAI KHAWAJA
      13. JISM KYA CHIZ, DILO(N) PAR HAI HUKUMAT TERI
      14. JIS TARAF TU HAI, UDHAR SAARI KHUDAAI KHAWAJA
      15. MULK DAR MULK, TERE FAIZ KA CHARCHA PAAYA
      16. OOF! TERE DASTE KARAM KI YEH RASAAI KHAWAJA
      17. JAANO DIL APNE HATHELI PE LIYE PHIRTE HAI(N)
      18. JIS KO DEKHO, HAI TERE DAR KA FIDAAI KHAWAJA
      19. YEH SAMA AUR SAMA’AT, YEH RANGIN MANZAR
      20. TARZ KYA KHOOB IBAADAT KI BANAAI KHAWAJA
      21. NAQSH HAR EK NAZAR DIL SE DOEE KA MITJAAEY
      22. IS TARAAH QALB KI HO JAAEY SAFAAI, KHAWAJA

      Meanings:

      Line 12: RASAAI = PAHO(N)CH

      Line 21: NAQSH = Signs DOEE = DUSRO(N) KA

    3. KHAWAJA TERE ROZE MEI(N), KAA’BAH NAZAR AATA HAI
    4. 1. KHAWAJA TERE ROZE MEI(N), KAA’BAH NAZAR AATA HAI
      2. SAA-IL KO YAHAA(N) HAR DAM, DAATA NAZAR AATA HAI
      3. AJMER KI GALIYO(N) MEI(N), TAI’BAH KA NAZAARA HAI
      4. JIS WAQT NAZAR KIJE, BATOHA NAZAR AATA HAI
      5. KYA SHAAN NIRAALI HAI, SAKHIO(N) MEI(N) TERI KHAWAJA
      6. KHUD MAANG NE WAALO(N) MEI(N), RAAJAH NAZAR AATA HAI
      7. BESHAK DARE KHAWAJA SE, KOI NA GAYA KHAALI
      8. JHOLI BHARE SAA-IL BHI, AALA NAZAR AATA HAI
      9. DARBAARE KHAWAJA MEI(N), PAHO(N)CHA HAI ADAB SE JO
      10. ADNA BHI AGAR HO TO, AALA NAZAR AATA HAI
      11. NAZAARAAEI(N) GHUMBAD, JO AANKHO(N) MEI(N) SAMAAYA HAI
      12. GOYA MUJHE, FIRDAUSE AALA NAZAR AATA HAI
      13. AANKHO(N) NE MUHIB KO JO DEKHA HAI, KAHEI(N) KAISE
      14. KHAWAJA TERI SOORAT MEI(N), MAULA NAZAR AATA HAI

      Meaning:

      Line 12: GOYA = YAANI MAY(N) YEH KEHTA HU(N)

       

    5. TASVIRE MUHAMMAD HAI, CHEHRA MERE KHAWAJA KA
    6. 1. TASVIRE MUHAMMAD HAI, CHEHRA MERE KHAWAJA KA
      2. KAA’BAH HAI FAQIRO(N) KA, ROZA MERE KHAWAJA KA
      3. NAZARO(N) MEI(N) NAHI(N) AATI, KONEIN KI SULTAANI
      4. SHAAHO(N) SE BHI AFZAL HAI, MANGTA MERE KHAWAJA KA
      5. SHAADI MERE KHAWAJA KI, KYA SHAAN NIRAALI HAI
      6. AAYA HAI MADINEY SE, SEHRA MERE KHAWAJA KA
      7. JIS KO YAQI(N) NA AAEY, AJMER CHALA JAAEY
      8. BAT’TA HAI WAHAA(N) GHAR, GHAR, SAD’QAH MERE KHAWAJA KA
      9. DEKHO TO SAKHAAWAT MEI(N), KYA SHAAN HAI KHAWAJA KI
      10. KHAATE HAI(N) SHAHENSHAAH BHI, TUKRA MERE KHAWAJA KA
      11. JANNAT KE NAZAARO(N) KE KHAATIR MAY(N) KYA LAAU(N)
      12. NAZARO(N) MEI(N) SAMAAYA HAI, ROZA MERE KHAWAJA KA
      12. KAA’BE KI TARAF ZAHID, MAY(N) KAISE PALAT AAU(N)
      13. SAYYAD NE BATAAYA HAI, RASTA MERE KHAWAJA KA

    7. SUNA NE APNI BARBAADI KE AFSAANE KAHAA(N) JAATE
    8. 1. SUNA NE APNI BARBAADI KE, AFSAANE KAHAA(N) JAATE
      2. TERA DAR CHOR KAR KHAWAJA, YEH DIWAANE KAHAA(N) JAATE
      3. HAMESHAAH BHIKH HAM NE TO, ISI CHOKHAT SE PAAI HAI
      4. HAM APNA DAAMANE UMMID, PHAILAANE KAHAA(N) JAATE
      5. TUMHAARE SAR PE KHAWAJA, TAAJ HAI MUSHKIL KUSHAAI KA
      6. HAM APNI ULJHANEI(N) AURO(N) MEI(N), SULJHAANE KAHAA(N) JAATE
      7. JABINO(N) PAR NA HOTA NAQSH GAR IS AASTAANE KA
      8. GHULAAMAANE MOIN MEHSHAR MEI(N), PEHCHAANE KAHAA(N) JAATE
      9. DARE KHAWAJA PE BIGRI QISMATEI(N) BANTI HAI(N), AEY URSI
      10. HAM APNI LOHE PESHAANI, BADALWAANE KAHAA(N) JAATE

      Author: JANAAB URSI

       

    9. SANAAEY MUSTAFA KE GEET GAAEY, ROZE KHAWAJA PAR

1. SANAAEY MUSTAFA KE GEET GAAEY, ROZE KHAWAJA PAR
2. KHUDA WAALO(N) CHALO CHAADAR CHARAAEI(N), ROZE KHAWAJA PAR
SANAAEY

3. HAI BAABE BE-IJAABAT, HAR DUA MAQBOOL HOTI HAI
4. MURADEI(N) MAANG NE HAM KYO(N) NA JAAEI(N), ROZE KHAWAJA PAR
SANAAEY

5. BAHISHTE HO KE CHISHTE, RANG CHA JAAEY AGAR UN PAR
6. MALAK PHOOLO(N) KI CHAADAR LEKE JAAEI(N), ROZE KHAWAJA PAR
SANAAEY

7. YAHAA(N) KI KHAAK BOSI, SAR BULANDI KI ALAMAT HAI
8. MASHAAIKH KYO(N) NA PESHAANI JHUKAAEY, ROZE KHAWAJA PAR
SANAAEY

9. BAHAARE CHAANDNI KI DEKHNA CHAAHE JO ROZE PAR
10. SITAARE CHAADARE MEHTAB LAAEY, ROZE KHAWAJA PAR
SANAAEY

11. AYAA(N) BE-PARDAAEY AJMER MEI(N), JALWE MADINEY KE
12. AJAB KYA, KHUD NABI TASHRIF LAAEY, ROZE KHAWAJA PAR
SANAAEY

13. HUZOORI AASTAANE KI MAYASSAR HO AGAR ZAKIR
14. BARAAEY NAZAARE CHAADAR LEKE JAAEI(N), ROZE KHAWAJA PAR
SANAAEY

15. AGAR SIDDIQE AKBAR PAR, SADAAQAT NAAZ KARTI HAI
16. AGAR UMAR FAROOQ PAR BHI, ADAALAT NAAZ KARTI HAI
17. AGAR USMANE GHANI PAR BHI, SAKHAAWAT NAAZ KARTI HAI
18. ALI SHERE KHUDA PAR BHI, SUJA’AAT NAAZ KARTI HAI
19. HUSSAIN IBNE ALI PAR BHI, SHAHAADAT NAAZ KARTI HAI
20. MUHAMMAD MUSTAFA PAR BHI, IBAADAT NAAZ KARTI HAI
SANAAEY

21. TAMANNA HAI RASOOLALLAH KA DIDAAR DEKHEI(N)
22. MITA KAR APNI HASTI KO, JAMAALE YAAR DEKHEI(N)
23. QAZA KO RAUK DETI HAI, DUA ALLAH WAALO(N) KI
24. BADAL DETI HAI(N) TAQDIRE DUA ROSHAN ZAMIRO(N) KI
SANAAEY

25. MERE KHAWAJA KE DAR PAR JO GAYA, LAUTA NAHI(N) KHAALI
26. MERE KHAWAJA KE DAR PAR MAANG NE WAALO(N) KO MILTA HAI
27. MUQADDAS WOH JAGAAH AJMER KI, HAI SHAAN HAI AALI
28. AGAR DETE NAHI(N) DEKHA MAGAR JHOLI BHARI DEKHI
SANAAEY

Meaning:

Line 3: US DAR PE, BINA IJAAZAT, HAR DUA MAQBOOL HOTI HAI