1. Introduction *

1. Introduction

In addition to Volume 1, the purpose of this second booklet is to give the "Na’at Lovers" and budding Na’at Khwaans a chance to read up and in fact practice even more popular Na’ats in Roman Urdu. For example, the present generation of youth may be fully conversant in Urdu, but might lack the fluency when it comes to reading and writing. Innumerable requests were made by this young generation, who are also keen to express their love for the Prophet, who was, is, and will be Rehmatul Lil Aalameen, Hazrat Muhammad Mustafa (SAW). It is intended therefore that this humble book will suffice their needs. At their behest Volume 2 has been rushed to the publishers whilst work on Volume 3 has already begun. Incidentally, one of the correct dictionary definition of a Na’at is an "Eulogy", "Panegyric", "Encomium"; which is a high praise given in a speech or a written format.

As a rule, the name of the author will appear on the penultimate line (one before the last line). Na’ats have been written here, exactly as how you would pronounce them, e.g., it will instruct you to repeat the chorus lines wherever appropriate.

As with the first Volume, along with the Na’ats of Aala Hazrat, Imam of Aih’l-e Sunnat, Mujaddidey Millat, Maulana, Shah Ahmed Raza Khan Barelvi, we have also included other distinguished Na’at writers such as Janaab Bekal, Anjum and Niyazi to mention but a few. Furthermore, many long Na’ats such as "MUSTAFA JAANE REHMAT", contains difficult words in Farsi. So wherever possible we have included a very brief "Meanings" column at the end of the Na’at.


The sequence observed in this book is as follows:

1. Hamd praising "ALLAH SUBHAANUHU WA TA’ALA"
2. Na’ats
3. Salaams dedicated to the Holy Prophet Muhammad (SAW)

4. Manqabats (arranged in historic order) dedicated to Hazrat Abu Bakr "Siddiqe Akbar" (RA), Hazrat Umar Ibn Al Khattab (RA), entitled by the people as the "Farooqe A’zam" (RA), Hazrat Usman Ibn Affaan (RA), affectionately known as "H. Usmane Ghani" (RA), Hazrat Maula Ali (Karamallaahu Wajhu) lovingly known as "Mushkil Kusha" (RA), Hazrat Ghaus-Ul A’zam Dastagir, Ghaus As Saqalain, H. Ghaus Paak, Shaikh Muhyiddin Abdul Qadir Jilani (RA); and finally, Khawaja Gharib Nawaaz, Hazrat Moinuddin Hasan, Sanjari, Ajmeri, Chishti (RA).

1. Notes on Urdu Grammar

i). All the important grammatical rules have been observed and the letters of the Urdu alphabet are represented by the appropriate Roman English letters. It is a pre-requisite and a mandatory requirement that the reader "MUST" be able to converse fluently in Urdu.


ii) The word "HU(N)" is a Present Definite Singular Tense, the plural of which is "HAI(N)", e.g.,


MAY(N) MADINAH JA RAHA HU(N) becomes HAM MADINAH JA RAHEY HAI(N)

iii) The "Aorist" tense is usually employed by most Na’at Authors, when the Present Indefinite Tense occurs in English after "If", "When" and "Until" and the Verb of the second clause is in the Imperative; as will be seen from the following example:


Singular: MAY(N) MADINEY KO JAAU(N) Plural: HAM MADINEY KO JAAEI(N)


2. Pronunciation and Transliteration

The compiler has done his best to indicate the current pronunciation of the Urdu words with the help of an EXTREMELY SIMPLE system of transliteration, i.e., the pronunciation of Urdu words in this book is based on principles which are by and large accepted by modern Orientalists. It has the added advantage of being akin to the Roman Urdu script used for army education in this sub-continent over the past few generations.

1. Vowels - Notes on the Use of "AA"

In the Urdu, language, usually the long "AA" sound is obtained and pronounced by placing a MADD sign on top of Alif, e.g., "JAANIB". In other words, the "AA" sound is pronounced in the same way as the English word "Part", where as the singular letter "A" within a word in a Na’at is pronounced as if it was "A" in the word "Mental" or "Bank".

However, during the preparation of this book it was discovered that there are thousands of written words in Urdu, which does not have a MADD sign, but from an every day conversational colloquial perspective, are still pronounced with an "AA" sound. Therefore, in this book we have adopted an extensive use of "AA". The net effect is that in a Na’at, this scheme will help us distinguish between the words "TALAB" and "JANAAB".

Unfortunately, there are exception to this rule, as over the years the spelling of most names have already been embedded in people’s mind; e.g., names such as ALLAH, H. Bibi Aminah (RA), H. Bibi Fatima (RA), Madinah, etc. So all the names have been printed as such. In addition, authors’ names throughout this book such as, Niyazi, Khalid, have also been retained with a single "A". Ideally all these names should be spelled with "AA".

Another exception to this rule is that if the letter "A" within a word in a Na’at occurs at the end, e.g., KHUDA, or AAP KA, then clearly it is understood that it should be read as "AA" by default.

2. Words Ending in "Noon Ghunna"

When the Urdu letter "Noon" comes after a long vowel, and when used at the end of a word, it is pronounced with a nasal sound, e.g., NAHI(N). So as this letter is somewhat silent, rather than omit completely from the transliteration text, it has been written in a bracket as follows and thus pronounced as such: KAHAA(N), JAHAA(N), WAHAA(N)

3. Words Requiring Accent

In the present Volume, the author has taken great pains to indicate the accent and thereby endeavored to guide the reader in exact pronunciation. For instance, we find highly accurate transliteration of some extremely difficult phonetic complexities, rendered intelligible to an ordinary reader – especially the foreign reader, as follows: The single apostrophe, i.e., (‘) has been placed immediately after every stressed syllable to denote accent, thus you have the following words, e.g., Allah Ta’ala, Wa’ahduhu, Na’at, Qur’an, Ka’abah, Ma’arifat and so on so forth.

Finally, for the ease of readability and moreover to attain the correct accent, some words have been joined, TUNE, instead of TU NE, etc.

4. The Usage of English Words Intermingled with Roman Urdu Words

Throughout the book it was felt necessary that copious meanings and explanations be offered in plain English. Thus inorder to distinguish between Roman Urdu and English words, it was felt necessary that all the English language words be written in lower cases, e.g.,

Meanings: Line 11: FISKH = MANSOOKH (To wipe out).

These instances would amply indicate the intricacies of the problems facing the author of a Book of NA’AT.

Please submit your comments, contributions and suggestions, directly to the author at:
49, Castleton Avenue, Wembley, Middlesex, England, UK, HA9 7QE.

 

 

2. HAMD 1 — ALLAH HU, ALLAH HU

The main line to be repeated by the Na’at Khwaan is as follows:

ALLAH HU, ALLAH HU, ALLAH HU, ALLAH HU


1. PUCHA GUL SE YEH MAYNE KE AEY KHOOBROO
2. TUJH MEI(N) AAI KAHAA(N) SE NAZAAKAT KI KHOO
3. YAAD MEI(N) KIS KI HANSTA MAHEKTA HAI TU
4. HANS KE BOLA AEY TAALIBE RANGO BOO
ALLAH HU

5. ARZ KI MAYNE SUMBAL SE AEY MUSHK BOO
6. SUBH KO KAR KE SHABNAM SE TAAZA WUZU
7. JHOOM KAR KAUN SA ZIKR KARTA HAI TU
8. SUN KE KAR NE LAGA DAM BADAM ZIKR HU
ALLAH HU

9. MAYNE PUCHA YEH PARWAANE SE DOOBA-DOO
10. KIS LIYE SHA’MA’ KI LO PE JALTA HAI TU
11. SHOLAAEY NAAR MEI(N) KIS KI HAI JUSTUJOO
12. JALTE, JALTE KAHA US NE YA NOOR HU
ALLAH HU

13. JAB KAHA BULBUL SE AEY KHUSH GULU
14. KYO(N) CHAMAN MEI(N) CHAHEKTA HAI TU CHAAR SU
15. DEKH KAR GUL KISE YAAD KARTA HAI TU
16. WAJD MEI(N) BOL UTHA WA’AHDUHU WA’AHDUHU
ALLAH HU


17. AAZAMI GARCHE BEHAD GUNAHGAAR HAI
18. MUJRIMO BEAMAL HAI KHATAAKAAR HAI
19. HAQQ TA’ALA MAGAR AISA GHAFFAAR HAI
20. USKI REHMAT KA NAARA HAI LA TAQ NATU
ALLAH HU

Author: JANAAB MUHAMMAD A’ZAM CHISHTI

Meanings:

Line 1: KHOOBROO = KHOOBSOORAT

Line 4: TAALIBE = TALAB KAR NE WAALA

Line 4: RANGO BOO = RANG AUR BOO PASAND KAR NE WAALI

Line 5: SUMBAL = Flower

Line 6: SHABNAM = Morning due

Line 9: DOOBA-DOO = AAMNE SAAMNE

Line 11: NAAR = Fire

Line 11: JUSTUJOO = Search

Line 13: KHUSH GULU = ACHCHE GAANE WAALI

Line 13: GULU = Throat / neck

Line 20: LA TAQ NATU = Refers to the well known Aayaat 53,
in the Surah "ZUMAR" of the Holy Qur’an.
"ALLAH KI REHMAT SE KABHI NA UMMID
NA HO". Meaning "Despair not of the mercy
of Allah".

 

3. HAMD 2 — MAAYOOS NA HO, MAAYOOS NA HO

The main lines to be repeated by the Na’at Khwaan are as follows:

SUNTA HAI KHUDA HAR DIL KI SADA, MAAYOOS NA HO, MAAYOOS NA HO
MOHTAAJ NA REH DAAMAN PHAILA, MAAYOOS NA HO, MAAYOOS NA HO


1. JO NAAR KO BHI GULZAAR KARE, JO NOOH KI KASHTI PAAR KARE
2. US RABB KE LIYE DUSHVAAR HAI KYA, MAAYOOS NA HO, MAAYOOS NA HO
SUNTA HAI KHUDA

3. KHIL JAAEI(N)GE UMMIDO(N) KE KANWAL, CHUT JAAEI(N)GE SAB GHAM KE BAADAL
4. LAAZIM HAI BHAROSA REHMAT KA, MAAYOOS NA HO, MAAYOOS NA HO
SUNTA HAI KHUDA

5. USKA TO KARAM HI SHEVA HAI, WOH MAULA HAI, HAM BANDE HAIN
6. KEHTA HAI WOHI JAB MAANG DUA, MAAYOOS NA HO, MAAYOOS NA HO
SUNTA HAI KHUDA

7. HAM AAJIZ HAI(N), MUKHTAAR HAI WOH, HAA(N) SAB SE BARI SARKAAR HAI WOH
8. SAR APNA JHUKA AUR MAANG DUA, MAAYOOS NA HO, MAAYOOS NA HO
SUNTA HAI KHUDA

9. JO KHATM NAHI(N) HOGA ANJUM, WOH EHDE BAHAAR AA JAAEGA
10. RAKH APNA WAZIFA SALLE ALA, MAAYOOS NA HO, MAAYOOS NA HO
SUNTA HAI KHUDA

Author: JANAAB QAMRUDDIN ANJUM

Meanings:

Main Line: SADA = AAWAAZ

Line 2: DUSHVAAR = MUSHKIL

Line 5: SHEVA = AADAT

Line 9: EHD = WAQT

4. HAMD 3 — TERI SHAAN JALLA JALAALUHU — VERSION 2

1. MERE RABB KAHAA(N) PE NAHI(N) HAI TU, TERI SHAAN JALLA JALAALUHU
2. TERE ZARRE, ZARRE MEI(N) HAI NAMUD, TERI SHAAN JALLA JALAALUHU
3. TERI ZAAT KHAALIQE DO JAHAA(N), CHALE HUKM TERA, YAHAA(N), WAHAA(N)
4. TERI HAR ZUBAA(N) PE HAI GUFTAGU, TERI SHAAN JALLA JALAALUHU
5. TERI QUDRATO(N) KA SHUMAAR KYA, TERI WUSATO(N) KA HISAAB KYA
6. TU MUHITE AA’LAME RANGO BOO, TERI SHAAN JALLA JALAALUHU
7. JISE CHAAHE TU WOH AZIZ HAI, JISE TU NA CHAAHE ZALIL HAI
8. TERE HAATH ZILLAT-O-AABRU, TERI SHAAN JALLA JALAALUHU
9. HAI RIYAZ KHASTA KI ILTIJA, BAARGAAH MEI(N) AEY KHUDA
10. MERA CHAAKO AMAA(N) BHI HO RAFU, TERI SHAAN JALLA JALAALUHU


Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:

Line 2: NAMUD = ZAAHIR HONA

Line 5: WUSATO(N) = Wideness

Line 6: MUHIT = To circumscribe, comprehend and know all, e.g.,AA’LAM

KE SAARE RANGO BOO TERE QABZE MEI(N) HAI.

Line 9: KHASTA = THAKA HUA, PARESHAAN HAAL

Line 10: CHAAKO = To cut or tear

 

5. HAMD 4—KUSHAADAH DASTE KARAM, JAB WOH BENIYAAZ KARE

The main lines to be repeated by the Na’at Khwaan are as follows:

KUSHAADAH DASTE KARAM, JAB WOH BENIYAAZ KARE

NAYAAZMAND NA KYO(N) AAJZEE PE NAAZ KARE

1. MUDAAM GOSH BADIL REH, YEH SAAZ HAI AISA
2. JO HO SHIKASTA TO PAIDA NAWAAEY RAAZ KARE
KUSHAADAH DASTE KARAM

3. KOI YEH PUCHE KE WAAIZ KA KYA BIGARTA HAI
4. JO BEAMAL PE BHI REHMAT WOH BENIYAAZ KARE
KUSHAADAH DASTE KARAM

5. SUKHN MEI(N) SAUZ ILAAHI KAHAA(N) SE AATA HAI
6. YEH CHIZ WOH HAI KE PATHTHAR KO BHI GUDAAZ KARE
KUSHAADAH DASTE KARAM

7. BITHA KE ARSH PE RAKHKHA HAI TUNE AEY WAAIZ
8. KHUDA WOH KYA HAI JO BANDO(N) SE EHTRAAZ KARE
KUSHAADAH DASTE KARAM

9. HAWAAH HO AISI KE HINDUSTAN SE AEY IQBAL
10. URA KE MUJH KO GHUBAARE RAAHE HIJAAZ KARE
KUSHAADAH DASTE KARAM

Author: JANAAB, DR. ALLAMA IQBAL

Meanings:
Main Line 1: KUSHAADAH = KHULLE, Open, wide, spacious, expansive

Main Line 1: DASTE KARAM = JIS PE ALLAH TA’ALA RAHEM KARE, KARAM KA

HAATH KHOL DE

Line 1: HAR WAQT APNE DIL KI AAWAAZ SUNTE RAHO
Line 1: MUDAAM = HAMESHAAH
Line 1: GOSH = Ears
Line 1: BADIL = Heart

Line 2: So that when it breaks, his will is revealed to you. NAWAAEY = AAWAAZ
Line 5: SUKHN = KALAAM SAUZ = DARD

Line 5: Ya Allah, where does this depth in the holy scriptures come from?

Line 6: GUDAAZ = It even "melts" the stone.
Line 10: GHUBAARE = MITTI


6. HAMD 5 — WOHI KHUDA HAI

1. KOI TO HAI JO NIZAAME HASTI CHALA RAHA HAI, WOHI KHUDA HAI
2. DIKHAAI BHI JO NA DE, NAZAR BHI JO AA RAHA HAI, WOHI KHUDA HAI
3. TALAASH NA KAR US KO BUTO(N) MEI(N), WOH HAI BADALTI HUI RAATO(N) MEI(N)
4. JO DIN KO RAAT AUR RAAT KO DIN BANA RAHA HAI, WOHI KHUDA HAI
5. NAZAR BHI RAKHKHE, SAMA-ATEI(N) BHI, WOH JAAN LETA HAI, NIYYATEI(N) BHI
6. JO KHAANAAEY LA SHO’OOR MEI(N), JAGMAGA RAHA HAI, WOHI KHUDA HAI
7. KISI KO TAAJE WAQAAR BAKHSE, KISI KO ZILLAT KE GHAAR BAKHSE
8. JO SAB KE MAATHO(N) PE MOHRE QUDSI LAGA RAHA HAI, WOHI KHUDA HAI
9. SAFED USKA, SIYAAH USKA, NAFS, NAFS HAI, GAWAAH USKA
10. JO SHOLAAEY JAA(N) JALA RAHA HAI, BUJHA RAHA HAI, WOHI KHUDA HAI


Author: JANAAB MUZAFFAR WARSI

Meanings:

Line 5: SAMA-ATEI(N) = WOH SUNTA BHI HAI

Line 6: KHAANAAEY = Place; LA SHO’OOR = Beyond reason and logic

Line 7: TAAJE WAQAAR = IZZAT KA TAAJ GHAAR = Cave

Line 8: MOHRE QUDSI = AASMAANI MOHR (Seal)

 

7. NA’AT — INTRODUCTORY RECITATION

In certain "Mehfiley NA’AT" functions, you may wish to recite the introductory lines outlined below in Section 7.1 and 7.2, before you recite the main NA’AT.

1. UJAALA JIS KA HAI DO JAHAA(N) MEI(N)

The main line to be repeated by the Na’at Khwaan is as follows:


SALLALLAHO ALAI KA YA RASOOLALLAH, WASALLAM ALAI KA YA HABIBALLAH

1. UJAALA JIS KA HAI DO JAHAA(N) MEI(N), WOH MERE AAQA KI ROSHNI HAI
2. UNHI KE QADMO(N) KI BARKATO(N) SE, YEH ZINDAGI AAJ ZINDAGI HAI
SALLALLAHO ALAI KA

3. JAMIL WOH HAI, SHAQIL WOH HAI, KAFIL WOH HAI, WAKIL WOH HAI
4. JALIL WOH HAI, KHALIL WOH HAI, HAR EK ADA UNKI, IK NAYI HAI
SALLALLAHO ALAI KA

5. WOH KHUSHBOOE KHULD SE MUSTAFA HAI, KE MUSHK BHI HAI KE JIS KE AAGE
6. MAHEKTI GALIYAA(N) YEH KEH RAHI HAI(N), SAWAARI UNKI ABHI AA GAYI HAI
SALLALLAHO ALAI KA

Meaning:

Line 5: KHULD = JANNAT

2. SALLE ALA NABIYENA, SALLE ALA MUHAMMADIN

The main lines to be repeated by the Na’at Khwaan are as follows:


SALLE ALA NABIYENA, SALLE ALA MUHAMMADIN

SALLE ALA SHAFIYENA, SALLE ALA MUHAMMADIN

1. CHER KE SAAZE LA ILAH, MAST BANA GAYA KOI
2. AUR DUNIYA JO MEHWE KHWAAB THI, AAKE JAGA GAYA KOI
SALLE ALA

3. AULIA AMBIYA TAMAAM, PARHTE DAROOD SUBHO SHAAM
4. AUR KHUD KHUDA KA HAI YEH KAAM
SALLE ALA

5. BEMISL NOORE AHMADI, AISA NAHI(N) KOI NABI
6. AUR PARHTE FARISHTE, HAI(N) SABHI
SALLE ALA

7. TERI ADA, ADA AEY HAQQ, TERI RAZA, RAZA AEY HAQQ
8. AUR WAHI-AEY KHUDA TERA KALAAM, TUJH PAR DAROOD AUR SALAAM
SALLE ALA

9. BAKHSHI GAI HAI SAB KHATA, TAUBAH KA DAR BHI HAI KHULA
10. AUR ADAM NE JAB KE YEH PARHA
SALLE ALA

Meaning:
Line 2: MEHVE = KHWAAB

 

8. NA’AT BY H. IMAM ZAINUL ABEDEEN (RA)

ISTIGHAASHA (FARIYAAD)

BA HAZOOR SARWARE QAAINAAT — SAW – (TO)

AZ (FROM)

H. IMAM ZAINUL ABEDEEN BIN H. IMAM HUSSAIN BIN H. ALI (RA)

The main lines to be repeated by the Na’at Khwaan are as follows:

JO GUZAR NASIB HO AEY SABA, KISI DIN DIYAARE HIJAAZ MEI(N)

TO MERA SALAAME NIYAAZ KEHNA, HARIME BANDA NAWAZ MEI(N)

This Na’at has been reproduced from the original Arabic manuscripts, exactly as written by H. Zainul Abedeen (RA).

It is also the first of its kind and unique in that the first two lines are
written in Arabic. This is followed by two lines of Na’at translated in Urdu / Farsi. The translation has been typed in ITALICS. So the net effect of the whole process is that the Na’at Khwaan can captivate the people’s attention (which is short span anyway) and at the same time enlighten the listeners in both or either languages. In addition, apart from the verse form observed in Na’at, the straight Urdu translation of each line has also been included, in the full line by line translation of the original Arabic text, after the "Meanings" section, at the end.

1. IN NILTI YA RI HASSABA YAWMAN ILA ARDIL HARAM
2. BALLIGH SALAAMI RAWDATAN FIHAN NABIYYUL MOHTARAM


3. JO GUZAR NASIB HO AEY SABA, KISI DIN DIYAARE HIJAAZ MEI(N)
4. TO MERA SALAAME NIYAAZ KEHNA, HARIME BANDAAH NAWAAZ MEI(N)


5. MAN WAJHOHU SHAMSUD DOHA MAN KHADDUHU BADRUD DOJA
6. MAN ZAA’TUHU NOORUL HODA MAN KAFFUHU BAHRUL HEMAM


7. WOHI JINKE RUEY MUNIR PAR, KISI MEHROMAAH KA GUMAAN HAI
8. TU HIMAM KA IK YAME BEKARAA(N), HAI KARAM KE DASTE DARAAZ MEI(N)


9. QUR’ANUHU BURHAANONA NASKHAN LE ADYA NIM MADAT
10. IZ JAA-ANA AHKAAMUHU KULLUS SUHUF SAARAL ADAM


11. HUEY FISKH EHDE KOHAN KE DEEN, WOH JO LAAEY QUR’ANE MUBI(N)
12. WOH DALILE ROSHANO AAKHRI(N), KE HAI DEENE HAQQE JAWAAZ MEI(N)


13. AKBADO NA MAJRUHATUN MIN SAYFE HIJRIL MUSTAFA
14. TUBA LE AIH’L-E BALDATIN FIHAN NABIYYUL MUHTASHAM


15. ZAHESA KINAANE HARAM JAHAA(N), SHAHE DO JAHAA(N) KA QAYAAM HAI
16. BARA DIL PHIGAAR HU(N) MEI(N) YAHAA(N), GHAME HIJRE SINA GUDAAZ MEI(N)


17. YA LAYTANI KUNTO KAAMAN YATTBA’A NABIYYAN ALIMAN
18. YAWMAN WA LAYLAN DAAEMAN WARZUQ KAZAALI BIL KARAM


19. AEY KHUSHA WOH MO’MINE KHUSH AMAL, KE MUTI-AEY HUKME RASOOL HAI
20. HAI YEH AARZOO MERI ZINDAGI, BHI HO WAQF SHARAAEY NIYAAZ MEI(N)


21. LI HASRATUN ISMA’A KAZAALEMA LAM AASEFIL MUSTAFA
22. FI KULLE HI-NIN QAD MADA FIL HAALE MA YAHSUL BEHIM


23. THI AZAL SE DIL MEI(N) TARAP YEHI, KE HO MADD-HA SHAANE HAZOOR KI
24. HUI HARFO SAUT SE AASHNA, JO FUGAA(N) THI PARDAAEY SAAZ MEI(N)


25. LASTO BERAJIN MUFRADAN BAL AQREBAEE KULLOHUM
26. FIL QABRE SHIFA’A YA SHAAFIO BISSAADE WAN NUNIL QALAM


27. MAY(N) AUR SAB MERE AQRABA, HAI(N) IK SHAFA’AT KE GADA
28. HO(N) BA SAADO NUNO QALAM ATA, WOH LAHAD KI MANZILE RAAZ MEI(N)


29. YA MUSTAFA, YA MUJTABA, IRHAM ALA ISYAANENA
30. MAJBURATUN AAMAALONA, TAM-AN WAZANBAN WAZZULM


31. KARAM AEY SHAHEWAALA, HASHAM KE HAI(N), AAJ MUNTAZIRE KARAM
32. WOH ASIRE GHAM KE SHIKASTA PAR, HAI(N) GUNAAH KE DAAMANE AAZ MEI(N)


33. YA RAHMATAN LIL AA’LAMEEN ANTA SHAFIUL MUZNEBIN
34. AKRIM LANA YAWMAL HAZINA FADLAN WAJUDOW WAL KARAM


35. SARE HASHR AAP KE HAATH HAI, MERE HASHR-O-NASR KI AABRU
36. KE KALIDE REHMATE, DO JAHAA(N), HAI NABI KE DASTE MAJAAZ MEI(N)


37. YA RAHMATAN LIL AA’LAMEEN ADRIK LE ZAYNIL ABEDEEN
38. MAHBUSE AYDIZ ZAALEMIN FIL MAWKABE WAL MUZDAHAM


39. LILLAAH ZAYNIL ABEDEEN, PE BHI NIGAAHE LUTFE HUZOOR HO
40. KE SITAM NASIB RAHINE GHAM, HAI UDU KI QAIDE DARAAZ MEI(N)


Author: H. IMAM ZAINUL ABEDEEN BIN H. IMAM HUSSAIN BIN H. ALI (RA)

Meanings:

Line 6: BAHRUL HEMAM = SAKHAAWAT KA DARYA

Line 7: RUEY MUNIR = CHAAND JAISA CHAMAKTA NOORAANI
CHEHRA
Line 7: MEHRO MAAH = CHAAND AUR SURAJ
Line 7: GUMAAN = SHAK (doubt) PARTA HAI
Line 8: BEKARAA(N) = BECHAIN DASTE DARAAZ = LAMBA HAATH
Line 11: FISKH = MANSOOKH (To wipe out)

Line 11: EHDE KOHAN KE DEEN = PURAANE ZAMAANE KE DEEN

Line 12: DALILE ROSHANO = JAB WOH KHUD (clear) DALIL BAN KE AAEI(N)

Line 12: AAKHRI(N) = AAKHRI NABI (SAW)

Line 12: HAQQE JAWAAZ MEI(N) = In support of the truth

Line 15: ZAHESA = AAP KE NASIB MEI(N)

Line 15: KINAAN = REHNE WAALE
Line 19: MUTI-AEY = TAABEDAAR

Line 20: SHARA = SHARIAT

Line 24: SAUT = AAWAAZ; AASHNA = JAAN NA

Line 24: FUGAA(N) = TARAP; SAAZ MEI(N) = DIL MEI(N)

Line 30: TAM-AN = LAALACH. WAZANBAN = GUNAAH

Line 32: ASIR = QAID

Line 32: SHIKASTA PAR = Wings broken in dispair

Line 36: KALID = CHAABI (key)

Line 36: DASTE MAJAAZ MEI(N) = DUNIYA WAALA HAATH

Line 39: PE BHI = UN KE OO’PAR BHI
Line 40: RAHINE = REH RAHA HAI, DARAAZ = LAMBA

Line 40. UDU = DUSHMAN

Full line by line translation of the original Arabic text

Line 1: AEY, BAADE SABA, AGAR TERA GUZAR SAR ZAMINE HARAM TAK HO
Line 2: TO MERA SALAAM, US ROZE MUBAARAK KO PAHO(N)CHA DENA,
JIS MEI(N) NABI-AEY MOHTARAM TASHRIF FARMA HAI.
Line 5: WOH JIN KA CHEHRAAEY ANWAR MEHRE NIM ROZ (AADHA
CHAAND) KI TARAAH HAI. AUR JINKE RUKHSAARE TAABA(N)
(CHAMAKDAAR), MAAHE KAAMIL (PURE CHAAND) KI TARAAH HAI.
Line 6: JINKI ZAAT NOORE HIDAAYAT HAI, HATHELI MEI(N) SAKHAAWAT, KA DARYA HAI.
Line 8: HAM RABB KI SHAAN MEI(N) REHTE HAI. UN KE KARAM KI
PAHO(N)CH BARI LAMBI HAI. AAP KI SAKHAAWAT KI PAHO(N)CH BHI, BARI LAMBI HAI.
Line 9: UN KA LAAYA HUA QUR’AN, HAMAARE LIYE WAAZIYA (clear) DALIL
HAI, JIS NE MAAZI KE TAMAAM DEENO KO MANSOOKH (wipe out) KAR DIYA.
Line 10: JAB US (QUR’AN) KE EHKAAM (HUKM), HAMAARE PAAS AAYE TO
PICHLE SAARE SAHIFE MAADUM (KHATM) HO GAYE.
Line 13: HAMAARE JIGAR ZAKHMI HAI, FIRAAQE MUSTAFA KI TALWAAR SE.
Line 14: KHUSH NASIBI US SHEHR KE LOGO(N) KI HAI, JIS MEI(N) NABIYE,
MOHTASHIM (HASHMAT AUR IZZAT WAALE) HAI(N).
Line 16: MAY(N), AISE HALAAT MEI(N) HU(N), AUR MERE GHAM ITNE GEHRE
HAI KE WOH MERE SINE KO BHI PIGAL RAHA HAI.
Line 17: KAASH MEI(N) USKI TARAAH HOTA, JO NABI KI PAIRWI, ILM KE SAATH, KARTA HAI.
Line 18: AEY KHUDA, DIN RAAT, BAS, HAMESHAAH YEHI SOORAT APNE KARAM SE ATA FARMA.
Line 20: Same as line 18 above.

Line 28: SHAADO NUNO KALAAM ATA = UN KE SAD’QE MEI(N), AAP KI SHAFA’AT CHAAHIYE
QABR MEI(N) JO MANZIL RAAZ KI HAI.
Line 33: AEY, REHMATE AA’LAM, AAP GUNAHGAARO(N) KE SHAFI HAI.
Line 34: HAME QIYAAMAT KE DIN, FAZAL WA SAKHAAWAT AUR KARAM SE IZZAT BAKHSHNA.
Line 37: AEY, REHMATE AA’LAM, ZAINUL ABEDEEN KO SAMBHAALIYE.
Line 38: WOH ZAALIMO(N) KE HATHO(N) MEI(N) GIRAFTAAR, HAIRAANI WA
PARESHAANI MEI(N) HAI.

 

 

 

9. AEY SABZ GUMBAD WAALE

The main lines to be repeated by the Na’at Khwaan are as follows:

AEY SABZ GHUMBAD WAALE MANZOOR DUA KARNA

JAB WAQTE NAZA AAEY DIDAAR ATA KARNA

1. AEY NOOREY KHUDA AAKAR, AANKHO(N) MEI(N) SAMA JAANA
2. YA DAR PE BULA LENA, YA KHWAAB MEI(N) AA JAANA
3. AEY PARDAAH NASHI(N) DIL KE, PARDE MEI(N) RAHA KARNA
JAB WAQT NAZA AAEY DIDAAR ATA KARNA


4. MEHBOOBE ILAAHI SA, KOI NA HASIN DEKHA
5. YEH SHAAN HAI UNKI KE, SAAYAAH BHI NAHI(N) DEKHA
6. ALLAH NE SAAEY KO, CHAAHA NA JUDA KARNA
JAB WAQT NAZA AAEY DIDAAR ATA KARNA


7. MAY(N) QABR ANDHERI MEI(N), GHABRAA-UNGA JAB TANHA
8. IMDAAD KO MERI TUM, AA JAANA ZARA SHAAHA
9. ROSHAN MERI TURBAT KO, LILLAAH ZARA KARNA
JAB WAQT NAZA AAEY DIDAAR ATA KARNA

10. MUJRIM HU(N) JAHAA(N) BHAR KA, MEHSHAR MEI(N) BHARAM RAKHNA
11. RUSWAAEY ZAMAANA HU(N), AAQA KAMLI MEI(N) CHUPA LENA
12. MAQBOOL DUA MERI, MEHBOOBE KHUDA KARNA
JAB WAQT NAZA AAEY DIDAAR ATA KARNA

13. CHEHRE SE ZIYA PAAI, SAB CHAAND SITAARO(N) NE
14. IS DAR SE SHIFA PAAI, DUKH DARD KE MAARO(N) NE
15. AATA HAI UNHE SABIR, HAR DUKH KI DAWA KARNA
JAB WAQT NAZA AAEY DIDAAR ATA KARNA

Author: JANAAB SABIR

Meaning:
Line 11: RUSWAAEY = BADNAAM

10. SUBHO TAI’BAH MEI(N) HUI

The main lines to be repeated by the Na’at Khwaan are as follows:

SUBHO TAI’BAH MEI(N) HUI, BAT’TA HAI BAARA NOOR KA

SAD’QAH LENE NOOR KA, AAYAA HAI TAARA NOOR KA

1. BAAGHE TAI’BAH MEI(N) SUHAANA, PHOOL, PHOOLA NOOR KA
2. MAST BOO HAI(N) BULBULEI(N), PARHTI HAI(N) KALIMAH NOOR KA
SUBHO TAI’BAH MEI(N) HUI

3. MAY(N) GADA TU BAADSHAAH, BHARDE PYAALA NOOR KA
4. NOOR DIN DUNA TERA, DE DAAL SAD’QAH NOOR KA
SUBHO TAI’BAH MEI(N) HUI

5. TERI NASLE PAAK MEI(N), HAR BACHCHA, BACHCHA NOOR KA
6. TU HAI AYNAAEY NOOR, TERA SAB GHARAANA NOOR KA
SUBHO TAI’BAH MEI(N) HUI

7. YEH KITAABE KUN MEI(N) AAYA, TURF AAYA NOOR KA
8. AUR GHAIRE KAA-IL KUCH NA SAMJHA, KOI MAA’NA NOOR KA
SUBHO TAI’BAH MEI(N) HUI

9. QAF = GESU, HA = DIHAN, YA = ABRU, AANKHEI(N) = AYN SAAD
10. QAF, HA, YA AYN SAAD, UN KA HAI CHEHRA NOOR KA
SUBHO TAI’BAH MEI(N) HUI

Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:
Line 4: AAP KA NOOR DIN BADIN DO GUNA BARHTA JAAEY

Line 9: GESU = Hair locks

Line 9: DIHAN = Mouth

Line 9: ABRU = Eye brow

 

11. JITNA DIYA SARKAAR NE MUJH KO

The main lines to be repeated by the Na’at Khwaan are as follows:

JITNA DIYA SARKAAR NE MUJH KO, ITNI MERI AWQAAT NAHI(N)

YEH TO KARAM HAI UN KA WARNA, MUJH MAY(N) AESI BAAT NAHI(N)

1. ISHQE SHAHE BATOHA SE PEHLE, MUFLISO KHASTA HAAL THA MAY(N)
2. NAAME MUHAMMAD KE MAY(N) QURBAAN, AB WOH MERE HALAAT NAHI(N)
JITNA DIYA SARKAAR NE MUJH KO

3. ZIKRE NABI MEI(N) DIN JO GUZRE, WOH DIN SAB SE BEHTAR HAI
4. ZIKRE NABI MEI(N) RAAT JO GUZRE, US SE BEHTAR RAAT NAHI(N)
JITNA DIYA SARKAAR NE MUJH KO

5. JO MUNKIR HAI UNKI ATA KA, WOH YEH BAAT BATAAEY TO
6. KAUN HAI WOH JIS KE DAAMAN MEI(N), US DAR KI KHAIRAAT NAHI(N)
JITNA DIYA SARKAAR NE MUJH KO

7. WOH HAI(N) MERI JAAN-O-IMAAN, KYA MAY(N) UNKI NAZAR KARU(N)
8. PAAS MERE ASHKO(N) KE ILAAWA, AUR KOI SOGHAAT NAHI(N)
JITNA DIYA SARKAAR NE MUJH KO

9. GHAUR TO KAR SARKAAR KI TUJH PAR, KAISI KHAAS INAAYAT HAI
10. KAUSAR TU HAI UN KA SANAA KHWAAN, YEH MAAMOOLI BAAT NAHI(N)
JITNA DIYA SARKAAR NE MUJH KO

Author: JANAAB KAUSAR NIYAZI (ALIAS MAULANA MUHAMMAD HAYAAT KHAN)

Meaning: Line 1: KHASTA = MUFLIS / GHARIB / THAKA HUA

12. QURBAAN MAY(N) UNKI BAKHSHISH KE

The main lines to be repeated by the Na’at Khwaan are as follows:

QURBAAN MAY(N) UNKI BAKHSHISH KE, MAQSAD BHI ZUBAA(N) PAR AAYA NAHI(N)

BIN MAANGE DIYA AUR ITNA DIYA, DAAMAN MEI(N) HAMAARE SAMAAYA NAHI(N)

1. IMAAN MILA UN KE SAD’QE, QUR’AN MILA UN KE SAD’QE
2. REHMAAN MILA UN KE SAD’QE, WOH KYA HAI JO HAM NE PAAYA NAHI(N)
BIN MAANGE DIYA

3. AAWAAZ KARAM DETA HI RAHA, THAK HAAR GAYE LENE WAALE
4. MANGTO(N) KI HAMESHAAH LAAJ RAKHI, MEHROOM KABHI LAUTAAYA NAHI(N)
BIN MAANGE DIYA

5. UN KA TO SHIYAAR KARIMI HAI, MAA-IL BA KARAM HI REHTE HAI
6. JAB YAAD KIYA AEY SALLE ALA, WOH AAHI GAYE TADPAAYA NAHI(N)
BIN MAANGE DIYA

7. KHURSHID QIYAAMAT KI TAPISH, MAANA KE QIYAAMAT HI HOGI
8. HAM UN KE HAI(N) GHABRAAEI(N) KYO(N), KYA HAM PE NABI KA SAAYAAH NAHI(N)
BIN MAANGE DIYA

9. US MOHSANE A’ZAM KE YU(N) TO, KHALID PE HAZARO(N) EHSAAN HAI(N)
10. QURBAAN MAGAR IS EHSAAN KE, EHSAAN BHI KIYA TO JATAAYA NAHI(N)
BIN MAANGE DIYA

Author: JANAAB KHALID MAHMOOD KHALID

Meanings:
Line 5: SHIYAAR = KAAM MAA-IL = AADAT

Line 7: KHURSHID = SURAJ TAPISH = Heat

Line 9: MOHSANE = DOST; A’ZAM = BARO(N) KA EHSAAN

 

13. KOI SALIQA HAI AARZOO KA

The main lines to be repeated by the Na’at Khwaan are as follows:

KOI SALIQA HAI AARZOO KA, NA BANDAGI MERI BANDAGI HAI

YEH SAB TUMHAARA KARAM HAI AAQA, KE BAAT AB TAK BANI HUI HAI

1. KISI KA EHSAAN KYO(N) UTHAAEI(N), KISI KO HALAAT KYO(N) BATAAEI(N)
2. TUMHI SE MAANGEI(N) GE, TUMHI DO GE, TUMHAARE DARSE HI LO LAGI HAI
KOI SALIQA HAI AARZOO KA


3. TAJALLIO(N) KE KAFIL TUM HO, MURAADE QALBE KHALIL TUM HO
4. KHUDA KI ROSHAN DALIL TUM HO, YEH SAB TUMHAARI HI ROSHNI HAI
KOI SALIQA HAI AARZOO KA


5. NAZR, NAZR REHMATE SARAAPA, ADA, ADA, GHAIRATE MASIHA
6. ZAMIRE MURDA BHI JEE UTHEY HAI(N), JIDHAR TUMHAARI NAZAR UTHI HAI
KOI SALIQA HAI AARZOO KA


7. YEHI HAI KHALID ASASE REHMAT, YEHI HAI KHALID BINAAEY AZMAT
8. NABI KA IRFAAN BANDAGI HAI, NABI KA IRFAAN ZINDAGI HAI
KOI SALIQA HAI AARZOO KA

Author: JANAAB KHALID MAHMOOD KHALID


Meanings:

Line 3: KAFIL = Self sufficient, Supporter, Look After (KAR NE WAALE). AAP HI
TAJALLIO(N) KE QAABIL HAI(N) AUR UN KA ZAHOOR (PAIDA) BHI AAP HI SE
HUA HAI. AAP H. IBRAHIM (AS) KE DIL KI MURAAD BHI THE.
Line 5: GHAIRATE MASIHA = UNKI EK, EK ADA AISI HAI KE AGAR MASIHA UNKO
DEKHEY TO UNKO BHI GHAIRAT (Pride) AA JAAEY
Line 6: ZAMIRE MURDA = JIN LOGO(N) KA DIL MAR CHUKA HO(N)
Line 7: ASAS = SARMAAYA / KUNJI / Savings
Line 7: BINA = BUNIYAAD AZMAT = BARAAI
Line 8: IRFAAN = PEHCHAAN


14. DEKHTE REH GAYE

1. CHAAND TAARE HI KYA DEKHTE REH GAYE
2. UNKO ARZO SAMAA(N) DEKHTE REH GAYE
3. HAM DARE MUSTAFA DEKHTE REH GAYE
4. NOOR HI NOOR THA DEKHTE REH GAYE
5. NEIK-O-BAD PAR HUA UN KA YAKSAA(N) KARAM
6. LOG ACHCHA BURA DEKHTE REH GAYE
7. MO’AJIZA THA WOH HIJRAT MEI(N) UN KA SAFAR
8. DUSHMANAANE KHUDA DEKHTE REH GAYE
9. KYA KHABAR KIS KO KAB JAAME KAUSAR MILA
10. HAM TO UNKI ADA DEKHTE REH GAYE
11. HAM GUNAHGAAR THE MAGHFIRAT HO GAYI
12. ZAAHIDO PAARSA DEKHTE REH GAYE
13. MAY(N) NASIR AAJ LAAYA WOH NA’ATEI(N) NABI
14. NA’ATGO MUNH MERA DEKHTE REH GAYE

Author: JANAAB SAHEBZADA NASIR AHMED

Meaning: Line 5: YAKSAA(N) = EK JAISA

 

15. QASIDAH BURDAH SHARIF

The main lines to be repeated by the Na’at Khwaan are as follows:

MAULA YA SALLE WASALLIM DAAEMAN ABAADA

ALA HABIBEKA KHAYRIL KHALQE KULLE HEMI

1. ALHUMDO LILLAAHE MUNSHIL KHALQE MIN ADAMI
2. SHUM MAS SALAATO ALAL MUKHTAARE FIL QADAMI
3. AMIN TAZAK KORE JIRAANIM BEZI SALAAMI
4. MAZAJTA DAM-AN JARA MIM MUQLATIM BEDAMI
5 FAMA LE AY NAY KA IN QULTAK FOFA HAMATA
6. WAMA LE QALBE KA INNA QULTASTAFIQ YAHEMI
7. FA KAYFA TUNKERO HUBBAM BA’ADA MA SHAHEDAT
8. BEHI ALAYKA UDULUD DAMAEY WAS SAQAMI
9. ASTAGFERUL-LAAHA MIN QAWLIM BELA AMAALIN
10. LAQAD NASABTO BEHI NASLAL LEZI OOQOMI
11. MUHAMMADUN SAYYEDUL KAWNAYNI WAS SHAQALAYNI
12. WAL FARIQAYNI MIN URBIW WA MIN AJAMI
13. NABIYYONAL AAMERUN NAAHI FALA AHADUN
14. ABARRA FI QAWLE LA MINHU WALA NA AAMI
15. HUWAL HABIBUL LAZI TURJA SHAFA ATOHU
16. LE KULLE HAWLIM MINAL AHWAALE MUQTAHEMI
17. DA’AA ILAL LAAHE FAL MUSTAM SEKUNA BEHI
18. MUSTAM SEKUNA BE HABLIN GHAYRE MUNFASEMI
19. KAZ ZAHRE FI TARAFIN WAL BADRE FI SHARAFIN
20. WAL BAHRE FI KARAMIW WAD DAHRE FI HEMAMI
21. YA AKRAMAL KHALQE MALIMAN ALUZO BEHI
22. SEWA KA INDA HULULIL HADESIL AMAMI
23. WAL AALE WAS SAHBE SUMMAT TABE-EENA LAHUM
24. AHLITTOKA WANNOKA WAL HILMI WAL KARAMI
25. SUMMAR RIDA AN ABI BAKRIW WA AN UMARIN
26. WA AN USMANA WA AN ALIYYIW ZIL KARAMI
27. WAGFIR LENA SHEDEHA WAG FIR LEQARE EHA
28. SA AL TOKAL KHAYRA YA ZAL JUDE WAL KARAMI
29. YA RABBE BIL MUSTAFA BALLIG MAQASEDNA
30. WAG FIR LANA MA MADAYA WASE AL KARAMI


Author: SHAIKH-UL-ISLAM, HAZRAT SHAIKH SHARFUDDIN, ABU ABDULLAH, MUHAMMAD BIN

SAEED, BIN HAMMAD, AL BUSAIRI (RA)

Meanings:

Main Line 1: AEY MAALIK MERE DARUD AUR SALAAM BHEJ HAMESHAAH, HAMESHAAH TAK
Main Line 2: APNE DOST PAR JO BEHTAR HAI(N) SAARI KHALQAT SE.
Line 1: SAB TA’ARIF ALLAH KO, JO PAIDA KAR NE WAALA MAKHLOOQ KA HAI ADAM SE.
Line 2: PHIR DAROOD HO OO’PAR US KE JO BARGAZIDAAH (YAANI SAB SE BARTAR, AALA)
HAI PEHLE SE.

Line 3: KYA TUJHE ZEE ILM KE HAMSAAYE YAAD AA GAYE
Line 4: KE AANSU MILA HUA KHOON TERI AANKHO(N) SE JAARI HAI.
Line 5: TERI AANKHO(N) KO KYA HUA, KE MANA’A KIYE SE AUR ROTI HAI(N).
Line 6: AUR TERE DIL KO KYA HUA, USE TO KEHNA HAI, IFAAQA (AARAAM) MAY(N) AA, TU
AUR BEKHUD (BEQARAAR) HO JAATA HAI.
Line 7: ISHQ KA INKAAR TU KYO(N)-KAR, KAR SAKTA HAI, JAB TUJH PAR GAWAAHI DEDI
Line 8: DO SACHCHE GAWAAHO(N) NE KE WOH AANSOO AUR BIMAAR HONA HAI.
Line 9: ILAAHI, TAUBAH AISEY QAUL SE JIS PAR KHUD AMAL NA KARE.
Line 10: YEH TO AISA KIYA MAYNE, JAISE BAANJH KE WAASTE FARZAND BATAAYA MAYNE.
Line 11: SO WOH KAUN MUHAMMAD (SAW) DUNIYA-O-AAKHIRAT KE SARDAAR
Line 12: AUR JINN-O-INSAAN KE SARDAAR AUR DONO(N) FARIQO(N), ARAB AUR AJAM KE.
Line 13: HAMAARE NABI AMR MA’ARUF, NAHI(N) MUNKIR KAR NE WAALE KOI (YAANI NEIK
KAAM KI TARAF BULA NE WAALE AUR BUREY KAAMO(N) SE RAUK NE WAALE).
Line 14: UNSA SACHCHA NAHI(N), NAHI(N) AUR HAA(N) BOLTE HAI(N).
Line 15: WOHI HAI(N) ALLAH KE AISEY HABIB KE UNKI SHIFA’AAT KI UMMID HAI.
Line 16: HAR EK KHAUF KE WAQT JO AANEY WAALE KHAUF HAI(N);
meaning the day of Qiyaamat.

Line 17: UNHO(N) NE ALLAH KI TARAF BULAAYA PAS JIS NE UN KA DAAMAN PAKRA
Line 18: TO GOYA AESI MAZBOOT RASSI PAKRI HAI JO KABHI TUTI NAHI(N).
Line 19: TAAZGI MEI(N) JAISE SHAGUFA AUR SHARF MEI(N) JAISE CHAUDHWI(N)
RAAT KA CHAAND.

Line 20: BAKHSHISH MEI(N) DARYA KI MAANID (TARAAH) AUR HIMMAT MEI(N) DEHR (YAANI
PURI DUNIYA KI MISAAL.

Line 21: AEY TAMAAM MAKHLOOQ SE BUZURGTAR, AAP KE SIWA MERA KOI AISA NAHI(N)
Line 22: JIS SE PANAAH CHAAHU(N), HAADISA AAM KE NAAZUL HO NE MEI(N).
Line 23: AUR SAB AAL-O-ASHAAB AUR UN KE TAABE-EEN PAR KE WOH TAQWE
Line 24: AUR PAAKIZGI MEI(N) ASL HAI AUR HILMO (forebearing) KARAM KE
RIDWAANULLAH ALAIHIM.

Line 25: PHIR RAAZI HO HAZRATE ABU BAKR AUR HAZRATE UMAR SE
Line 26: AUR HAZRATE USMAAN AUR HAZRAT ALI SE KE WOH SAAHEBE KARAM HAI(N)
RADI ALLAHO TA’ALA ALAIHIM AJMAEEN.
Line 27: AUR MAGHFIRAT KAR US KE MUSANNIF KI AUR BAKHSHISH KAR US KE PARH NE
WAALE KI

Line 28: BESHAK, MERA TUJH SE YEHI SAWAAL HAI, YA SAAHEBE BAKHSHISH AUR
SAAHEBE KARAM KE.

Line 29 / 30: YA RABB, HAZOOR MUHAMMAD (SAW)’S KE SADQE MEI(N), HAMAARE
TAMAAM MAQSAD PURE FARMA. AEY BAKHSHISHO(N) KO WAASI FARMA NE
WAALE, HAMAARE MAAZI KE GUNAAHO(N) KO MO’AAF FARMA.

16. AEY ISHQE NABI MERE DIL MEI(N) BHI SAMA JAANA

The main lines to be repeated by the Na’at Khwaan are as follows:

AEY ISHQE NABI MERE DIL MEI(N) BHI SAMA JAANA

MUJH KO BHI MUHAMMAD KA DIWAANA BANA JAANA

1. JO RANG KE JAAMI PAR, RUMI PE CHARAAYA THA
2. US RANG KI KUCH RANGAT, MUJH PE BHI CHARA JAANA
AEY ISHQE NABI

3. QUDRAT KI NIGAAHEI(N) BHI, JIS CHEHRE KO TAKTI THI(N)
4. US CHEHRAAE ANWAR KA, DIDAAR KARA JAANA
AEY ISHQE NABI

5. JIS KHWAAB MEI(N) HO JAAYE, DIDAAR NABI HAASIL
6. AEY ISHQE KABHI MUJH KO, NEEND AESI SULA JAANA
AEY ISHQE NABI

7. DIDAAR MUHAMMAD KI, HASRAT TO RAHE BAAQI
8. JUZ IS KE HAR EK HASRAT, IS DIL SE MITA JAANA
AEY ISHQE NABI

9. DUNIYA SE RIYAZ HO JAB, UQBA KI TARAF JAANA
10. DAAGHE GHAME AHMAD SE, SINE KO SAJA JAANA
AEY ISHQE NABI

Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:
Line 8: JUZ = US KE SIWA

Line 9: UQBA = AAKHIRAT

 

17. CHALO DIYAARE NABI KI JAANIB

The main line to be repeated by the Na’at Khwaan is as follows:

CHALO DIYAARE NABI KI JAANIB, DUROOD LAB PAR SAJA, SAJA KAR


1. CHALO DIYAARE NABI KI JAANIB, DUROOD LAB PAR SAJA, SAJA KAR
2 BAHAAR LUTEI(N)GE HAM KARAM KI, DILO(N) KO DAAMAN BANA, BANA KAR
CHALO DIYAARE

3. HAMAARI SAARI ZARURATO(N) PAR KAFAALATO(N) KI NAZAR HAI UNKI
4. WOH JHOLIY.AA(N) BHAR RAHE HAI(N) SAB KI, KARAM KE MOTI LUTA, LUTA KAR
CHALO DIYAARE

5. KABHI JO MERE GHARIB KHAANE KI AAP AA KAR JAGAAEI(N) QISMAT
6. MAY(N) KHAYR MAQDAM KE GEET GAAUNGA, APNI PALKEI(N) BICHA, BICHA KAR
CHALO DIYAARE

7. HAI UNKO UMMAT SE PYAAR KITNA, KARAM HAI REHMAT, SHA’AAR KITNA
8. HAMAARE JURMO(N) KO DHO RAHE HAI(N), HUZOOR AANSOO BAHA, BAHA KAR
CHALO DIYAARE

9. AGAR MUQADDAR NE YAAWRI KI, AGAR MADINEY GAYA MAY(N) KHALID
10. QADAM, QADAM KHAAK US GALI KI, MAY(N) CHOOM LUNGA, UTHA, UTHA KAR
CHALO DIYAARE


Author: JANAAB KHALID MAHMOOD KHALID

Meanings:
Line 1: JAANIB = Towards

Line 3: KAFAALATO(N) = To afford

Line 6: KHAYR MAQDAM KE GEET = Songs of welcome

Line 7: SHA’AAR = AADAT, TARIQA

Line 9: YAAWRI = AGAR SAATH DIYA TO

 

 

 

18. LAM YA’ATI

The main lines to be repeated by the Na’at Khwaan are as follows:

LAM YA’ATI NAZIRO KA FI NAZRIN

MISLE TO NA SHUD PAIDA JAANA

1. JAG RAAJ KO TAAJ TOREY SAR SO
2. HAI TUJH KO SHAHEY DO SARA JAANA
LAM YA’ATI

3. AL BAHRO ALAAWAL MAVJO TAGHA
4. MAN BEKASO TUFAA(N) HOSH RUBA
LAM YA’ATI

5. MANJDHAAR MEI(N) HU(N) BIGRI HAI HAWAA
6. MORI NAYYA PAAR LAGA JAANA
LAM YA’ATI

7. YA SHAMSO NAZRATE ILA LAYLI
8. CHU(N) BA TAI’BAH RASI ARZE BA KUNI
LAM YA’ATI

9. TORI JYOT KI JHAL, JHAL JAG MEI(N) RACHI
10. MERI SHAB NE NA DIN HONA JAANA
LAM YA’ATI

11. LAKA BADRUN FIL WAJHIL AJMAL
12. KHAT HAALEY MAAH ZULF ABRE AJAL
LAM YA’ATI

13. TORE CHANDAN CHANDRA PAR KUNDAL
14. REHMAT KI BHARAN BARSA JAANA
LAM YA’ATI

15. ANA FI ATSHIV WA SAKHA KA ATAM
16. AEY GESU-AEY PAAK, AEY ABRE KARAM
LAM YA’ATI

17. BARSAN HAARE RIMJHIM, RIMJHIM
18. DO BOOND IDHAR BHI GIRA JAANA
LAM YA’ATI

19. YA KAAFELATI ZIDI AJALAK
20. RAHME BAR HASRATE TISHNA LABAK
LAM YA’ATI

21. MORA JIYERA LARJE DHARAK, DHARAK
22. TAI’BAH SE ABHI NA SUNA JAANA
LAM YA’ATI

23. AR ROOHO FIDA KA FAZID HARKA
24. YAK SHOLA DIGAR BARZAN ISHQA
LAM YA’ATI

25. MORA TAN, MAN, DHAN, SAB PHOONK DIYA
26. YEH JAA(N) BHI PYAARE JALA JAANA
LAM YA’ATI

27. BAS KHAAMA-AEY KHAAM NAWAAEY RAZA
28. NA YEH TARAZ MERI NA YEH RANG MERA
LAM YA’ATI

29. IRSHAADE AHIBBA NA’ATIK THA
30. NACHAAR IS RAAH PARA JAANA
LAM YA’ATI

Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:
Main Line 2: AAP JAISA KOI PAIDA NAHI(N) HUA HAI, NA HOGA
Line 4: MAN BEKASO = MAY(N) BEKAS HU(N)
Line 4: HOSH RUBA = MERE HOSH URA DENE WAALA HAI
Line 8: "JAB AAP TAI’BAH PAHO(N)CHE, TAB MERI TARAF SE ARZ KAR DE"
Line 10: "MERI RAAT NE KABHI DIN DEKHA HI NAHI(N)"
Line 13: KUNDAL = Curled locks

Line 14: "REHMAT KI BAARISH BARSA JAANA"

Line 16: GESU-AEY PAAK = "O, PAAK ZULFO WAALE". ABRE KARAM = KARAM KA
BAADAL

Line 20: HAMAARE OO’PAR RAHAM FARMA. HAMAARE LAB AAP KI REHMAT KE
PYAASEI(N) HAI(N)

Line 22: TAI’BAH SE ABHI TAK KOI SANDESHA NAHI(N) AAYA HAI
Line 23: MERI ROOH AAP PE FIDA HAI(N)
Line 24: BARZAN = MAARNA

Line 24: AAP KE ISHQ KA EK SHOLA YA CHINGAARI MERE DIL KO MAAREY
Line 27: YEH, MERI QALAM, AAP KI TAABEDAAR HO KAR JO LIKH RAHI HAI
Line 28 / 29: NA TO YEH MERI TARAZ HAI, YA ANDAAZ. YEH TO relations KA FARMAAN THA
Line 30: KE AAP AESI NA’AT LIKHO, JO CHAAR ZUBAA(N) MEI(N) HO, i.e., ARABI, FARSI,
URDU AUR PURBI.

19. REHMAT KA HAI DARVAAZAAH KHULA

The main lines to be repeated by the Na’at Khwaan are as follows:

REHMAT KA HAI DARVAAZAAH KHULA, MAANG AREY MAANG

DETA HAI KARAM UN KA SADA, MAANG AREY MAANG

1. AAJAAEGA TAI’BAH SE, BULAAWA BHI KISI ROZ
2. HAR WAQT MADINEY KI DUA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

3. GULSHAN TERI UMMID KA, KHIL JAAEGA AEY DOST
4. SARKAAR KE KUCHE KI HAWA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

5. MEHROOM RAHEGA NA KOI, UN KE KARAM SE
6. HAI JOSH PE DARYAAEY SAKHA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

7. BHAR JAAEGA KASHKOL, MURADO(N) SE TERA BHI
8. BAN KAR MERE AAQA KA GADA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

9. MAAYOOS NA HO YEH MERE, LAJPAAL KA GHAR HAI
10. HAI KIS LIYE MAAYOOS KHARA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

11. SARKAAR KO SARKAAR SE, MAANGU(N) GAA NIYAZI
12. SARKAAR NE JIS WAQT KAHA, MAANG AREY MAANG
REHMAT KA HAI DARVAAZAAH KHULA

Author: JANAAB ABDUL SATTAR NIYAZI

 

20. TERA KHAAWA(N) TE TERE GEET GAAWA(N)

The main lines to be repeated by the Na’at Khwaan are as follows:

TERA KHAAWA(N) TE TERE GEET GAAWA(N), YA RASOOLALLAH

TERA MILAAD MAY(N) KYO(N) NA MANAAWA, YA RASOOLALLAH

1. HALIMA KULLI NU VEY KHE KADI SARKAAR NU VEY KHE
2. KAVEY MAY(N) KERI SEJ TERE LAI SAJAWAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

3. YA RASOOLALLAH, MAY(N) KUCH VI NAEE JO TERE NAAL MERI KOI NISBAT NAEE
4. PAR MAY(N) SAB KUCH HAA(N) JE MAY(N) TERA SADAAWA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

5. YA RASOOLALLAH, JAGAAO BHAAG MEREY VI ABU AYYUB DE VAA(N)GOO(N)
6. PAR MUQADDAR OS DA KITHTHO(N) LEY AA(N)VAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

7. YA RASOOLALLAH, MERA VI DIL TE CHAH(N)DA AEY TUSI MEREY VI GHAR AAO
8. MAANA KE BEAMAL HU(N), NIHAAYAT BURA HU(N) MAY(N)
9. LEKIN HUZOOR AAP KE DAR KA GADA HU(N) MAY(N)
10. AAQA, MERA VI DIL TE CHAH(N)DA AEY, TUSI MEREY VI GHAR AAO
11. PAR MAY(N) KEREY MAAN TE GHAR VICH BULAA(N)WAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

12. MADINEY AAKE HO RAAT DIN MERI IBAADATAEI(N)
13. TERE ROZE TO(N) NA ANKHIYAA(N) HATTA(N)WAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

14. ZAMAANE BHAR KA YEH QAIDAAH HAI KE JIS KA KHAANA USI KA GAANA
15. TUMHAARA SAD’QAH HI KHA RAHE HAI(N), TUMHAARE HI GEET GAA RAHE HAI(N)
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

16. MAY(N) HAR DUM TERIYAA(N) NA’ATAA(N) SUNAAWA, YA RASOOLALLAH
17. KHUDA VI TERI YAAD KARTA SANAAWA, YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

18. AJAL DE AU(N) TO(N) PEHLE JE TERI DEED HO JAAVE
19. MAY(N) AESI MAUT TO(N) QURBAAN JAAWAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

20. JINA NE TERE YAA(N) QADMAA(N) NU SINE NAAL LAAYAAEY
21. NASIBA WALIYA(N) HO(N)EEYA OTHTHAAWAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

22. KEVE(N) SUD AASHNA TEHRIR HO JAAEY ZAHOORI DI
23. QALAM JAAMI DAA(N) MAY(N) KITHTHO LE AAWAA(N), YA RASOOLALLAH
TERA KHAAWA(N) TE TERE GEET GAAWA(N) YA RASOOLALLAH

Author: JANAAB MUHAMMAD ALI ZAHOORI

(Extra lines have been added by popular requests)

Meanings:

Line 1: KULLI = A small cottage VEY KHE = DEKHEY
Line 1: H. BIBI HALIMA SA’DIA (RA) KABHI SARKAAR KO DEKHE AUR KABHI APNA CHOTA SA
GHAR KO DEKHE.

Line 2: KAVEY = KEH RAHI THI SEJ = BISTAR

Line 2: KYO(N) KI ITNI BARI HASTI MERE GHAR AAYI HAI, TO MAY(N) AAP KE LIYE KAISA
BISTAR SAJAAU(N).

Line 4: MAY(N) SAB KUCH HU(N) AGAR MAY(N) AAP KA KEHLAATA.
Line 4: SADAAWA(N) = KEHLAAU(N)

Line 5: DE VAA(N)GOO(N) = UNKI TARAAH

Line 6: OS DA = UNKI TARAF

Line 18: AU(N) = AANE SE PEHLE; YAANI MAUT SE PEHLE AAP KA DIDAAR
HO JAAEI(N)

Line 19: TO MAY(N) AESI MAUT PE QURBAAN HO JAAU(N)
Line 21: WOH JAGAAH NASIB WAALI HAI, JAHAA(N) AAP KE PAIR MUBAARAK NE QADAM
RAKHKHE HAI(N)

Line 22: SUD = FAAIDAAH; TEHRIR = LIKHKHI HUI; KAISE FAAIDE WAALI
JAAN PEHCHAAN HO JAAEI(N)

21. MUJH MAY(N) UNKI SANA KA SALIQA KAHAA(N)

The main lines to be repeated by the Na’at Khwaan are as follows:

MUJH MAY(N) UNKI SANA KA SALIQA KAHAA(N)

WOH SHAAHE DO JAHAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)

1. UN KA MADD-HA SARA KHAALIQE ASRA
2. WOH RASOOLE ZAMAA(N) WOH KAHAA(N) MAY(N) KAHAA(N)
3. UN KE DAAMAN SE WABASTA MERI NIJAAT
4. UNPE QURBAAN MERI HAYAATO MAMAAT
5. MAY(N) GUNAHGAAR WOH SHAAFFAAEY AASIYAA(N)
6. BEKASO(N) KI AMAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)
MUJH MAY(N) UNKI SANA

7. WOH MADINAH NAGINA JO HAI ARSH KA
8. WOH MADINAH BHARAM JO BANA FARSH KA
9. WOH MADINAH JAHAA(N) REHMATE BEKARAA(N)
10. MAY(N) BHI PAHO(N)CHU(N) WAHAA(N), WOH KAHAA(N) MAY(N) KAHAA(N)
MUJH MEI(N) UNKI SANA

11. SHAK NAHI(N) AEY RIYAZ IS MAY(N) HARGIZ ZARA
12. MAY(N) SARAAPA KHATA WOH SARAAPA ATA
13. NAAM UN KA RAHE KYO(N) NA VIRDE ZUBAA(N)
14. HAI JO TASKINE JAA(N) WOH KAHAA(N) MAY(N) KAHAA(N)
MUJH MAY(N) UNKI SANA


Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:
Line 1: MADD-HA = TAA’RIF; UNKI TAA’RIF KAR NE WAALA, KHAALIQ KHUD HAI

Line 3: NIJAAT = RIHAAI. MERI NIJAAT UN KE DAAMAN SE JURI HUI HAI

Line 4: MAMAAT = MAUT

Line 5: AASIYAA(N) = GUNAHGAAR
Line 6: AMAA(N) = SALAAMATI
Line 8: BHARAM = IZZAT FARSH = ZAMI(N)
Line 9: BEKARAA(N) = In this context, there is no limit to your REHMAT.

Line 14. TASKINE JAA(N) = JAAN KI TASALLI HAI. (TASKIN = Consolation or the comfort
factor)

 

22. HUEY JO HAAZIR, DARE NABI PAR

The main lines to be repeated by the Na’at Khwaan are as follows:

HUEY JO HAAZIR, DARE NABI PAR, TASAWWUR UN KA JAMA, JAMA KAR

BARE ADAB KA MAQAAM HAI YEH, CHALE HAI SAR KO JHUKA, JHUKA KAR

1. MADINAH YA RABB HO MERA MASKAN, MADINAH YA RABB HO MERA MADFAN
2. DUA KHUDA SE YEH MAANGTA HU(N), MAY(N) HAATH APNA UTHA, UTHA KAR
HUEY JO HAAZIR

3. JO BARGAAHE NABI MEI(N) AAYE, DUROOD LE KAR SALAAM LE KAR
4. KARIM NE PHIR NAWAAZA, KARAM KE JALWE DIKHA, DIKHA KAR
HUEY JO HAAZIR

5. ILAAHI JAB MAUT MUJH KO AAYE, HUZOOR KI NA’AT HO ZUBAA(N) PAR
6. JAHAA(N) MEI(N) JAB TAK HO MERA JEENA, JIYU(N) MAY(N) NA’ATEI(N) SUNA, SUNA KAR
HUEY JO HAAZIR

7. NADIM KUCH BHI NAHI(N) HAI LEKIN, AGAR HAI KUCH TO KARAM HAI UN KA
8. NABI NE BAKHSHI HAI SARFARAAZI, GIRE HUWO(N) KO UTHA, UTHA KAR
HUEY JO HAAZIR

Author: JANAAB RIYAZ NADIM NIYAZI

Meaning:

Line 1: MASKAN = Residence, abode, to live. MADFAN = To bury

23. WAHDATE ZAAT KI TABLIGH

The main lines to be repeated by the Na’at Khwaan are as follows:

WAHDATE ZAAT KI TABLIGH SARAAPA TUM HO

JIS KI HAR LEHR HAI TAWHID WOH DARYA TUM HO

1. ARZO ADAM-O-ISA NE TUMHAARI KI HAI
2. KITNI MA’SOOM RASOOLO(N) KI TAMANNA HO
WAHDATE ZAAT KI


3. EK, EK BAAT ZAMAANE PE ASAR KARTI HAI
4. HAQQ KI AAWAAZ HO, ALLAH KA LEHJA TUM HO
WAHDATE ZAAT KI


5. KOI SAANI HAI TUMHAARA NA KHUDA KA HAI SHARIK
6. JAISE YAKTA HAI KHUDA WAISE HI YAKTA TUM HO
WAHDATE ZAAT KI


Author: JANAAB SABA AKBAR ABADI

Meaning:

Line 5: SAANI = Unique

 

24. MANGTE HAI KARAM UN KA SADA

The main lines to be repeated by the Na’at Khwaan are as follows:

MANGTE HAI KARAM UN KA SADA MAANG RAHE HAI(N)

DIN RAAT MADINEY KI DUA MAANG RAHE HAI(N)

1. HAR NE’AMATE KONEIN HAI, DAAMAN MEI(N) HAMAARE
2. HAM SAD’QAAEY MEHBOOBE KHUDA, MAANG RAHE HAI(N)
MANGTE HAI KARAM


3. YU(N) KHO GAYE SARKAAR KE, ALTAAFO KARAM MEI(N)
4. YEH BHI TO NAHI(N) HOSH KE, KYA, MAANG RAHE HAI(N)
MANGTE HAI KARAM


5. IS DORE TARAQQI MEI(N) BHI, ZEHNO(N) KE ANDHERE
6. KHURSHIDE RISAALAT KI ZIA, MAANG RAHE HAI(N)
MANGTE HAI KARAM


7. DAAMAN AMAL MEI(N) KOI, NEKI NAHI(N) KHALID
8. BAS, NA’ATEI(N) MUHAMMAD KA SILA, MAANG RAHE HAI(N)
MANGTE HAI KARAM


Author: JANAAB KHALID MAHMOOD KHALID

25. BADI KARIM TERI ZAAT, YA RASOOLALLAH

The main lines to be repeated by the Na’at Khwaan are as follows:

BADI KARIM TERI ZAAT, YA RASOOLALLAH

TERE KARAM KI HAI KYA BAAT, YA RASOOLALLAH

1. MERI UMMID KE GULSHAN SADA BAHAAR RAHE
2. TERE KARAM KI HO BARSAAT, YA RASOOLALLAH
BADI KARIM TERI


3. TARAS GAYA HU(N) TERE DAR KI HAAZRI KE LIYE
4. MACHAL TE REHTE HAI(N) JAZBAAT, YA RASOOLALLAH
BADI KARIM TERI


5. NAZAR KE SAAMNE JALWE HO(N) SABZ GUMBAD KE
6. KABHI TO AAYE WOH LAMHAAT, YA RASOOLALLAH
BADI KARIM TERI

 

 

26. YU(N) TO SAARE NABI MOHTARAM HAI MAGAR

The main lines to be repeated by the Na’at Khwaan are as follows:

YU(N) TO SAARE NABI MOHTARAM HAI MAGAR

REHMATE DO JAHAA(N) IK TERI ZAAT HAI

AEY HABIBE KHUDA TERI KYA BAAT HAI

1. ROOHE KAU’NO MAKAA(N) PE NIKHAAR AA GAYA
2. ROOHE INSAANIYAT KO QARAAR AA GAYA
3. HAR KISI NE KAHA, MARHABA, MARHABA
4. AAMADE MUSTAFA, TERI KYA BAAT HAI
YU(N) TO SAARE NABI


5. HAZRATE AMINAH KE DULAARE NABI
6. GHAMZADAAH UMMATO(N) KE SAHAARE NABI
7. ROZE MEHSHAR KAHEGI, YEH KHALQE KHUDA
8. SAB KE MUSHKIL KUSHA, TERI KYA BAAT HAI
YU(N) TO SAARE NABI

9. CHAAR SU REHMATO(N) KI GHATA CHA GAYI
10. BAAGHE AHMAD MEI(N) FASLE BAHAAR AA GAYI
11. DIL KA GUNCHA KHILA, ISME A’ZAM MILA
12. ZIKRE SALLE ALA, TERI KYA BAAT HAI
YU(N) TO SAARE NABI

Author: JANAAB MUHAMMAD ALI ZAHOORI

(This is a brief vesion of his original Na’at).

Meanings:
Line 1: NIKHAAR = TAAZGI

Line 6: GHAMZADAAH = GHAM KA MAARA

Line 11: MERE DIL KI KALI KHILI KYO(N) KI MUJHE AAP

KA AZMAT WAALA MUBAARAK NAAM MILA

27. SAAYEI(N) MEI(N) TUMHAARE HAI(N)

The main lines to be repeated by the Na’at Khwaan are as follows:

SAAYEI(N) MEI(N) TUMHAARE HAI(N), QISMAT YEH HAMAARI HAI

QURBAAN DILO JAA(N) HAI(N), KYA SHAAN TUMHAARI HAI

1. KYA PESH KAREI(N) TUM KO, KYA CHIZ HAMAARI HAI
2. YEH DIL BHI TUMHAARA HAI, YEH JAA(N) BHI TUMHAARI HAI
SAAYEI(N) MEI(N)


3. GO LAAKH BURE HAI(N) HAM, KAHELAATE TUMHAARE HAI
4. EK NAZAR KARAM KARNA, YEH ARZ HAMAARI HAI
SAAYEI(N) MEI(N)


5. HAM CHOD KE IS DAR KO, JAAEI(N) TO KAHAA(N) JAAEI(N)
6. YEH UMR TUMHAARE HI, TUKRO(N) PE GUZAARI HAI
SAAYEI(N) MEI(N)

 

 

28. JASHNE AAMADE RASOOL (SAW)

The main lines to be repeated by the Na’at Khwaan are as follows:

JASHNE AAMADE RASOOL ALLAH HI ALLAH

BIBI AMINAH KE PHOOL ALLAH HI ALLAH

ALLAHI BOLO, BOLO ALLAH HI ALLAH

BIBI AMINAH KE PHOOL ALLAH HI ALLAH

1. JAB KE SARKAAR TASHRIF LAANEY LAGEY
2. HOORO GHILMAA(N) BHI KHUSHIYAA(N) MANA NE LAGEY
3. HAR TARAF UNKI ROSHNI CHA GAYI
4. MUSTAFA KYA MILEY ZINDAGI MIL GAYI
5. AEY HALIMA, TERI GAUD MEI(N) AA GAYA
6. DONO(N) AA’LAM KE RASOOL, ALLAH HI ALLAH
JASHNE AAMADE


7. CHEHRAAEY MUSTAFA JAB DIKHAAYA GAYA
8. JHUK GAYE TAAREY AUR CHAAND SHARMA GAYA
9. AMINAH DEKH KAR MUSKURAANE LAGI(N)
10. AUR HAWWA MARIAM BHI KHUSHIYAA(N) MANA NE LAGI(N)
11. AMINAH BIBI SAB SE YEH KEH NE LAGI(N)
12. DUA HO GAYI QUBOOL, ALLAH HI ALLAH
JASHNE AAMADE


13. SHAADIYAANE KHUSHI KE BAJAAEY GAYE
14. SHAAD KE NAGHME SUNAAEY GAYE
15. HAR TARAF SHOR SALLEY ALA HO GAYA
16. AAJ PAIDA HABIBE KHUDA HO GAYA
17. PHIR TO JIBRIL NE BHI YEH AILAAN KIYA
18. YEH KHUDA KE RASOOL, ALLAH HI ALLAH
19. YEH RASOOLO(N) KE RASOOL, ALLAH HI ALLAH
JASHNE AAMADE

Meanings:

Line 10: HAWWA MARIAM = Reference is made to the fact
that during the crucial and trying period of birth of the Holy Prophet
Huzoor Muhammad (SAW), both H. Bibi Hawwa (RA) and H. Bibi
Mariam (RA) had come down inorder to give physical and moral support
to H. Bibi Aminah (RA).

Line 13: SHAADIYA NE = DAF BAJAANA

Line 14: SHAAD KE NAGHME = KHUSHI KE NAGHME

 

29. SAB RASOOLE KHUDA BAN KE AAEY

The main lines to be repeated by the Na’at Khwaan are as follows:

SAB RASOOLE KHUDA BAN KE AAEY, WOH HABIBE KHUDA BAN KE AAEY

PEKRE DILRUBA BAN KE AAEY, ROOHE ARZO SAMAA(N) BAN KE AAEY

1 HAZRATE AMINAH KE DULAARE, WOH HALIMA KI AANKHO(N) KE TAARE
2 WOH SHIKASTA DILO(N) KE SAHAARE, BEKASO(N) KI DUA BAN KE AAEY
SAB RASOOLE

3 TAAJDAARO(N) NE DI HAI SALAAMI, BAADSHAAHO(N) NE KI HAI GHULAAMI
4 BEMISAAL UN KA ISME GIRAAMI, MUSTAFA MUJTABA BAN KE AAEY
SAB RASOOLE

5 WOH NABI REHMATE AA’LAMEE(N) HAI(N), JO BHI HAI UN KE ZERE NAGI(N) HAI
6. AISA MUKHTAAR DEKHA NAHI(N) HAI, JAISE KHAYRUL WARA BAN KE AAEY
SAB RASOOLE

7. DASTE QUDRAT NE AISEY SAJAAYE, HUSNE TAKHLIQ KO RASHK AAEY
8. JIS KA PAAYA KISI NE NA PAAYA, WOH KHUDA KI RAZA BAN KE AAEY
SAB RASOOLE

9. KYA ZAHOORI LIKHE SHAAN UNKI, MADD-HA KARTA HAI QUR’AN JINKI
10. NA’AT PARHTA HAI HASSAN JINKI, WOH MERE RAHNUMA BAN KE AAEY
11. WA AHSANO MIN KA LAM TARAKATTO AYNI
12. WA AJMALO MIN KA LAM TAALEDIN NISHAAOU
13. KHULIKTA MUBARRA AM MIN KULLE AYBIN
14. KA ANNA KA QAD KHULIKTA KAMA TASHAAU
SAB RASOOLE

Author: JANAAB MUHAMMAD ALI ZAHOORI

Meanings:

Line 5: ZERE = NICHE NAGI(N) = NIGAAH
Line 7: On beholding your vision, the essence of beauty itself is filled with
pride, with regards to your HUSNO JAMAAL.

 

 

30. MAY(N) KAISE NA’AT PARHU(N)

The main lines to be repeated by the Na’at Khwaan are as follows:

ASHKO(N) SE JAB TAK NA WUZU HO, YA SHAAHE ZEESHAAN

MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

1. AB TAK MUJH KO, HO NA SAKI HAI, APNI HI PEHCHAAN
2. MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)
3. AAP KI TO HAR EK ADA HAI, QUR’AN KI TAFSIR
4. AAP KI YAAD SE BHAR JAATI HAI, IMAAN KI TAUQIR
5. SUBHO AZAL SE SHAAM ABAD TAK, NOOR KI HAI TANVIR
6. AURO(N) KO BHI ZIKR KA KEH KAR, ZIKR KARE QUR’AN
MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

7. NA’ATEI(N) MUHAMMAD SE ADAM KI, TAUBAH HUI QUBOOL
8. LEHNE DAUDI SE UBHRA HUA, NA’AT KA AALA SHO’OOR
9. NA’AT SE MAHEKA AMINAH BIBI KE, GULSHAN KA PHOOL
10. NA’ATEI(N) DUAE KHALIL KO SUN KAR, RAQS KARE WAJDAAN
MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

11. NA’AT LIKHE, SIDDIQE AKBAR, SIDQ HAI JINKI SHAAN
12. NA’AT LIKHE, FAROOQE A’ZAM, ADL HAI JINKI AAN
13. NA’AT LIKHE, USMANE GHANI TO, NAAZ KARE QUR’AN
14. NA’AT LIKHE, KHUD SHERE KHUDA KA, HAIDAR SA ZEESHAAN
MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

15. HUBBE RISAALAT, NA’ATEI(N) MUHAMMAD, HAMZAH KI PEHCHAAN
16. NA’AT SE AIH’L-E BAIT MEI(N) SHAAMIL, PHAARAS KE SALMAAN
17. EK OVAISE QARNI HAI JO, BIN DEKHE QURBAAN
18. LAHEKE BILAALI APNI JAGAAH HAI NA’AT KA KHUD AILAAN
MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

19. HUBBE AIH’L-E BAIT HI THEHRA, IMAA(N) KA MAY(N) YAAR
20. FATEMA ZOHRA NA’AT MEI(N) LIKHE, AAQA KE ANWAAR
21. MAULA ALI KI NA’ATEI(N) RIFAAQAT, REHMAT KE AASAAR
22. NA’AT HASAN-O-HUSSAIN KI MANZIL, KARBAL KA MAIDAAN
MAY(N) KAISE NA’AT LIKHU(N), MAY(N) KAISE NA’AT PARHU(N)

Meanings:

Line 4: TAUQIR = IZZAT

Line 5: AZAL SE = From beginning

Line 5: ABAD TAK = Until the end of

Line 5: TANVIR = NOOR, ROSHANI (Rays of light)

Line 6: QUR’AN KHUD BHI HAZOOR (SAW) KA ZIKR KARTA HAI
AUR DUSRO(N) KO BHI ZIKR KA HUKM DETA HAI
Line 8: SHO’OOR = Consciousness

 

31. TERI GALI MEI(N)

1. KIS CHIZ KI KAMI HAI, MAULA, TERI GALI MEI(N)
2. DUNIYA TERI GALI MEI(N), UQBA TERI GALI MEI(N)
3. BEKHUD PARE HAI(N) LAAKHO(N), AASHIK TERI GALI MEI(N)
4. PAR YUSUF KA HO RAHA HAI, SAUDA TERI GALI MEI(N)
5. QIBLA TERI GALI MEI(N), KA’ABAH TERI GALI MEI(N)
6. LAAZIM HAI AASHIKO(N) KO, SAJDAAH, TERI GALI MEI(N)
7. KEHTI THI ROOHE MUSA, AAKAR TERI GALI MEI(N)
8. JO TOOR PAR NA DEKHA, WOH DEKHA TERI GALI MEI(N)
9. WOH THOOK TE NAHI(N) HAI(N), SHAANE SIKANDARI PAR
10. BISTAR LAGA HUA HAI, JIN KA TERI GALI MEI(N)


Meanings:

Line 2: UQBA = AAKHIRAT; US KO DUNIYA BHI MIL GAYI, AAKHIRAT BHI
Line 3: BEKHUD = BEHOSH
Line 4: YUSUF (AS) BHI AAP KE OO’PAR QURBAN HAI

Line 9: They are so engrossed in the love of the Prophet Muhammad (SAW), that in their eyes the
royalty is not worth spitting on.

 

32. BADI UMMID HAI

The main lines to be repeated by the Na’at Khwaan are as follows:

BADI UMMID HAI SARKAAR QADMO(N) MEI(N) BULAAEI(N) GE
KARAM KI JAB NAZAR HOGI, MADINEY HAM BHI JAAEI(N) GE

1. AGAR JAANA MADINEY MEI(N) HUA, GHAM KE MAARO(N) KA
2. MAKINE GUMBADE KHADRA KO HAALE DIL SUNAAEI(N) GE
BADI UMMID HAI


3. QASAM ALLAH KI HOGA WOH MANZAR DEED KE QAABIL
4. QIYAAMAT MEI(N) RASOOLALLAH JAB TASHRIF LAAEI(N) GE
BADI UMMID HAI


5. GUNAHGAARO(N) MEI(N) KHUD AAKE SHAAMIL PAARSA HO(N) GE
6. SHAFIYE HASHR JAB DAAMAANE REHMAT MEI(N) CHUPAAEI(N) GE
BADI UMMID HAI


7. GHAME ISHQE NABI SE HOGA JAB MAAMOOR DIL NAYYAR
8. TERE JHURMAT QADE MAY(N) BHI SITAAREI(N) JAGMAGAAEI(N) GE
BADI UMMID HAI

Author: JANAAB SHARIFUDDIN NAYYAR

 

 

33. TERE AASTAA(N) PE AAEY

The main lines to be repeated by the Na’at Khwaan are as follows:

TERE AASTAA(N) PE AAEY, TERI YAAD KHE(N)CH LAAEE

RAKHKHE KHUDA SALAAMAT, TERE DAR SE AASHNAAEE

1. HUZOOR NOOR HAI, MAHMOOD HAI, MUHAMMAD HAI
2. JAGAAH, JAGAAH, NAYE UNWAAN HAI SANA KE LIYE
3. AJAB NASHA BENAAM SA HUA MEHSOOS
4. ZUBAA(N) JAB BHI KHULI HAI, TERI SANA KE LIYE
TERE AASTAA(N) PE


5. TERI GALI KE PHEREY, MERI ZINDAGI KA HAASIL
6. TERE GHAM SE AASHNA HU(N), YEH HAI MERI PAARSAAI
TERE AASTAA(N) PE


7. MAY(N) KAHI(N) JO LARKHRAAYA, MAY(N) KABHI JO DAGMAGAAYA
8. TERI MASTI-AEY NAZAR HI, MUJHE THAAMNE KO AAI
TERE AASTAA(N) PE

9. MERI MANZILEY SIMAT KAR, AAI(N) QARIB MERE
10. YU(N) HI HAR QADAM PE KI HAI, TERE GHAM MEI(N) REHNUMAAI
TERE AASTAA(N) PE

11. TERE NAAM SE ZAHOORI, KO YEH JAANTI HAI DUNIYA
12. TERA JAB SE HO GAYA HU(N), MERI HO GAYI KHUDAAI
TERE AASTAA(N) PE

Author: JANAAB MUHAMMAD ALI ZAHOORI

Meanings:
Main Line 1 AASTAA(N) = AAP KA DARBAAR

Main Line 2 AASHNAAEE = JAAN PEHCHAAN

Line 2: UNWAAN = Topics
Line 3: BENAAM = I was intoxicated with the love for the Holy Prophet

Huzoor Muhammad (SAW), which could not be named.

Line 6: AASHNAA = DOSTI. I am for ever missing you and this my

PAAKIZGEE.

Line 6: PAARSAAI = PAAKIZGEE

Line 10: REHNUMAAI = Guidance


 

34. ISHQE AHMAD CHAAHIYE

The main lines to be repeated by the Na’at Khwaan are as follows:

ISHQE AHMAD CHAAHIYE, HUBBE MADINAH CHAAHIYE

JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE


1. ZINDAGI AUR MAUT DONO(N) UN KE GHAM MEI(N) HO(N) BASAR
2. AISA MARNA CHAAHIYE AUR AISA JEENA CHAAHIYE
3. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
ISHQE AHMAD CHAAHIYE

4. BAARISHE ANWAAR KI, BARSEGI MUSALSAL SUBHO TAK
5. AUR ZIKRE NOORE MUSTAFA MEI(N), EK SHABINA CHAAHIYE
6. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
ISHQE AHMAD CHAAHIYE

7. MUSHKO AMBAR KO MAY(N) LEKAR KYA KARU(N) AEY DOSTO
8. MUJH KO SARKAARE MADINAH, KA PASINA CHAAHIYE
9. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
ISHQE AHMAD CHAAHIYE

10. HAI TERI DARGAAH MEI(N), YA RABB TAMANNAAEY RIYAZ
11. DAFAN HO NE KE LIYE, KHAAKE MADINAH CHAAHIYE
12. JO UNHE DEKHA KARE, WOH CHASH’ME BINA CHAAHIYE
ISHQE AHMAD CHAAHIYE

Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

35. REHMAT BARAS RAHI HAI, MUHAMMAD KE SHEHR MEI(N)

The main lines to be repeated by the Na’at Khwaan are as follows:

REHMAT BARAS RAHI HAI, MUHAMMAD KE SHEHR MEI(N)

HAR SHAY MEI(N) TAAZGI HAI, MUHAMMAD KE SHEHR MEI(N)

1. AATE HAI BAKHSWAANE, GUNAAHO(N) KO GUNAHGAAR
2. QISMAT BADAL RAHI HAI, MUHAMMAD KE SHEHR MEI(N)
REHMAT BARAS RAHI HAI

3. HAR EK BHAR RAHA HAI, YAHAA(N) DAAMANE MURAAD
4. KHAIRAAT MIL RAHI HAI, MUHAMMAD KE SHEHR MEI(N)
REHMAT BARAS RAHI HAI

5. DAULAT SUKU(N) KI HAR JAGAAH, HAM DHUNDHTE RAHE
6. AAKHIR YEH MIL GAYI, YEH MUHAMMAD KE SHEHR MEI(N)
REHMAT BARAS RAHI HAI

7. ROOH HAR BASHAR HAI, SUWE MADINAH KIYE HUEY
8. DUNIYA SAMA GAYI HAI, MUHAMMAD KE SHEHR MEI(N)
REHMAT BARAS RAHI HAI

9. ROSHAN HAI JIS KE NOOR SE, DONO(N) JAHAA(N) RIYAZ
10. AESI SHA’MA’ JALI HAI, MUHAMMAD KE SHEHR MEI(N)
REHMAT BARAS RAHI HAI

Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:
Line 7: SUWE = Towards

Line 10: SHA’MA’ = Candle

 

36. MERI AARZOO, MERI ZINDAGI

The main lines to be repeated by the Na’at Khwaan are as follows:

MERI AARZOO, MERI ZINDAGI, TERA KOOCHA TERA DIYAAR HAI

MERA DIL FIDA TERE NAAM PAR, MERI JAAN TUJH PE NISAAR HAI


1. JISEY MIL GAI HO TERI NAZAR, USEY SUBHO SHAAM KI KYA KHABAR
2. USEY HOSH KAB HAI JAHAA(N) KA, JISEY MIL GAYA YEH KHUMAAR HAI
MERI AARZOO, MERI ZINDAGI

3. SAARI RABB NE NE’AMATEI(N) BAANT KAR, RAKHKHA NA KUCH APNE LIYE MAGAR
4. JO CHUNA TO APNE LIYE CHUNA, MERE MUSTAFA TERA PYAAR HAI
MERI AARZOO, MERI ZINDAGI

5. TERE NAALE PAAK KI KHAAK KA, SHABE AUJ DEKHA HAI MARTABA
6. SARE ARSH BHI JO PAHO(N)CH GAYA, WOH TERI GALI KA KHUMAAR HAI
MERI AARZOO, MERI ZINDAGI

7. PARHU(N) JHOOM, JHOOM KE MAY(N) DUROOD, PARHU(N) JHOOM, JHOOM KE MAY(N) SALAAM
8. AUR AESI BANDAGI MEI(N) SUROOR HAI, AUR AESI BANDAGI MEI(N) QARAAR HAI
MERI AARZOO, MERI ZINDAGI

9. MAY(N) GUNAHGAAR RAKHKHE SHARAM, MERI AAS BAS HAI TERA KARAM
10. KAHAA(N) REHMATO(N) KI HADD TERI, KAHAA(N) BAKHSHISHO(N) KA SHUMAAR HAI
MERI AARZOO, MERI ZINDAGI

11. TERI CHAAHATO NE SAJA DIYA, DILEY DAAGHDAAR AYAAZ KA
12. TERI YAAD SE HI MERE NABI, MERI ZINDAGI MEI(N) BAHAAR HAI
MERI AARZOO, MERI ZINDAGI

Author: JANAAB AYAAZ

Meanings:
Main Line 1: KOOCHA = GALI
Main Line 1: DIYAAR = SHAHER (City)

Line 2: KHUMAAR = SHUROOR (Intoxication)

Line 5: SHABE AUJ = Referring to Shabe Me’raaj

Line 5 / 6: Even the dust below your holy feet has reached the Arshe Mo’alla.
Line 8: QARAAR = SUKUN
Line 9: MERI LAAJ RAKHNA

Line 10: There is no limit to your Rehmat and Bakhshish.
Line 11: DAAGHDAAR = DAAGH WAALA DIL

 

37. KABHI AEY HAQIQATEY MUNTAZAR

The main lines to be repeated by the Na’at Khwaan are as follows:

KABHI AEY HAQIQATE MUNTAZAR, NAZAR AA LIBAASE MAJAAZ MEI(N)
KE HAZAARO(N) SAJDE TARAP RAHE, HAI MERI JABINE NAYAAZ MEI(N)

1. TU BACHA, BACHA KE NA RAKH USE, TERA AAINA HAI WOH AAINA
2. KE SHIKASTA HO TO AZIZ TAR, HAI NIGAAHE AAINA SAAZ MEI(N)
KABHI AEY HAQIQATE

3. NA WOH ISHQ MEI(N) RAHI GARMIYAA(N), NA WOH HUSN MEI(N) HO SHAUKHIYAA(N)
4. NA WOH GHAZNAVI MEI(N) TARAP RAHI, NA WOH KHAM HAI ZULFE AYAAZ MEI(N)
KABHI AEY HAQIQATE

5. NA KAHI(N) JAHAA(N) MEI(N) AMAA(N) MILI, JO AMAA(N) MILI TO KAHAA(N) MILI
6. MERE JURME KHAANA KHARAAB KO, TERE AFWE BANDA NAWAAZ MEI(N)
KABHI AEY HAQIQATE

7. JO MAY(N) SAR BA SAJDAAH HUA KABHI, TO ZAMI(N) SE AANE LAGI SADA
8. TERA DIL TO HAI SANAM AASHNA, TUJHE KYA MILEGA NAMAAZ MEI(N)
KABHI AEY HAQIQATE

Author: JANAAB, DR. ALLAMA IQBAL

Meanings:

Main Line 1: MUNTAZAR = The one who waits in Intezaar.

Main Line 1: "AEY HUZOOREY PAAK, MUHAMMAD (SAW), BAS TERA HI INTEZAAR
HAI, ISI LIYE ZAAHERI TAUR PAR NAZAR AAO".
Main Line 1: MAJAAZ MEI(N) = ZAAHIRI SOORAT MEI(N)

Main Line 2: JABINE NIYAAZ = Lowering of forehead out of respect. The Sajdaah
referred to here is the SAJDAAEY TA’AZIM = EHTERAAM, one of ADAB.
Line 1: AAINA = DIL (Heart)

Line 2: AZIZ TAR = The most beloved

Line 2: AAINAAEY SAAZ = KHAALIQ, The Creator

Line 2: The heart has to be broken in yearning for the love of the Prophet Muhammad (SAW),
only then does it become Aziz Tar or most beloved one of Allah Ta’ala. It can then be
healed by the Almighty. Once mended, it is filled with knowledge of the Ghaib and the
spiritual world (Ma’arifat).

Line 4: KHAM HAI ZULFE = Curled locks

Line 4: AYAAZ = The Wazir of Mahmood Gaznavi

Line 4: AAJ KAL KE JO AYAAZ HAI, UN KE BAALO(N) MEI(N) NA WOH KHAM HAI
Line 6: JURME = ZULM
Line 6: KHAANA = GHAR
Line 6: AFWE = MO’AAF. YA ALLAH TU BANDO(N) KO MO’AAF KARNA
Line 8: SANAM = BUTO(N) KO JAAN NE WAALA

Line 8: AASHNA = JAAN NA

 

38. KUCH AISA MEHSOOS HO RAHA HAI

The main lines to be repeated by the Na’at Khwaan are as follows:

DILO(N) KE GULSHAN MAHEK RAHE HAI(N)
YEH KAIF KYO(N) AAJ AA RAHE HAI(N)
KUCH AISA MEHSOOS HO RAHA HAI(N)
HUZOOR TASHRIF LA RAHE HAI(N)


1. NAVAAZHISO(N) PAR, NAVAAZHISEI(N) HAI(N)
2. INAAYATO(N) PAR, INAAYATEI(N) HAI(N)
3. NABI KI NA’ATEI(N), SUNA, SUNA KAR
4. HAM APNI QISMAT JAGA RAHE HAI(N)
KUCH AISA MEHSOOS

5. KAHAA(N) KA MANSAB, KAHAA(N) KI DAULAT
6. QASAM KHUDA KI, YEH HAI HAQIQAT
7. JINHE BULAAYA, HAI MUSTAFA NE
8. WOHI MADINEY KO, JA RAHE HAI(N)
KUCH AISA MEHSOOS

9. MAY(N) APNE KHAYRUL WARA KE SAD’QE
10. INKI SHAANE ATA KE SAD’QE
11. BHARA HAI AIBO(N) SE MERA DAAMAN
12. HUZOOR PHIR BHI NIBAAH RAHE HAI(N)
KUCH AISA MEHSOOS

13. HABIBE DAAVAR, GHARIB PARWAR
14. RASOOLE AKRAM, KARAM KE PEKAR
15. KISI KO DAR PAR BULA RAHE HAI(N)
16. KISI KE KHWAABO(N) MEI(N) AA RAHE HAI(N)
KUCH AISA MEHSOOS

17. BANEGA JAANE KA PHIR BAHAANA
18. KAHEGA AAKAR KOI DIWAANA
19. CHALO NIYAZI, TUMHE MADINEY
20. MADINEY WAALE BULA RAHE HAI(N)
KUCH AISA MEHSOOS

Author: JANAAB ABDUL SATTAR NIYAZI

Meanings:

Main Line 2: KAIF = SUROOR

Line 5: KAHAA(N) KA MANSAB = KAHAA(N) KA YEH INSAAF HAI
Line 13: HABIBE DAAVAR = ALLAH TA’ALA KE MEHBOOB

Line 13: PARWAR = PARWARISH KAR NE WAALE

 

 

39. NABI KA JHANDA RAHEGA UNCHA

The main lines to be repeated by the Na’at Khwaan are as follows:

KHUDA KI MARZI, KHUDA KA MANSHA, NABI KA JHANDA RAHEGA UNCHA

HUA NA HOGA, BAS UN KE JAISA, NABI KA JHANDA RAHEGA UNCHA

1. UNHE YEH SHAAN DI HAI KITNI RABB NE, UNHI KE KHUTBE PARHHAI, HAI SAB NE
2. WOH HAR JAGAAH MAAHE TAI’BAH CHAMKA, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

3. YEHI HAI IK BEHTARIN NUSKHA, YEHI HAI KHULDE BARI(N) KA RASTA
4. UNHI KI ULFAT, UNHI KA USWA, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

5. MERE NABI NE JISE HAI BAKHSA, PHIR US NE KASHKOL TOR DAALA
6. NA LAB PE HARFE SAWAAL AAYA, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

7. NABI KI AALE ABA KE GULSHAN, KE PHOOL KAISE MAHEK RAHE HAIN
8. ALI-O-ZAHRA, HASAN-O-HUSSAIN, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

9. RAHA HAI CHARCHA, RAHEGA CHARCHA, BAJA HAI BAJTA RAHEGA DANKA
10. RAHEGA UNCHA, NABI KA JHANDA, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

11. RASOOLO(N) NABIYO(N) NE HAI JO MAANGA, WASILA UN KA, UNHI KA SAD’QAH
12. RAZA BHI HAI UN KA EK MANGTA, NABI KA JHANDA RAHEGA UNCHA
KHUDA KI MARZI

Author: JANAAB MAULANA RAZA UL MUSTAFA (Oxford based)

Meanings:
Line 2: MAAHE = CHAAND

Line 3: KHULDE BARI(N) = SAB SE AALA JANNAT
Line 4: ULFAT = MOHABBAT
Line 4: USWA = BEHTARIN NAMOONA
Line 7: AALE ABA = AIH’L-E BAIT


 

40. MADINEY KE WAALI, SHAHENSHAAHE AALI

1. TERE TUKRO PE PALE, GHAIR KI THOKAR PE NA DAAL
2. JHIRKIYAA(N) KHAAEI(N) KAHAA(N), CHOR KE DAR TERA
3. TERI SARKAAR MEI(N), LAATA HAI RAZA US KO SHAFI
4. JO MERA GHAUS HAI, WOH LAADLA BETA TERA
5. MADINEY KE WAALI, SHAHENSHAAHE AALI
6. PANAAH DO MUJHE, APNE DAR KA SAWAALI, SHAHENSHAAHE AALI
7. TAMANNA HAI YU(N), SAAMNE TERE AAOU(N)
8. TO TERE LIYE, TAUHFE DO SAATH LAAU(N)
9. DUROODO(N) KE GAJRE, SALAAMO(N) KI DAALI
10. MADINEY MEI(N) NEEND AAEY, MUJH KO KISI DIN
11. MERI AANKH AISEY KHULE, MERE AAQA
12. SUNE KAAN MERE, AZAANE BILAALI
13. BANAALO MUJHE, APNE DAR KA SAWAALI
14. YEH HASRAT HAI MERI, TERE DAR PE AAOU(N)
15. NAZAR SABZ GHUMBAD PE, APNI JAMAAU(N)
16. KABHI CHOOM LU(N), TERE ROZE KI JAALI
17. BANAALO MUJHE, APNE DAR KA SAWAALI
18. RIYAZ, YEH NA’ATEI(N) NABI KA SILA HAI
19. KARAM TUJH PE KAISA, KHUDA NE KIYA HAI
20. YEH RAAH TERI BAKHSHISH KI, KAISI NIKAALI
21. BANAALO MUJHE, APNE DAR KA SAWAALI
22. MADINEY KE WAALI, SHAHENSHAAHE AALI


Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:

Line 2: JHIRKIYA = JHARAK NA, DHUTKAAR NA
Line 18: SILA = NA’AT KA SILA (BADLA)

 

41. WOH KAMAALE HUSNE HUZOOR HAI KE

1. WOH KAMAALE HUSNE HUZOOR HAI KE, GUMAANE NAQS JAHAA(N) NAHI(N)
2. YEHI PHOOL KHAAR SE DUR HAI, YEHI SHA’MA’ HAI KE DHUAA(N) NAHI(N)
3. MAY(N) NISAAR TERE KALAAM PAR, MILI YU(N) TO KIS KO ZUBAA(N) NAHI(N)
4. WO SUKHN HAI JIS MEI(N) SUKHN NA HO, WOH BAYAA(N) HAI, JIS KA BAYAA(N) NAHI(N)
5. BAKHUDA, KHUDA KA YEHI DAR, NAHI(N) AUR KOI MAFAR, MAQAR
6. JO WAHAA(N) SE HO, YAHI(N) AAEY HO, JO YAHAA(N) NAHI(N) TO WAHAA(N) NAHI(N)
7. TERE AAGEY YU(N) HAI(N) DABE, LACHE, FUS-HAAEY ARAB KE BARE, BARE
8. KOI JAANE MUNH MEI(N) ZUBAA(N) NAHI(N), NAHI(N) BALKE JISM MEI(N) JAA(N) NAHI(N)
9. KARU(N) MADD-HE AIH’L-E DOVUL RAZA, PARE IS BALA MEI(N) MERI BALA
10. MAY(N) GADA HU(N), APNE KARIM KA, MERA DEEN PAARAAEY NAA(N) NAHI(N)


Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:

Line 1: GUMAAN = SOCHNA
Line 1: GUMAANE NAQS = JIS KE BAARE MEI(N) NAQS SOCH NE KA GUMAAN BHI
NAHI(N) HAI.

Line 2: KHAAR = KAANTA

Line 3: NISAAR = QURBAAN

Line 4: SUKHN = KALAAM. Reference is made to the Holy Qur’an and the Hadith.
AAP JAISI ZUBAA(N) KISI KO NA MILI, NA MILEGI.
Line 4: JO BAYAA(N) AAP NE KIYA HAI, AISA BAYAA(N) AUR KOI BHI NAHI(N) KAR SAKEGA.
Line 5: BAKHUDA = KHUDA KI QASAM

Line 5: MAFAR MAQAR = You cannot change this. IS MEI(N) AUR KOI CHIZ KI
GUNJAAEESH NAHI(N).

Line 7: FUS-HAAEY = Refers to the famous poets and the elite intellectuals. (BARE,
BARE KALAAM PARH NE WAALE). This word merits detailed
explanation. It’s use here is derived from "FASIH AUR BALIGH".
Therefore you can say in Urdu: "YEH BAHOT FASAAHAT AUR
BALAAGHAT WAALI ZUBAA(N) BOLTA HAI." "YEH BAHOT
FASIH AUR BALIGH HAI". BALAAGHAT = Rhetoric eloquence
Line 8: These poets and intellectuals became speechless in front of Hazoor (SAW)’S
most eloquent of speeches and discourses.

Line 9: MADD-HE = TAA’RIF

Line 9: AIH’L-E DOVUL = Rich and idle people. (DOVUL = DAULAT).

 

42. HAAJIYO, AAO SHAHENSHAAH KA ROZA DEKHO

1. HAAJIYO, AAO SHAHENSHAAH KA ROZA DEKHO
2. KAA’BAH TO DEKH CHUKE, KAA’BAH KA KAA’BAH DEKHO
3. RUKNE SHAAMI SE, MITTIYE-WEHSHATE SHAAME GHURBAT
4. AB MADINEY KO CHALO, SUBH DILAARA DEKHO
5. AABE ZAM ZAM TO PIYA, TO KHOOB BUJHAAI PYAASEI(N)
6. AAO, JUDE SHAHE KAUSAR KA BHI DARYA DEKHO
7. KHOOB AANKHO(N) SE LAGAAYA HAI GHILAAFE KAA’BAH
8. KASARE MEHBOOB KE PARDE KA BHI JALWAAH DEKHO
9. WAHAA(N) MUTIO(N) KA, JIGAR KHAUF SE PAANI PAAYA
10. YAHAA(N) SIYAAHKAARO(N) KA, DAAMAN PAR MACHALNA DEKHO
11. DHO CHUKA ZULMATE DIL, BOSAAEY SANGE ASWAD
12. KHAAK BOSI MADINEY KA BHI, RUTBA DEKHO
13. GHAUR SE SUN TU RAZA, KAA’BE SE AATI HAI YEH SADA
14. MERI AANKHO(N) SE MERE PYAAR KA ROZA DEKHO.


Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:

Line 3: SHAAME GHURBAT = Poor evening

Line 3: I am helpless here, as I spend my evening in front of "MITTI SE JURA HUA PATHTHAR;
RUKNE SHAAMI".

Line 4: MADINEY KI SUBH, JO DIL KO KHE(N)CH NE WAALI HAI, US KO DEKHO.
Line 6: JUDE = KARAM WAALE

Line 8: KASARE MEHBOOB = MEHBOOB KA MAHEL

Line 8: HAZOOR (SAW) KA PARDAAH, i.e., UN KE GHILAAF KO BHI DEKHO.
Line 9 / 10: WAHAA(N) (MAKKAH SHARIF MEI(N)), DIL NE KHAUF (YA DARR) KE MAARE
PAANI PAAYA. Meaning the worshippers had shed tears out of sheer fear. However, in
Madinah Sharif, you saw tears being shed out of sheer love
for the Prophet Muhammad (SAW).

Line 11: HAJRE ASWAD KO BOSA DETE WAQT, HAMAARE DIL KE ANDAR JO
SIYAAHI THI, WOH ZULMAT AUR GUNAAHO(N) NE
AANSHU BAHAAEY. TO IS TARAAH HAM NE HAJRE ASWAD KO DHO LIYA.
Line 12: By contrast, compare the loving and affectionate way,
we kiss the holy dust of Madinah Sharif.


 

43. MAAHE RAMAZAAN KI FURQAT

The main lines to be repeated by the Na’at Khwaan are as follows:

MAAHE RAMAZAAN KI FURQAT NE MAARA

DIL HUA JAATA HAI PAARA, PAARA

1. TERI ULFAT THI, HAR EK KE DIL MEI(N)
2. TERI AZMAT THI, HAR EK KE DIL MEI(N)
3. TUNE HAM SE KIYA KYO(N) KINAARA
DIL HUA

4. TUNE UJRE HUEY GHAR BASAAYE
5. TUNE ROTE HUEY DIL HANSAAEY
6. TERE BIN HOGA KAISEY NAZAARA
DIL HUA

7. GHAR MEI(N) LAAEI(N)GE, KIS KI BARKAT
8. HAM PAR BARSEGI AB, KIS KI REHMAT
9. PHIR BHI DIDAAR DENA KHUDAARA
DIL HUA

10. TERE SHAIDA AB KYA KAREI(N)
11. TERI FURQAT MEI(N) JAL, JAL MAREI(N)
12. TERA JAANA HAI, KIS KO GAWAARA
DIL HUA

13. A’ZAM KHASTA RO, RO PUKAARE
14. PHIR BHI AMIN KE YEH DIN HAMAARE
15. JAAO, HAAFIZ, KHUDA HO TUMHAARA
DIL HUA

Author: JANAAB MUHAMMAD A’ZAM CHISHTI

Meaning:
Main Line 2: PAARA, PAARA = TUKRA, TUKRA

 

44. SAFAR TAI’BAH PAR RAWAANA HO NE SE PEHLE

1 ASHKE PEHAM KI MAY(N) BARSAAT LAGAALU(N) TO CHALU(N)
2. APNE DAAMAN SE HAR IK DAAGH MITAALU(N) TO CHALU(N)
3. CHOOMLU(N) CHASH’ME TASAWWUR MEI(N), DARE SHAAHE UMAM
4. SABZ GUMBAD KO NIGAAHO(N) MEI(N) BASAALU(N) TO CHALU(N)
5. TORDU JHUTHI "ANA" KE, SAB HI PAIMAA’NOH KO
6. APNE HO NE KI ALAAMAAT MITAALU(N) TO CHALU(N)
7. AAJZI KE PHOOL HAWAAO(N) MEI(N) BIKHERU(N) PEHLE
8. MAGHFIRAT KA SARO SAAMAAN UTHAALU(N) TO CHALU(N)
9. DAAMANE ARZE HOONAR CHAAK HUA JAATA HAI
10. KHUSHK HO(N)THO PE ZARE NA’AT SAJAALU(N) TO CHALU(N)
11. KASARE IMAA(N) PE MUSALLAT HAI, MUFAADAAT KA JABAR
12. SHEHRE AD-HAAM KE AZAAM GIRAALU(N) TO CHALU(N)
13. JAAN DAIDU(N) SARE DAHLIZ PAYAMBAR MEI(N) BHI, RASTA KOI HAZOORI KA
14. HAR TARAF PHAILA HAI AFKAAR, NADAAMAT KA HAJHOOM
15. KAR KE MADD-HAAT KO RAGEJAA(N) MEI(N) CHUPAALU(N) TO CHALU(N)
16. SAATH LETA CHALU(N) AURAAQE TAMANNA KA NISAAB
17. JOHRE ISHQE HAWAADAS SE BACHAALU(N) TO CHALU(N)
18. SAJDAAEY SHUKR BHI WAAJIB HAI, MERE HO(N)THO PAR
19. JAANIBE SHEHRE NABI, NAAME KHUDA LU(N) TO CHALU(N)
20. SAAMNE SHEHRE PAYAMBAR KE GUZAR GAA HAI, RIYAZ
21. ZARRE, ZARRE KO MAY(N) PALKO PE SAJAALU(N) TO CHALU(N)
22. SHAUQ DAAMAN KO NAHI(N) CHORTA LEKIN
23. MAY(N) RIYAZ TISHNAGI HARFE SHATAAISH KI BUJAALU(N) TO CHALU(N)


Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI


Meanings:

Line 1: ASHK = Tears PEHM = Continuous
Line 1: ASHKE PEHAM = LAGAATAAR AANSHU BAHAANA (To decorate
one’s self with the garments of tears)

Line 3: CHASH’ME TASAWWUR = AANKHEI(N) BAND KAR KE (In my imagination),
AGAR MAY(N) CHOOMLU(N) HAZOOR KA DAR
TO
Line 5: JHUTHI "ANA" = If I should break the false pride of the Nafs. The "I"
ness of the being; the self importance , which is
forever self gratifying.

Line 5: PAIMAA’NOH = Cups

Line 6: ALAAMAAT = NISHAANIYAA(N) (Symbols)

Line 7: AAJZI = Humbleness

Line 7: If I should sprinkle the humbleness and thereby don the garment of humility.
Line 9: DAAMANE ARZ (YAANI MAANG NE KA TARIQA AUR FUN), AB BETAABI
MEI(N) PHAT RAHA HAI. He is in sheer desparation now.

Line 10: ZAR = Gold; HO(N)THO PE NA’AT KE ZEVAR
SAJAALU(N) TO

Line 11: KASARE IMAA(N) = IMAAN KA MAHEL

Line 11: MUSALLAT = QABZA

Line 11: MUFAADAAT = APNE FAAIDE KA SOCHNA (Selfishness)
Line 11: It seems that our self interest seems to prevail over our core foundation of Imaan.
Line 12: AD-HAAM = WAHEM / SHAK (Doubts / inquisitiveness / prying)
Line 12: AZAAM = IRAADA KARNA

Line 12: WAHEM KE SHEHR KE IRAADE KO GIRAALU(N) TO CHALUN
Line 13: SARE DAHLIZ = CHOKHAT

Line 13: USKI CHOKHAT PE APNI JAAN DENA CHAAHTA HU(N). ISI LIYE HAAZRI
DENE KA KOI BAHAANA CHAAHIYE.

Line 14: AFKAAR = Plural of FIKR

Line 14: NADAAMAT = SHARMINDAGI (APNE GUNAAHO(N) KI
WAJAAH SE)

Line 15: MADD-HAAT = MID’HAT or TA’ARIF (Praise)

Line 15: If I were to go to Madinah Sharif, after my soul, body and spirit nay indeed if
the whole of my subconscience and interior, down to each and every individual
cell and corpuscle had adopted his praise and love.

Line 16: AURAAQ = Pages, plural of WARAQ (a page).

Line 16: NISAAB = Pamphlet

Line 16: AURAAQE TAMANNA KA NISAAB = If I could take the pages of my wish list.
Line 17: JOHRE ISHQ = Essence of love

Line 17: HAWAADAS = Incidents

Line 17: If I can safeguard my love for the Prophet Muhammad (SAW) from the political
incidents of work place and the duniya at large, which sways my IMAAN.
Line 19: AGAR ALLAH KA NAAM LE KAR, JAANIBE (Towards) SHEHRE NABI CHALU(N) TO
Line 20: The way to Madinah is only at an arm’s length away. It is always in front of you, should
you wish to take it. But do you wish to take it ?

Line 21: MADINAH SHARIF KI MITTI KE EK, EK ZARRE KO MAY(N) AANKHO(N) MEI(N) SURME KI TARAAH SAJAALU(N) TO

Line 22: SHAUQ = TAMANNA

Line 23: TISHNAGI = Thirst
Line 23: HARFE SHATAAISH = TA’ARIF KE HARF (Words)

Line 23: Should I quench my thirst by reciting the goodness of the Holy Prophet
Muhammad (SAW).




45. NABI KE ISHQ NE, JIS KO HASIN BANAAYA HAI

1. NABI KE ISHQ NE, JIS KO HASIN BANAAYA HAI
2. WOHI FARID, WOHI DAATA, BAN KE AAYA HAI
3. JAHAA(N) KAHI(N) BHI QADAM, MERA DAGMAGAAYA HAI
4. SAHAARA DENE KARAM, AAP HI KA AAYA HAI
5. SATA SAKEGI NA HAM KO BHI, GARMI-AEY MEHSHAR
6. HAMAARE SAR PE HABIBE KHUDA KA SAAYAAH HAI
7. ISI TAMANNA MEI(N) JITE HAIN, KOI YEH KEHDE
8. CHALO, CHALO, TUMHE SARKAAR NE BULAAYA HAI
9. GHAME HABIBE KHUDA NE JISE NAWAAZ DIYA
10. ALIM, AA’LAME GHAM MEI(N) BHI MUSKURAAYA HAI


Author: JANAAB ALIM AHMED ALIM

 

46. RUKH PE REHMAT KA

1. RUKH PE REHMAT KA JHUMAR SAJAAYE, KAMLIWAALE KI MEHFIL SAJI HAI
2. MUJH KO MEHSOOS YU(N) HO RAHA HAI, UNKI MEHFIL MEI(N) JALWA GARI HAI
3. NA’AT HUSNE SHAHE DO SARA HAI, NA’AT HI ZIKRE RABBUL AALA HAI
4. NA’AT LIKHNA MERI ZINDAGI HAI, NA’AT KEHNA MERI BANDAGI HAI
5. HUSN ME’RAAJ KI RAAT DEKHO, KAMLI WAALE KI BAARAAT DEKHO
6. HAR TARAF CHAANDNI, CHAANDNI HAI, HAR TARAF ROSHNI, ROSHNI HAI
7. WOH SAMA KAISA ZEESHAAN HOGA, JAB KHUDA MUSTAFA SE KAHEGA
8. AB TO SAJDE SE SAR KO UTHAALO, AAP KI SAARI UMMAT BARI HAI
9. DIL KE GULSHAN KI MAHEKI FIZAAEI(N), WAJD MEI(N) HAI(N) NIYAZI HAWAAEI(N)
10. UN KE HUSNE TASAWWUR SE, MERE DIL KI AABAD BAARAAHDARI HAI


Author: JANAAB ABDUL SATTAR NIYAZI

Meanings:

Line 1: RUKH PE = CHEHRE KE OO’PAR

Line 1: MERE CHEHRE KE OO’PAR, UNKI REHMAT KA JHUMAR MAY(N) PEHNU
Line 2: UNKI MEHFIL MEI(N) JALWA GARI HAI = HAZOOR MEHFIL MEI(N)
ZAROOR TASHRIF LE AAEI(N) HAI(N)

Line 10: BAARAAHDARI = BAARAAH DARVAAZEY. May the dimensions of my Heart,
be always open to receive the Rehmat of Allah Subhaanuhu Wa Ta’ala; by my constant
remembrance and love of the Hazoor, Prophet Muhammad (SAW).


47. WOH RASOOL, MERA RASOOL HAI

1. JO GALE LAGAAEY, ADU KO BHI, WOH RASOOL MERA RASOOL HAI
2. KOI KHAALI HAATH GAYA NAHI(N), YEH MERE SAAQI KA ASOOL HAI
3. TU JO CHAAHE RAAZI HO MUSTAFA, TU JO CHAAHE TUJH KO MILE KHUDA
4. KISI TUTE DIL KO TALAASH KAR, KE WOH DIL KHUDA KO QABOOL HAI
5. ISEY JHUK KE CHOOMA HAI ARSH NE, HAI LAGI NABI KE YEH PAAO(N) SE
6. ISEY DAAL AANKHO(N) MEI(N) SHAUQ SE, YEH DARE RASOOL KI DHOOL HAI
7. WOH NABI JO MERA BHALA KARE, MERI BAKHSHISO(N) KI DUA KARE
8. MUJHE BHOOL JAAEY WOH HASHR MEI(N), MERE DUSHMANO(N) KI YEH BHOOL HAI
9. YEH NIYAZI JAAEI(N) KAHAA(N), SHAHA KE NAAM LEVA YEH AAP KA
10. YEHI KEHNA JAAKE, TU AEY SABA, KE WOH GHAMZADAAH HAI, MALOOL HAI


Author: JANAAB ABDUL SATTAR NIYAZI


Line 1: ADU = DUSHMAN

Line 2: SAAQI = PILAANE WAALA. (From HAUZE KAUSAR in JANNAT).
Line 3/4: Oh! Wayfarer, if you want to please Allah and his Holy Prophet Muhammad (SAW), then
look for a broken heart, which is thoroughly engrossed in their love.
Line 10: SABA = HAWA

Line 10: GHAMZADAAH = GHAM KA MAARA

 

48. RAKHSHANDA TERE HUSN SE

1. RAKHSHANDA TERE HUSN SE, RUKHSAARE YAQI(N) HAI
2. TAABINDA TERE ISHQ SE, IMAA(N) KI JABI(N) HAI
3. JIS MEI(N) HO TERA ZIKR, WOHI BAZM HAI RANGI(N)
4. JIS MEI(N) HO TERA NAAM, WOHI BAAT HASI(N) HAI
5. CHAMKA HAI TERI ZAAT SE, INSAAN KA MUQADDAR
6. TU KHAATIME DAURAA(N) KA, DARAKHSHANDA NAGI(N) HAI
7. CHAMKI THI KABHI JO TERE NAQSHE KAFEY PAA SE
8. AB TAK WOH ZAMI(N) CHAAND, SITAARO(N) KI ZAMI(N) HAI
9. AAYA HAI TERA ISM MUBAARAK MERE LAB PAR
10. GAR CHE YEH ZUBAA(N) ISKI SAZAAWAAR NAHI(N) HAI


Author: JANAAB SUFI GHULAAM MUSTAFA TABASSUM

Meanings:
Line 1: RAKHSHANDA = Visible (e.g., CHAMAKNA)

Line 1: MERE GAAL CHAMAK RAHE HAI(N), AAP KE NOOR SE
Line 2: TAABINDA = CHAMAKDAAR

Line 2: MERI JABI(N) (Forehead) CHAMAK RAHI HAI, SIRF MERE PYAAR KI WAJAAH SE

Line 3: BAZM = MEHFIL
Line 6: KHAATIME DAURAA(N) = AAKHRI DAUR KA

Line 6: DARAKHSHANDA = Shiny
Line 6: NAGI(N) = Jewel (NAG)
Line 7: NAQSHE = Prints
Line 7: KAFEY PA = Foot
Line 10: GAR CHE = Although
Line 10: MERI ZUBAA(N) US KE QAABIL NAHI(N) HAI

49. MAN MOHANE NABI MAKKI, MADANI

1. MAN MOHANE NABI MAKKI, MADANI, HAM PAR BHI KARAM FARMA JAANA
2. TORI DID KE PYAASE BAITHE HAI(N), MORE SHAHA, PYAAS BUJHA JAANA
3. LAJPAALO(N) KE LAJPAAL NABI, MORI KUTIYAA(N) MEI(N) BHI AAO KABHI
4. TORI RAAHAT KO MAY(N) KARU(N) BINTI, MORE SOYE BHAAG JAGA JAANA
5. TERE NAAM KA SAD’QAH KHAATE HAI(N), HAM TERE HI GUN GAATE HAI(N)
6. KOI JAANE, JAANE NA JAANE, HAM NE TO TUMHE DAATA JAANA
7. HAM PAR BHI KARAM KI KIJO NAZAR, QISMAT MEI(N) RAHE TAI’BAH KA SAFAR
8. SARKAAR, TUMHAARI GALIYO(N) MEI(N) MANGTO(N) KA RAHE AANA JAANA
9. YEH KITNA KARAM ALLAH KA HUA, YEH KITNA BARA AIJAAZ MILA
10. DUNIYA NE NIYAZI KO SHAAHA, JAANA TO TERA MANGTA JAANA


Author: JANAAB ABDUL SATTAR NIYAZI


Meanings:

Line 3 KUTIYAA(N) = CHOTA SA GHAR

Line 9: AIJAAZ = BARAAI, Commendation

 

50. TERE QADMO(N) MEI(N) AANA, MERA KAAM HAI

The main lines to be repeated by the Na’at Khwaan are as follows:

TERE QADMO(N) MEI(N) AANA, MERA KAAM HAI
MERI QISMAT JAGAANA, TERA KAAM HAI
MERI AANKHO(N) KO HAI, DEED KI AARZOO
RUKH SE PARDAAH HATHAANA, TERA KAAM HAI


1. MERE DIL MEI(N) HAMESHAAH, TERI YAAD HAI
2. ZEHAN TERE TASAWWUR KA, MOHTAAJ HAI
3. IK NIGAAHEI(N) KARAM HI, MERI LAAJ HAI
4. LAAJ MERI NIBHAANA, TERA KAAM HAI
TERE QADMO(N) MEI(N) AANA

5. AAKHRI WAQT HO, TERE BIMAAR KA
6. EK QATRA MILE, JAAME DIDAAR KA
7. AAKHRI HAI MERE DIL KI, HASRAT YEHI
8. YEH HASRAT MITAANA, TERA KAAM HAI
TERE QADMO(N) MEI(N) AANA

9. TAUSHAAEY AAKHIRAT HAI, SANA KHWAAN KA
10. ZIKR KARTA RAHE, TERE FAIZAAN KA
11. NA’AT TERI SUNAANA, MERA KAAM HAI
12. MERI BIGRI BANAANA, TERA KAAM HAI
TERE QADMO(N) MEI(N) AANA

13. MERE DIL KA SUKU(N), MERE DIL KI SADA
14. HAI ZAHOORI SANAAEY, HABIBE KHUDA
15. YEH SADAAEY AQIDAT, AEY BAADE SABA
16. JAAKE UNKO SUNAANA, TERA KAAM HAI
TERE QADMO(N) MEI(N) AANA

Author: JANAAB MUHAMMAD ALI ZAHOORI


Meanings:
Line 9: TAUSHAAEY = Assets

Line 15: BAADE = Air

Line 15: SABA = Morning


 

51. SHEHRE KONEIN JALAALAT TERI

1. ALLAH, ALLAH, SHEHRE KONEIN, JALAALAT TERI
2. FARSH KYA, ARSH PE JAARI HAI HUKUMAT TERI
3. MAUT AAJAAYE MAGAR AAYE DIL KO AARAAM
4. DAM NIKAL JAAYE MAGAR NIKALEY NA ULFAT TERI
5. DEKHNE WAALE KAHA KARTE HAI(N), ALLAH, ALLAH
6. YAAD AATA HAI KHUDA, DEKH KE SOORAT TERI
7. TUHI HAI MULKE KHUDA, MILKE KHUDA KA MAALIK
8. RAAJ TERA HAI, ZAMAANE MEI(N), HUKUMAT TERI
9. HAM NE MAANA KE GUNAAHO(N) KI NAHI(N) HADD LEKIN
10. TUHE UN KA TO HASAN TERI HAI JANNAT TERI


Author: JANAAB HASAN RAZA KHAN

Meaning:
Line 7: MILKE KHUDA KA MAALIK = JO MILKIYYAT ALLAH TA’ALA KE QABZE
MEI(N) HAI, US KO ALLAH NE AAP KO MAALIK BANA DIYA HAI.


52. MADINEY KO JAAEY, YEH JEE CHAAHTA HAI

1. MADINEY KO JAAEI(N), YEH JEE CHAAHTA HAI
2. MUQADDAR BANAAEI(N), YEH JEE CHAAHTA HAI
3. JAHAA(N) DONO(N) AA’LAM HAI(N), MEHWE TAMANNA
4. WAHAA(N) SAR JHUKAAEI(N), YEH JEE CHAAHTA HAI
5. MUHAMMAD KI BAATEI(N), MUHAMMAD KI SIRAT
6. NAHI(N) AUR SUNAAEI(N), YEH JEE CHAAHTA HAI
7. MADINEY KE AAQA, DO AA’LAM KE MAULA
8. TERE PAAS AAEI(N), YEH JEE CHAAHTA HAI
9. PAHO(N)CH JAAEI(N) BEHZAAD, JAB HAM MADINEY
10. TO KHUD KO NA PAAEI(N), YEH JEE CHAAHTA HAI


Author: JANAAB BEHZAAD LAKHNAWI

Meaning:

Line 3 MEHWE = Absorbed

 

53. JO ARSH PAR JALWAAGAR HUEY


This NA’AT is composed in the memory of "ME’RAAJ SHARIF".

1. WOH SARWARE KISHWARE RISAALAT, JO ARSH PAR JALWAAGAR HUEY THE
2. NAYE NIRAALE TARAB KE SAAMAAN, ARAB KE MEHMAAN KE LIYE THE
3. WOHI TO AB TAK CHALAK RAHA HAI, WOHI TO JOBAN TAPAK RAHA HAI
4. NAHAANE MEI(N) JO GIRAATHA PAANI, KATORE TAARO(N) NE BHAR LIYE THE
5. BACHA JO TALWO(N) KA UN KE DHOWAN, BANA WOH JANNAT KA RANGO ROGHAN
6. JINHO(N) NE DULHA KI PAAI UTRAN, WOH PHOOL KHUZAARE NOOR KE THE
7. UTAAR KAR UN KE RUKH KA SAD’QAH, YEH NOOR KA BAN RAHA THA BARA
8. KE CHAAND SURAJ MACHAL, MACHAL KAR, JABI(N) KI KHAIRAAT MAANG TE THE
9. KAU’NO MAKAA(N) KE JHOOTE NUKTO, TUM AWWAL AAKHIR KE PHAIR MEI(N) HO
10. MUHIB KI CHAAL SE TO PUCHO, KIDHAR SE AAEY KIDHAR GAYE THE


Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:

Line 1 KISHWARE = MULK, HUKUMAT

Line 2: TARAB KE SAAMAAN = KHUSHI KE SAAMAAN

Line 3: JOBAN = JAWAANI

Line 6: KI PAAI UTRAN = JAB KOI CHIZ UTAARI

Line 9: KAU’NO MAKAA(N) = DUNIYA (In this context DUNIYAWI CHIZ).

Line 9: PHAIR = CHAKKAR

Line 9: You are engrossed in the worldly matters.

Line 10: MUHIB = JIS KO DEKH KAR AAP KO SUROOR AA JAATA
HAI. HAZOOR (SAW) MEHBOOB HAI AUR ALLAH TA’ALA UN KA MUHIB HAI.
Line 10: Refers to SHABE ME’RAAJ. Hence the words: "KIDHAR SE AAEY KIDHAR GAYE THE".



54. JIS TARAF CHASH’ME MUHAMMAD KE ISHAARE

1. JIS TARAF CHASH’ME MUHAMMAD KE ISHAARE HO GAYE
2. JITNE ZARRE SAAMNE AAEY, SITAARE HO GAYE
3. YA MUHAMMAD AAP KI NAZARO(N) KA YEH IJAAZ HAI
4. JIS TARAF NAZAREI(N) UTHI(N), SAB TUMHAARE HO GAYE
5. MAY(N) HOO(N) AUR YAADEI(N) MADINAH AUR HAI TANHAAIYAA(N)
6. APNE BEGAANE SABHI MUJH SE KINAARE HO GAYE
7. APNI KAMLI KA ZARA SAAYAAH INAAYAT HO MUJHE
8. DIL KE DUSHMAN JA, MUHAMMAD DIL SE PYAARE HO GAYE
9. SABZ GHUMBAD KE ISHAARE, SAGAR MARHABA
10. JAG MAGA KAR ZINDAGI KE MAAH PAARE HO GAYE


Author: JANAAB SAGAR SIDDIQI

Meanings:

Line 2: ZARRE = CHOTE SE CHOTA

Line 10: MAAH = CHAAND

 

55. WOH LA MAKAA(N) KE MAKI(N) HUEY

This NA’AT is also composed in the memory of "ME’RAAJ SHARIF".

1. WOH LA MAKAA(N) KE, MAKI(N) HUEY
2. SARE ARSH TAK, NASHI(N) HUEY
3. WOH NABI JIS KE HAI, YEH MAKAA(N)
4. WOH KHUDA HAI JIS KO, MAKAA(N) NAHI(N)
5. SARE ARSH PAR HAI, TERI GUZAR
6. DILE ARSH PAR HAI, TERI NAZAR
7. MALAKUTO MULK MEI(N) KOI SHAY NAHI(N)
8. WOH JO BE-AYAA(N) NAHI(N)
9. JAISE MERA SARKAAR HAI, AISA KOI NAHI(N)
10. AB MERI NIGAAHO(N) MEI(N), JACHTA NAHI(N) KOI
11. TUMSA TO HASI(N) AANKH NE TO, DEKHA NAHI(N) KOI
12. KYA SHAANE LATAAFAT HAI, SAAYAAH NAHI(N) KOI


Meanings:

Line 7: SHABE ME’RAAJ KI RAAT, AAP KO HAR CHIZ (SHAY) BATAAI GAYI
Line 7: MALAKUTO MULK MEI(N) = AASMAA(N) AUR ZAMI(N) MEI(N)
Line 8 AYAA(N) = ZAAHIR

Line 12: SHAANE LATAAFAT = Derived from the word "LUTF", e.g., JIS KO DEKH
KAR SUROOR AATA HAI.

56. NAZARO(N) MEI(N) DO JAHAA(N) HAI(N), REHMAT HO DO
    JAHAA(N) KI

The main line to be repeated by the Na’at Khwaan is as follows:

NAZARO(N) MEI(N) DO JAHAA(N) HAI(N), REHMAT HO DO JAHAA(N) KI

1. YAAD HAI MUJH KO TOOR PAR, TERI WOH LAN TARAANIYAA(N)
2. UNSE KAHA NAHI(N), NAHI(N), AAP KO SAB DIKHA DIYA
NAZARO(N) MEI(N)

3. ROSHAN HAI TUJH SE DUNIYA, RAUNAQ HO AASMAA(N) KI
4. GHAMKHWAAR BEKASO(N) KE, AUR CHAARASAAZ SAB KE
NAZARO(N) MEI(N)

5. PARHTI DUROOD TUJH PAR, MAKHLOOQ AASMAA(N) KI
6. AB TO BULA LO DAR PE, UMMAT KE AASIYO(N) KO
NAZARO(N) MEI(N)

7. JIS NE PUKAARA TUJH KO, AAKAR USE AMAA(N) DI
8. MUSHTAAQ AMBIYA HAI(N), TERE DAR KI HAAZRI KE
NAZARO(N) MEI(N)

9. TERI ZAAT EK KHUSHBOO, MATLOOB LA MAKAA(N) KI
10. JINNO, BASHAR, MALA-IK, SAB MUNTAZIR KHARE HAI(N)
NAZARO(N) MEI(N)

11. TERE HUSN KI JHALAK KE, JO AZEEM HAI(N) JAHAA(N) MEI(N)
12. AAQA JAMIL KO BHI, KAR DIJIYE ISHAARA
NAZARO(N) MEI(N)

13. TERE DAR KI HAAZRI AB, RAAHAT HAI MERI JAA(N) KI
14. MATLOOB LA MAKAA(N) KI, ZEENAT KO INNO AAN KI
NAZARO(N) MEI(N)

Author: JANAAB JAMIL

 

Meanings:

Main Line: AAP KI NAZAR MEI(N) DONO(N) JAHAA(N) HAI. But at the same time, "AAP DONO(N)
JAHAA(N) KI REHMAT HAI".

Line 1: AAYAAT "LAN TARAANIYAA(N)" = Refers to the well known Aayaat 143, in the
Surah "AL A’ARAAF" of the Holy Qur’an. "QAALA, LAN TARAANI WA LA KENIN ZUR….". Meaning, "You cannot bear to see me….". H. Musa (AS) asked to see Allah Subhaanuhu Wa Ta’ala and the answer was an emphatic "no".

Line 4: AAP BEKASO(N) KE GHAM KHAANE WAALE HAI(N).

Line 4: CHAARASAAZ = ILAAJ KAR NE WAALA

Line 8: MUSHTAAQ = Longing for ardently, e.g., all the Prophets long to be and
are fond of giving "HAAZRI" in your "DARBAAR".

Line 9: MATLOOB = Derived from TALAB, e.g., to desire

Line 9: LA MAKAA(N) = Literal meaning is "the place of no place". Reference is
therefore made to the place where on the night of Shabe
Me’raaj, even H. Jibraeel (AS) stopped and could not go
any further. It is a place where the concept and the logic
of time and space as we know it ends, a place of
"LA MAKAA(N)".

Line 10: MUNTAZIR = The one who awaits, e.g., INTEZAAR KAR NE WAALA.
SAB INTEZAAR MEI(N) KHARE HAI(N).

Line 14: ZEENAT = Grace, sheer elegance, beauty, adornment

Line 14: INO AAN = YAHAA(N), WAHAA(N), e.g., In this case "DONO(N)
JAHAA(N)".

Line 14: Even the place of "LA MAKAAN" is TALABGAAR of Prophet Muhammad (SAW) who is the ZEENAT of DONO(N) JAHAA(N).

 

57. REHMAT BARAS RAHI HAI

1. REHMAT BARAS RAHI HAI, MEHFIL BARI SAJI HAI
2. ANWAAR KI GHARI HAI, MEHFIL BARI SAJI HAI
3. FAIZAANE MUSTAFA HAI, HAR EK SIMAT JAARI
4. LAB PAR NABI, NABI HAI, MEHFIL BARI SAJI HAI
5. QAADIRO; ABDE QADIR, KE CHAAYE HAM PE SAAYE
6. BIGRI BANI HUI HAI, MEHFIL BARI SAJI HAI
7. KHUSH BAKHT HAI YEH SAARE, JO HAI(N) SHARIKE MEFFIL
8. HAI JIS KE MUSTAFA SE, SAARI FIZA MUATTAR
9. HAR SIMAT ROSHNI HAI, MEHFIL BARI SAJI HAI
10. AKHTAR SAJI THI KEHDE, DUNIYA SE BARMALA TU
11. YEH DORE QAADRI HAI, MEHFIL BARI SAJI HAI


Author: JANAAB AKHTAR

Meaning:

Line 10: BARMALA = Declare it publicly and openly.

 

 

58. TERE MEHBOOB KA, JALWA NAZAR AAEY

1. YA RABB, TERE MEHBOOB KA, JALWA NAZAR AAEY
2. US NOORE MUJASSIM KA, SARAAPA NAZAR AAEY
3. AEY KAASH KABHI AISA BHI HO, KHWAAB MEI(N) MERE
4. HU(N) JIS KI GHULAAMI MEI(N), WOH AAQA NAZAR AAEY
5. ROSHAN RAHE(IN) AANKHEI(N), YEH MERI BAA’DE FANA BHI
6. GAR WAQTE NIZ’A WOH, SHAHE WAALA NAZAR AAEY
7. TA HASHR MERI QABR MEI(N), HO JAAYE UJAALA
8. MARQAD MEI(N) JO UN KA, RUKHE ZAIBA NAZAR AAEY
9. JIS DAR KA BANAAYA HAI, GADA MUJH KO ILAAHI
10. US DAR PE KABHI KAASH, YEH MANGTA NAZAR AAEY
11. KAA’BAH AEY RIYAZ, US KO BANA LUNGA MAY(N) DIL KA
12. AGAR NAQSHE QADAM MUJH KO, NABI KA NAZAR AAEY


Author: JANAAB ALLAMA SAYYAD RIYAZUDDIN SOHRAWARDI

Meanings:

Line 7: TA = Until

Line 8: MARQAD = QABR

Line 8: RUKH = CHEHRA

Line 8: ZAIBA = KHOOBSOORAT

 

59. EID MANA NE DO

The main lines to be repeated by the Na’at Khwaan are as follows:

AAQA KE GHULAAMO(N) KO AB EID MANA NE DO

SARKAAR KI AAMAD HAI, RAAHO(N) KO SAJA NE DO

1. CHARCHA HAI YEHI HAR SU, KEHTA HAI YEH HAR KOI
2. TASHRIF NABI LAAEY, MEHFIL KO SAJA NE DO
AAQA KE GHULAAMO(N) KO

3. GHAR, GHAR MEI(N) CHARAAGHAA(N) HAI, REHMAT KA UJAALA HAI
4. AAQA KI SANA KAR KE, TAQDIR JAGA NE DO
AAQA KE GHULAAMO(N) KO

5. KHUSHIYAA(N) HAI SAB HI KARTE, SARKAAR KI AAMAD PAR
6. IK NAGHMA HAI LAAHUTI, MUJH KO BHI SUNA NE DO
AAQA KE GHULAAMO(N) KO

 

60. AAQA BEMISAAL AA GAYA, AMINAH KA LAAL AA GAYA

The main line to be repeated by the Na’at Khwaan is as follows:

AAQA BEMISAAL AA GAYA, AMINAH KA LAAL AA GAYA

1. JALWE HAR TARAF BIKHAR GAYE, SAAHIBE JAMAAL AA GAYA
2. BOL SACH NABI KO DEKH KAR, HUSNE BEMISAAL AA GAYA
AMINAH KA LAAL AA GAYA

3. UNKI REHMATEI(N) HAI(N) IS QADAR, KUFR PAR ZAWAAL AA GAYA
4. ZIKR HAI NABI KE ISHQ KA, YAAD YU(N) BILAAL AA GAYA
AMINAH KA LAAL AA GAYA

5. RAKH LIYA HUZOOR NE BHARAM, LAB PE SAWAAL AA GAYA
6. DAAMANE NABI MILA USEY, JO BHI KHASTA HAAL AA GAYA
AMINAH KA LAAL AA GAYA

Meaning:

Line 5: BHARAM = IZZAT

61. MUBAARAK TUJHE YEH BARAAI HALIMA

MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

1. MUBAARAK TUJHE YEH BARAAI HALIMA
2. BARE ILM WAALE KO LAAI HALIMA
3. MILA DINO DUNIYA KA SARDAAR TUJH KO
4. TERI BAAT HAQQ NE BANAAI HALIMA
5. YEH HILMO SAWAAB UN KE HISSE MEI(N) AAYA
6. KE LAAI UNHE AAJ DAAI HALIMA
7. BANI SA’AD KA DAST RASHKE CHAMAN HAI
8. GULE HASHIMI CHUN KE LAAI HALIMA
9. WOH ALLAH WAALA TERI GAUD MEI(N) HAI
10. BARI DAULATEI(N) LOOT LAAI HALIMA
11. JO HOOR-O-MALAK KO MAYASSAR NAHI(N) HAI
12. WOH NE’AMAT TERE HAATH LAAI HALIMA
13. TERI GAUD MEI(N) WOH GULEY MUTALLIB HAI
14. KE TAALIB HAI JIS KI KHUDAAI HALIMA
15. NABI TUJH SE RAAZI, KHUDA TUJH SE RAAZI
16. BARI KI TUNE KAMAAI HALIMA
17. HUI MUSHKILEI(N) SAARI AASAAN AKBAR
18. BANI JAB MUHAMMAD KI DAAI HALIMA


Author: JANAAB AKBAR

 

Meanings:

Line 5: HILM = MOHABBAT

Line 7: RASHKE CHAMAN = The pride of the beautiful garden (BAAGH)

Line 7: Oh! Prophet Muhammad (saw), you are the pride of the garden of Bani Sa’ad (the tribe of
H. BiBi Halima Sa’dia.)

Line 11: MALAK = MALAAIKA (Angels)

Line 11: MAYASSAR = MILTA

Line 14: TAALIB = TALAB KAR NE WAALA

 

62. SOTE JHULE MEI(N) BADRUD DUJA THE

MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

1. SOTE JHULE MEI(N) BADRUD DUJA THE
2. PAAEY AARAAM KHAYRUL WARA THE
3. BOLI SA’ADIYYAH BA JAA(N) FISHAANI
4. UTHO, UTHO HALIMA KE JAANI
5. BOLI SAD’QE HALIMA YEH DAAI
6. TERE QADMO(N) MEI(N) FAIZ PAAI
7. SOTA KAB KHAALIQE DO JAHAANI
8. UTHO, UTHO, HALIMA KE JAANI
9. UTHO, TUM ARSH KE GHOSH SAWAARI
10. ARSH SOTA NAHI(N) MERE PYAARE
11. ARSHO QURSI, TUMHI SE SUHAANI
12. UTHO, UTHO HALIMA KE JAANI
13. CHAAND SURAJ NAHI(N) SOTE WAARI
14. CHARKHE ULFAT MEI(N) DIN RAAT SAARI
15. MAAHE TAI’BAH KARO MAHERBAANI
16. UTHO, UTHO HALIMA KE JAANI
17. JHAAD SOTE NAHI(N) AUR JUNGLE
18. DARDE ULFAT MEI(N) REHTE HAI BEKAL
19. BANA JAB SE GAYA HAI MUBAANI
20. UTHO, UTHO HALIMA KE JAANI
21. AABE ZAMZAM KO JAAKAR MAY(N) LAAUN
22. HAATH AUR MOONH TUMHAARE DHULAAUN
23. PAAU(N) DHO, DHO PIUNGI MAY(N) PAANI
24. UTHO, UTHO HALIMA KE JAANI
25. TUM TO QISMAT JAHAA(N) KE HO MAULA
26. SOTI QISMAT PARI MERE MAULA
27. UTH KE MUSHKIL KARO TUM AASAANI
28. UTHO, UTHO HALIMA KE JAANI
29. KHWAABE GAFLAT SE HO KE MAY(N) BEDAAR
30. DEKHU(N) HAZRAT KA AANKHO(N) SE DIDAAR
31. ITNI NADAAN PE HO MAHERBAANI
32. UTHO, UTHO HALIMA KE JAANI


Meanings:

Line 3: BA JAA(N) FISHAANI = AAP PE MERI JAAN QURBAAN HO.
Line 9: GHOSH SAWAARI = BURAAQ PE SAWAARI KAR NE WAALE
Line 14: CHARKHE = Go around

Line 13/14: Even the sun and the moon are engrossed in love and therefore entranced. MOHABBAT
MEI(N) WAJD MEI(N) AAKE, WOH BHI CHAKKAR LAGAATE REHTE HAI(N).
Line 15: MAAHE = CHAAND

Line 18: BEKAL = BEQARAAR

 

63. YEH HALIMA KEH RAHI THI

MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

1. YEH HALIMA KEH RAHI THI, MERE GUL AZAAR SOJA
2. TERE JAAG NE KE SAD’QE, MERI JAANEZAAR SOJA
3. TUJHE DE RAHI HU(N) LORI, KARTI HU(N) PYAAR SOJA
4. RAATO(N) KO JAAGNA HAI, MERE HOSHIYAAR SOJA
5. BANI SA’AD KA QABILA, HUA BAAGH, BAAGH TUJH SE
6. MERE NOORE AYN SOJA, MERE SHIR KHWAAR SOJA
7. HAYYE AYN WAQTE RAAHAT, MERE SINE SE LIPAT JA
8. AANKHO(N) MEI(N) NEEND KA HAI, TERE KHUMAAR SOJA
9. HAI YEH GARMIYO(N) KA MAUSAM, KARI DHOOP PAR RAHI HAI
10. NA JA BAKARIYAA(N) CHARAANE, SU AEY KAUSAR SOJA
11. JHULA, JHULA RAHE THE, KEH, KEH KE YEH FARISHTE
12. AARAAM KAR HABIBE PARWARDIGAAR SOJA
13. TERI CHAAND SI JABIN PAR, MERI ROOH HO TASADDUQ
14. TERI MAST ANKHRIYO(N) PAR, MERI JAANISAAR SOJA
15. KYA JAANE KYA KAREGI, TERI SHARMGI(N) NIGAAHEI(N)
16. HAI YEH GHAAFILO(N) KE HAQQ MEI(N), BARI HOSHIYAAR SOJA
17. HAI YEH WAA’DA USKA SACHCHA, ALLAH BAKSH DEGA
18. UMMAT KE MAARE ITNA NA HO BEQARAAR SOJA
19. HUA VARM PAAEY SHAAH PAR, TO KAHA KHUDA NE AKBAR
20. TERA ITNA JAAGNA HAI MUJHE NAAGAWAAR SOJA


Author: JANAAB AKBAR

Meanings:

Line 1: AZAAR = JAISE

Line 2: JAANEZAAR = JAAN SE BHI PYAARA

Line 5: BANI SA’AD = The community of H. Bibi Halima Sa’dia (RA)

Line 6: SHIR KHWAAR = DOOTH PINA. Meaning "OH! MERE DOOTH

PINE WAALE BACHCHE

Line 7: HAYYE AYN = MERE AANKHO(N) KI ZINDAGI

Line 8: KHUMAAR = MASTI, i.e., NEEND KA KHUMAAR / SUROOR

Line 10: SU AEY = KI TARAF

Line 13: TASADDUQ = QURBAAN

Line 14: ANKHRIYO(N) = AANKHEI(N)

Line 14: MERI JA NISAAR = JIS PE MERI JAAN QURBAAN HOTI HAI

Line 19: VARM = Swollen feet

Line 19: Refers to the Aayaats 1 – 3; in Surah "AL MOZAMMIL" of the Holy Qur’an. "Oh! Kamli
Waale! Stand up for prayer by night, but not all night, half of it, or a little less, or a
little more and recite the Qur’an in slow measured rhythmic tones".

 

64. AAJ MUHAMMAD AAEY MORE GHAR

MANQABAT DEDICATED TO HAZRAT BIBI HALIMA SA’DIA (RA)

1. AAJ MUHAMMAD AAEY MORE GHAR, DAAI HALIMA KEHTI HAI GHAR, GHAR
2. GHARWA SAJAAU(N) MEHDI LAGAAU(N), TAN MAN VAARU(N) BAL, BAL JAU(N)
3. JAAN HI DE DU(N) UN KE CHARAN PAR, AAO SAKHI SAB HILMIL GAAEY
4. APNE PIYAA KA JASHN MANAAEI(N), SALLE ALA KI DHOOM HAI GHAR, GHAR
5. SAR PAR TAAJ ALAM NASHRAAH KA, DAALE GALE TAWHID KI MAALA
6. SUNDAR MUKHRA, ALLAHO AKBAR, GHAM KI BADARIYA HAR SU CHAAI
7. REHMATE AA’LAM TERI DUHAAI, DAASI HU(N) DAATA DEKHO NAZAR BHAR
8. ANJUM BEKAS AAP KA MANGTA, BHIKSHA DE DO JAG KE DAATA
9. BUND HU(N) MAY(N) AUR AAP HAI(N) SAAGAR


Author: JANAAB QAMRUDDIN ANJUM

Meanings:

Line 7: DUHAAI = WAASTA. (O REHMATUL LIL AA’LAMEEN. TERA WAASTA)

Line 8: BHIKSHA = KHAIRAAT

65. SALAAM – AEY BEKASO(N) KE WAALI

The main lines to be repeated by the Na’at Khwaan are as follows:

AEY BEKASO(N) KE WAALI, LAILO SALAAM HAMAARA
UMMAT KE PAST KE WAALI, LAILO SALAAM HAMAARA


1. MAJHDHAAR MEI(N) PHASI HAI, AAQA HAMAARI NAYYA
2. LILLAAH MADAD KO AAO, TUM BIN NAHI(N) THI MAIYYA
3. TUM PAR NAZAR JO DAALI, LAILO SALAAM HAMAARA
AEY BEKASO(N) KE WAALI

4. KIS TARAAH JEE SAKEI(N)GE, MAR, MAR KE JEENEY WAALE
5. LAILO KHABAR HAMAARI, AAQA MADINEY WAALE
6. KEHTE HAI(N) SAB SAWAALI, LAILO SALAAM HAMAARA
AEY BEKASO(N) KE WAALI

7. KAU’NO MAKAA(N) KE TUM HO, KAU’NO MAKAA(N) TUMHAARA
8. REHMAT SARAAPA REHMAT, HAI AASTAA(N) TUMHAARA
9. SUNLO HUZOORE AALI, LAILO SALAAM HAMAARA
AEY BEKASO(N) KE WAALI

10. AATE HAI(N) PUR KHATA HAI(N), RANJO ALUM KE MAARE
11. JO KUCH BHI HAI(N) MAGAR HAI(N), HAM UMMATI TUMHAARE
12. JAAEI(N) NA DAR SE KHAALI, LAILO SALAAM HAMAARA
AEY BEKASO(N) KE WAALI

13. BEKAS HU(N) NA’ATAWAA(N) HU(N), PHIR BHI YEH JUSTAJU HAI
14. HAM MO’MINO(N) KE AAQA, BAS ITNI HI AARZOO HAI
15. BOLE PAKAR KE JAALI, LAILO SALAAM HAMAARA
AEY BEKASO(N) KE WAALI

Meanings:

Main Line 2:PAST = Meekest. (In Farsi, the true expression is "PASTO
BAALA", meaning "NICHE AUR OO’PAR KE DONO(N) LOGO(N) KE, AAP HI WAALI HAI.

Line 13: NA’ATAWAAN = Helpless. JIS MEI(N) TAAQAT NA HO.

 

66. SALAAM — MUSTAFA JAANE REHMAT —VERSION 4

N.B.: Please note that 9 well known, popular and most loved Salaams have already been included in Volume 1 of this Book. Subsequently, only 2 have been added here.

The main lines to be repeated by the Na’at Khwaan are as follows:

MUSTAFA JAANE REHMAT PE LAAKHO(N) SALAAM

SHAM-AEY BAZME HIDAAYAT PE LAAKHO(N) SALAAM

1. JIS KE AAGE SARE SARWARAA(N) KHAM RAHE
2. US SARE TAAJE RIF’AT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

3. PATLI, PATLI GULE QUDS KI PATTIYAA(N)
4. UN LABO(N) KI NAZAAKAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

5. JIS KI MIMBAR BANI, GARDANE AULIYA
6. US QADAM KI KARAAMAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

7. WOH DAHAN JIS KI HAR BAAT, WAHI-AEY KHUDA
8. CHASH’MAAEY ILMO HIKMAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

9. JIS KI TASKI(N) SE ROTE HUEY HANS PARE
10. US TABASSUM KI AADAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

11. NOOR KE CHASME LEHRAAEI(N), DARYA BAHEI(N)
12. UNGLIYO(N) KI KARAAMAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

13. KUL JAHAA(N) MILK AUR JAW KI ROTI GHIZA
14. US SHIKAM KI QANA’AT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

15. KHAAI QUR’ANEY KHAAKE GUZAR KI QASAM
16. US KAFE PAA KI HURMAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

17. ALLAH, ALLAH, WOH BACHPANE KI PHABAN
18. US KHUDA DAAD SHAUKAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

19. WOH DASO JIN KO JANNAT KA MUZDA MILA
20. US MUBAARAK JAMA’AT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

21. JIN KE DUSHMAN PE LAA’NAT HAI ALLAH KI
22. UN SAB AIH’L-E MOHABBAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

23. MERE USTAAD, MAA-BAAP, AUR BHAAI BAHEN
24. AIH’L-E WALDO ASIRAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

25. KHALQ KE DAAD RAS, SAB KE FARIYAAD RAS
26. KAHFE ROZE MUSIBAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

27. SHAM-AEY BAZME ‘DANA HU’ MAY(N) GHAM KUM ANA
28. SHARHE MATNE HUYYAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

29. JIS SE KHAAREY KOO(N)WEY(N) SHIRAAEY JAA(N) BANE
30. US ZULAALEY HALAAWAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

31. WOH DUA, JIS KA JOBAN BAHAARE QUBOOL
32. US NASIME IJAABAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

33. JIS KA AANCHAL NA DEKHA, MAAHO MEHR NE
34. US RIDAAE NAZAAHAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

35. AUR JITNE HAI(N) SHEHZAADE, US SHAAH KE
36. UN SAB AIH’L-E MAKAANAT PE LAAKHO(N) SALAAM
MUSTAFA JAANE REHMAT

38. ASSALAAM AEY SABZ GUMBAD KE MAKI(N)
39. ASSALAAM AEY REHMATUL LIL AA’LAMEEN
40. YA ILAAHI, SAD’QAAEY AALE RASOOL
41. YEH SALAAME AAJZAANA HO QABOOL


Meanings:

Line 1: SARE SARWARAAN = BAADSHAAHO(N) KA SAR

Line 1: KHAM = JHUKA HUA

Line 2: TAAJE RIF’AT = UNCHE TAAJ WAALE

Line 3: GUL = PHOOL

Line 3: QUDS = That which pertains to Jannat, e.g., Heavenly
Line 3: AAP KE LAB, JANNAT KE PHOOL KI PATTIYO(N) KI TARAAH KHOOBSOORAT HAI
Line 5 / 6: These lines refer to H. Ghaus Paak, Shaikh Abdul Qadir Jilani (RA).
Line 8: CHASH’MAAEY ILM = Fountain of knowledge and wisdom (HIKMAT)
Line 9: TASKI(N) = TASALLI

Line 12: Refers to his many miracles. UNKI UNGLIYO(N) SE NOOR AUR PAANI JO BEHTA THA
Line 13: KUL JAHAA(N) = SAARA JAHAA(N)

Line 13: MILK = SAARA JAHAA(N) AAP KI MILKIYYAT HAI
Line 13: GHIZA = Food

Line 14: SHIKAM = Stomach QANA’AT = SABR

Line 15: KHAAKE GUZAR = JAHAA(N) SE AAP GUZAR TE THE, US KHAAK
(dust) KI QASAM, QUR’AN NE KHAAI THI.
Line 16: HURMAT = AZMAT

Line 17: PHABAN = Innocence. Refers to the beautiful, harmless and
captivating innocence, orphened childhood of the Prophet
Muhammad (SAW), which appealed greatly to Allah Subhaanuhu Wa Ta’ala.
Line 18: KHUDA DAAD = KHUDA KI DI HUI

Line 19: MUZDA = KHUSH KHABARI

Line 24: WALDO = AAP KI AULAAD ASIRAT = AZIZ AUR AQAARIB

Line 25: DAAD RAS = MADAD KE LIYE PAHO(N)CH NE WAALE
Line 25: FARIYAAD RAS = KISI KI FARIYAAD SUN KAR PAHO(N)CH NE
WAALE

Line 26: KAHFE = Palm

Line 26: ROZE MUSIBAT = ROZE HASHR (The day of QIYAAMAT)
Line 29: Refers to the incident of the water of the salty wells becoming sweet.
Line 30: ZULAALEY = ZAAIKA KO ACHCHA KAR DENE WAALE
Line 31: BAHAARE QUBOOL = AWWAL TO HAM DUA KARTE HAI. AUR US KO JO
QABOOLIYYAT MIL NE WAALI HAI, US KO JO HAWA LEKE JA RAHI HAI, US HAWA KE
OO’PAR BHI KYO(N) NA HO LAAKHO(N) SALAAM.
Line 32: NASIM = HAWA

Line 32: IJAABAT = JO AAP KA PAIGHAAM LEKE JAATI HAI.
Line 33: AANCHAL = DUPATTA MAAHO MEHR = CHAAND AUR SURAJ

Line 33: Refers to the incredible pious nature of H. Bibi Ayesha (RA). In a figure of speech,
(in this verse), even her dupatta had not seen the day light.
Line 34: RIDAAE = CHAADAR. H. BIBI AYESHA SIDDIQA (RA) JO
MUJASSIMAAEY SHARMO HAYA THI. (MUJASSIMA = Like a sculpture.)
Line 36: AIH’L-E MAKAANAT = AIH’L-E BAIT

67. SALAAM —YA NABI SALAAM ALAI KA—VERSION 4

N.B.: For more popular Salaams, please refer to Volume 1 of this Book.

The main lines to be repeated by the Na’at Khwaan are as follows:

YA NABI SALAAM ALAI KA, YA RASOOL SALAAM ALAI KA

YA HABIB SALAAM ALAI KA, SAALWA TULLAH ALAI KA

1. YA NABI UMMI LAQAB TUM, YA HABIB MEHBOOBE RAB TUM
2. YA RASOOL AALI NASAB TUM, SAALWA TULLAH ALAI KA
YA NABI

3. JO HUA TUM SE HUA HAI, JO KIYA, TUM NE KIYA HAI
4. DO JAHAA(N) KE HO SABAB TUM, SAALWA TULLAH ALAI KA
YA NABI

5. KHATM HAI TUM PAR RISAALAT, SARNIGU(N) AIH’L-E BALAAGHAT
6. AUR HO UMMI LAQAB TUM, SAALWA TULLAH ALAI KA
YA NABI

7. ZAL ZALA EK AISA AAYA, HIL GAYA SAB KASARE KISRA
8. AAEY DO DUNIYA MEI(N) JAB TUM, SAALWA TULLAH ALAI KA
YA NABI

9. CHAMKA JAB NOORE RISAALAT, BUJH GAYI SHAM-AEY JAHAALAT
10. MEHRE DEE(N) MAAHE ARAB TUM, SAALWA TULLAH ALAI KA
YA NABI

11. MO’MINO(N) AAQA TUMHAARA, HO GAYA HAI AAJ PAIDA
12. MUNTAZIR THE JIS KE SAB TUM, SAALWA TULLAH ALAI KA
YA NABI

13. KYO(N) KHUDA SHAIDA NA HOWE, KYO(N) JAHAA(N) QURBAA(N) NA HOWE
14. MISLE GUL HO KHANDA LAB TUM, SAALWA TULLAH ALAI KA
YA NABI

15. AAEY HAI(N) DAR PE TUMHAARE, DAAMANE MAQSOOD PASAARE
16. HO SHAHENSHAAHE ARAB TUM, SAALWA TULLAH ALAI KA
YA NABI

17. HAM BURE HAI(N), YA BHALE HAI(N), AAP KE HAI(N), AAP KE HAI(N)
18. KHAAS HO MEHBOOBE RAB TUM, SAALWA TULLAH ALAI KA
YA NABI

19. EK NAZAR SHAAHE UMAM HO, GHAMZADO(N) PAR BHI KARAM HO
20. REHMATE AA’LAM HO JAB TUM, SAALWA TULLAH ALAI KA
YA NABI

Author: JANAAB KALIM AHMEDABADI

Meanings:

Line 2: AALI NASAB = UNCHE KHAANDAAN WAALE

Line 5: SARNIGU(N) = SAR JHUKAAE HUEY

Line 5: AIH’L-E BALAAGHAT = AAP KE SAAMNE FASAAHAT AUR BALAAGHAT WAALE

(Learned scholars) SAR JHUKAAE HUEY KHARE THE.

Line 7: KASARE = Palace

Line 7: KISRA = King of Persia at the time.

Line 7: At the time of the birth of the Holy Prophet Muhammad (SAW), the palace of the King shook
heavily, predicting that the days of the Persia’s mighty empire were numbered.
Line 10. MEHRE DEE(N) = DEEN KA SURAJ

Line 10. MAAHE ARAB = ARAB KA CHAAND

Line 13: SHAIDA = AASHIK, QURBAAN

Line 14: MISLE GUL = PHOOL KI TARAAH

Line 14: KHANDA = MUSKURAATA HUA

Line 15: MAQSOOD = MAQSAD WAALA

 

68. SALAAM —YA NABI SALAAM ALAI KA—VERSION 5

The main lines to be repeated by the Na’at Khwaan are as follows:

YA NABI SALAAM ALAI KA, YA RASOOL SALAAM ALAI KA

YA HABIB SALAAM ALAI KA, SAALWA TULLAH ALAI KA

1. AAQA, AAP REHMATO(N) KE TAAJ WAALE, DO JAHAA(N) KE RAAJ WAALE
2. ARSH KE ME’RAAJ WAALE, AASIYO(N) KE LAAJ WAALE
YA NABI

3. AAQA, CHOR KAR DAAMAN TUMHAARA, AUR LE KIS KA SAHAARA
4. KAUN HAI DAATA HAMAARA, KIS KE DAR PE HO GUZAARA
YA NABI

5. AAP KE DAR KI FAQIRI, DO JAHAA(N) KI HAI AMIRI
6. AB AA GAYA WAQTE PIRI, KIJIYO LILLAAH DASTGIRI
YA NABI

7. HAI YEH HASRAT DAR PE AAEI(N), ASHK KE DARYA BAHAAEI(N)
8. DAAGH SINE KE DIKHAAEI(N), SAAMNE JA KAR SUNAAEI(N)
YA NABI

9. PURI YA RABB, YEH DUA KAR, HAM DARE MAULA PE JAAKAR
10. PEHLE KUCH NA’ATEI(N) SUNA KAR, PHIR PARHEI(N) SAR KO JHUKA KAR
YA NABI

11. BAKHSH DO JO CHIZ CHAAHO, KYO(N) KE MEHBOOBE KHUDA HO
12. AAP TO BAABE SAKHA HO(N), HAA(N) MUJHE BHI KUCH ATA HO
YA NABI

13. HO EK HARF KE BADLE MEI(N) DAS ATA NEKI
14. TUMHAARE HAATH MEI(N) KUNJI HAI HAR KHAZAANE KI
YA NABI

15. AAP SULTAANE MADINAH, MEHBATE WAHI-AEY SAKINA
16. NOOR SE MA’MOOR SINA, MUSHK SE BEHTAR PASINA
YA NABI

17. LAAEI(N) JO IMAAN TUM PAR, KYO(N) NA DEI(N) WOH JAAN TUM PAR
18. MAHERBAAN REHMAAN TUM PAR, KHALQ SAB QURBAAN TUM PAR
YA NABI

19. HIJR MEI(N) MUSHKIL HAI JINA, DIL HUA CHAAK AUR SINA
20. THAAMIYE MERA SAFINA, YA SHAAFI AL MUZNABINA
YA NABI

21. KAASH HAASIL HO HUZOORI, DUR HO JAAEY YEH DURI
22. DIL KI YEH HASRAT HO PURI, DEKH LU(N) WOH SHAKLE NOORI
YA NABI

23. DIL MEI(N) TUM MASNAD NASHI(N) HO, IS MAKAA(N) KE TUMHI MAKI(N) HO
24. HAM MAREI(N) TO WOH ZAMI(N) HO, AUR SIRHAANE BHI TUMHI HO
YA NABI

25. NOOH KE TUM NAAKHUDA HO, KHALQ KE MUSHKIL KUSHA HO
26. SAB KE TUM HAAJAT RAWA HO, JO KAHU(N) US SE SIWA HO
YA NABI

27. BAKHSH DO MERI KHATAAEI(N), DUR HO GHAM KI GHATAAEI(N)
28. BHEJ DO APNI ATAAEI(N), WAJD MEI(N) HAM YU(N) SUNAAEI(N)
YA NABI

29. HASHR MEI(N) TUM BAKHSWAANA, JAB KAHI(N) NA HO THIKAANA
30. APNE DAAMAN MEI(N) CHUPAANA, HAR MUSIBAT SE BACHAANA
YA NABI

31. JAA(N) KANI KE WAQT AANA, KALIMAAEY TAYYAB SIKHAANA
32. CHEHRAAEY ANWAR DIKHAANA, HAM KO IMAA(N) PAR UTHAANA
YA NABI

33. AEY SHAFI-AEY ROZE MEHSHAR, HAI(N) SIYAAH ISYAA(N) SE DAFTAR
34. GHAUS KA SAD’QAH KARAM KAR, CHASH’ME DIL KO KAR KE MUNAWWAR
YA NABI

35. AEY SABA ROZE PE JAANA, DASTE BASTA YEH SUNAANA
36. YA NABI DAR PE BULAANA, AUR JALWAAE ZAIBA DIKHAANA
YA NABI

37. FAKHRE ADAM FAKHRE HAWWA, FAKHRE NOOHO FAKHRE YAHYA
38 FAKHRE IBRAHIMO MUSA, FAKHRE ISMAILO ISA
39. FAKHRE ABDULLAHO AMINAH, FAKHRE HALIMAHO FATIMA BINTE ASAD
YA NABI

40. AZ TUFAILE GHAUS-E A’ZAM, BAADSHAAHE HAR DO AA’LAM
41. SADQAAEY IMAAME A’ZAM, DUR HO SABHI RANJO GHAM
YA NABI

42. AEY SHAHENSHAAHE RISAALAT, HAI YAHAA(N) JO AIH’L-E SUNNAT
43. DAAEY-MI SAB PAR HO REHMAT, BAANIYE MEHFIL PE BARKAT
YA NABI

44. AKBARE SHAIDA TUMHAARA, PHIR RAHA HAI MAARA, MAARA
45. JA BAJA TUM KO PUKAARA, USKI AB SUNLO KHUDAARA
YA NABI

46. YEH DO HI DHUN HAI(N), KHUDA AUR NABI KO, AEY AKBAR
47. USEY TO BAKHSH NE KI AUR UNKO BAKHSHWAANE KI
YA NABI

48. ASSALAAM AEY JAANE AA’LAM, ASSALAAM IMAANE AA’LAM
49. SHAAHE DEE(N) SULTAANE AA’LAM, TUM SE HAI SAMAANE AA’LAM
YA NABI

50. ASSALAAM AEY SHAAHE AA’LAM, ASSALAAM UMMAT KE WAALI
51. JHOLI REH JAAEY NA KHAALI, ARZ KARTE HAI(N) SAWAALI
YA NABI

Authors: JANAAB AKBAR, et al.

Meanings:

Line 6: WAQTE PIRI = Old age

Line 12: BAABE SAKHA = SAKHAAWAT KA DARVAAZAAH

Line 15: MEHBATE = AASRA. AAP KA AASRA HAI

Line 15: WAHI-AEY SAKINA = SUKUN KI KHUSH KHABARI DENE WAALA.

Line 19: HIJR MEI(N) = JUDAAI MEI(N)

Line 20: SAFINA = Boat

Line 20: YA SHAAFIAL MUZNABINA = GUNEHGAARO(N) KE SHAFI

Line 23: MASNAD = TAKHT (Holy Throne) NASHI(N) = BETHE HUEY

Line 23: AAP HAMAARE DIL KE TAKHT PAR BETHE HUEY HO(N). US PAR AAP HI KA RAAJ HAI.

Line 26: US SE SIWA HO = MAY(N) AAP KI JITNI TA’ARIF KARU(N),

US SE BHI KAEE GUNAH ZAYAADA HO. There is no limit to your TA’ARIF.

Line 31: KANI = NIKALNA

Line 33: ISYAAN = GUNAAHO(N) DAFTAR = AMAL NAAMA

Line 33: KAALE (SIYAAH) HAI(N) GUNAAHO(N) SE AMAL NAAMA HAMAARA

Line 34: CHASH’ME DIL = The inner eye of the heart

Line 34: MUNAWWAR = ROSHAN. HAMAARE DIL KI AANKH KO ROSHAN KARNA.

Line 35: DASTE BASTA = HAATH BAANDH KAR (When you visit his Roza Mubaarak, fold
your hand gracefully and recite this Salaam.)

Line 36: ZAIBA = KHOOBSOORAT

Line 43: DAAEY-MI = HAMESHAAH

Line 45 JA BAJA = Every place

Line 49: SHAAHE DEEN = DEEN KE SHAAH

 

69. MANQABAT DEDICATED TO HAZRAT ABU BAKR SIDDIQ (RA)

1 BAYAA(N) HO KIS ZUBAA(N) SE MARTABA, SIDDIQE AKBAR KA
2. HAI YAARE GHAAR MEHBOOBE KHUDA, SIDDIQE AKBAR KA
3. ILAAHI RAHEM FARMA, KHAADIME SIDDIQE AKBAR HU(N)
4. TERI REHMAT KE SAD’QE WAASTA, SIDDIQE AKBAR KA
5. RASOOL AUR AMBIYA KE BAAD, JO AFZAL HO AA’LAM SE
6. YEH AA’LAM MEI(N) HAI KIS KA MARTABA, SIDDIQE AKBAR KA
7. GADA SIDDIQE AKBAR KA, KHUDA SE FAZAL PAATA HAI
8. KHUDA KE FAZAL SE MAY(N) HU(N) GADA, SIDDIQE AKBAR KA
9. SAMBHAALO KUCH MILI KHAAKE SARE KUWE PAYAMBAR SE
10. MUSATAFA AAINA HAI NAQSHE, YA SIDDIQE AKBAR KA
11. HUEY FAROOQ-O-USMANO-ALI, JAB DAAKHILE BAIT
12. BANA FAKHRO SALAASIL SILSILA, SIDDIQE AKBAR KA
13. MAQAAME KHWAABE RAAHAT CHAIN SE AARAAM KAR NE KO
14. BANA PEHLUE MEHBOOBE KHUDA, SIDDIQE AKBAR KA
15. ALI HAI(N) US KE DUSHMAN AUR WOH DUSHMAN ALI KA
16. JO DUSHMAN AQL KA DUSHMAN HUA, SIDDIQE AKBAR KA
17. LUTAAYA RAAHE HAQQ MEI(N) GHAR KAEE BAAR IS MOHABBAT SE
18. KE LUT, LUT, KAR HASAN GHAR BHAR GAYA, SIDDIQE AKBAR KA


Author: JANAAB HASAN

Meanings:

Line 9: KUWE = GALI SE

Line 12: SALAASIL = Plural of SILSILA

Line 13/14: UNKO AARAAM KAR NE KI JAGAAH JO MILI HAI, WOH BHI
AAKHIR HAZOOR (SAW) KE PEHLU (PADOSH) MEI(N) MILI HAI.


70. MANQABAT DEDICATED TO HAZRAT UMAR IBN AL KHATTAB,
    FAROOQE A’ZAM (RA)

1. NAHI(N) KHUSHBAKHT MOHTAAJAANE AA’LAM MEI(N) KOI HAMSA
2. MILA TAQDIR SE HAAJAT RAWA FAROOQE A’ZAM SA
3. TERA RISHTA BANA SHIRAAZ SE JAMEEYATE KHAATIR
4. PARA THA DAFTARE DEENE KITAABULLAH BARHAM SA
5. TERE JUDO KARAM KA KOI ANDAAZA KARE KYO(N) KAR
6. TERA EK, EK GADA FAIZO SAKHAAWAT MEI(N) HAI HAATIM SA
7. TUMHAARE DAR SE JHOLI BHAR MURAADEI(N) LE KAR UTHTHEI(N)
8. NA KOI BAADSHAAH TUMSA, NA KOI BENAWA HAMSA
9. FIDA AEY UMME KULSUM, AAP KI TAQDIRE YAAWAR KE
10. ALI BAABA HUA DULHA, DULHA HUA FAROOQE AKRAM SA
11. GHAZAB MEI(N) DUSHMANO(N) KI JAAN HAI, TEGHE SHERE AFGAN SE
12. KHURUJO RAFAZ KE GHAR MEI(N), NA KYO(N) BARPA HO MAATAM SA
13. SHAYAATI(N) MUZMAHIL HAI(N), TERE NAAME PAAK KE DAR SE
14. NIKAL JAAEY NA KYO(N), RAFFAZ BAD ATWAAR KA DAM SA
15. MANAAE EID JO ZILHAJJ MEI(N), TERI SHAHAADAT KI
16. ILAAHI, ROZO MAAHO SAN, UNHE GUZRE MUHARRAM SA
17. HASAN DAR AA’LAME PASTI SAARE RIF’AT AGAR DAARI
18. BAYAA(N) FARQE IRAADAT BAR DARE FAROOQE A’ZAM SA


Author: JANAAB HASAN

 

71. MANQABAT DEDICATED TO HAZRAT USMANE GHANI (RA)

1. ALLAH SE KYA PYAAR HAI, USMANE GHANI KA,
2. MEHBOOBE KHUDA YAAR HAI, USMANE GHANI KA
3. RANGIN WOH RUKHSAAR HAI, USMANE GHANI KA
4. BULBUL GULE GULZAAR HAI, USMANE GHANI KA
5. GARMI PE YEH BAAZAAR HAI, USMANE GHANI KA
6. ALLAH KHARIDAAR HAI, USMANE GHANI KA
7. DIL SOKHTO HIMMAT JIGAR, AB HOTE HAI(N) THANDE
8. WOH SAYAAEY DIWAAR HAI, USMANE GHANI KA
9. JO DIL KO ZIYA DE, JO MUQADDAR KO JILA DE
10. WOH JALWAAEY DIDAAR HAI, USMANE GHANI KA
11. JIS AAINEY MEI(N), NOORE ILAAHI NAZAR AAEY
12. WOH AAINA RUKHSAAR HAI, USMANE GHANI KA
13. BIMAAR HAI JIS KO NAHI(N), AAZAARE MOHABBAT
14. ACHCHA HAI JO BIMAAR HAI, USMANE GHANI KA
15. ALLAHO GHANI HADD NAHI(N), INAAMO(N) ATA KI
16. WOH FAIZ PE DARBAAR HAI, USMANE GHANI KA
17. RUK JAAEI(N) MERE KAAM HASAN, HO NAHI(N) SAKTA
18. FAIZAAN MADADGAAR HAI, USMANE GHANI KA


Author: JANAAB HASAN

Meanings:

Line 7: SOKHT = JALA HUA, i.e., H. USMAN IBN AFFAN (RA) KA DIL,
HAZOOR (SAW) KE ISHQ MEI(N) JALA HUA THA.
Line 7: JIGAR KI JO HIMMAT HAI, WOH AB THANDI HO RAHI HAI, HAZOOR
(SAW) KO MIL NE SE.

Line 9: ZIYA = ROSHANI

Line 9: JILA DE = CHAMKA DE

Line 13: AAZAARE = DARD / DUKH

Line 13: WOH BIMAAR HAI JIS KO H. USMANE GHANI (RA) KE MOHABBAT KA DARD
NAHI(N) HAI.

Line 14: JO H. USMANE GHANI (RA) KA BIMAAR HAI, WOH DAR ASL ACHCHA HAI.
Line 15: ALLAH TA’ALA NE UN KE OO’PAR JITNE INAAMO(N) ATA KIYE, USKI
KOI HADD NAHI(N) HAI.

Line 16: UN KE DARBAAR SE SAB KO FAIZ MILTA HAI.

Line 18: AAP KA FAIZAAN MERA MADADGAAR HAI.

 

 

72. MANQABAT DEDICATED TO HAZRAT MAULA ALI
    (KARAMALLAAHU WAJHU) MUSHKIL KUSHA (RA)

1 AEY BAADSHAAHE LAA FATAAH, MAULA ALI MUSHKIL KUSHA
2 HAMRAAZ MEHBOOBE KHUDA, MAULA ALI, MUSHKIL KUSHA
3 KYA ASHFIYA(N), KYA AZKIYA(N), KYA ATQIYA(N), KYA AULIYA
4 HAI SAB KA TUMSE SILSILA, MAULA ALI MUSHKIL KUSHA
5 SHAAHE ZAMAN, KA’ABAH WATAN, AZDAR FIGAN KHAIBAR SHIKAN
6 SAD MARHABA, SAD MARHABA, MAULA ALI MUSHKIL KUSHA
7 KYA SHAAN HAI, SHAANE NABI, KYA AAN HAI, AANE NABI
8 KYA NAAM HAI, NAAME KHUDA, MAULA ALI MUSHKIL KUSHA
9 NOORE SAMAD, SHERE KHUDA, MAAHE SHARAF, SHAAHE NAJAF
10 ABRE KARAM, BEHRE SAKHA, MAULA ALI MUSHKIL KUSHA
11 TALWAAR DI ALLAH NE, DUKHTAR RASOOLALLAH NE
12. THEHRE NASIRI KE KHUDA, MAULA ALI MUSHKIL KUSHA
13. US AANKH SE JIS AANKH NE MAKHMOOR DO AA’LAM KIYE
14. MERI TARAF BHI DEKHNA, MAULA ALI MUSHKIL KUSHA
15. RAD HO GAYI USKI BALA, JIS NE AQIDAT SE KAHA
16. MUSHKIL MEI(N) HU(N), AA JAAO, YA MAULA ALI MUSHKIL KUSHA
17. KAB TAK MUSIBAT MEI(N) RAHU(N), KAB TAK YEH RANJO GHAM SAHU(N)
18. AAKHIR TO HU(N) MAY(N) AAP KA, MAULA ALI MUSHKIL KUSHA
19. BEBAS KARI MANZIL MEI(N) HU(N), BEKAS BARI MUSHKIL MEI(N) HU(N)
20. KIJIYE MERI MADAD, YA MAULA ALI MUSHKIL KUSHA
21. AKBAR JO CHAAHE MAANGNA, WARIS KA DAIDE WAASTA
22. PHIR DEKHNA DETE HAI(N) KYA, MAULA ALI MUSHKIL KUSHA


Author: JANAAB AKBAR

Meanings:

Line 1: LAA FATAAH = Arabic for "No Victory"; meaning no one was
able to be victorious over H. Ali (Karamallaahu Wajhu) Mushkil Kusha (RA).
Line 3: ASHFIYAN = NEIK SUFIYAA(N) LOG

Line 3: ATQIYA = MUTTAQI; TAQWA KA MARKAZ

Line 5: SHAAHE ZAMAN = ZAMAANO KA SHAAH

*Line 5: AZDAR = DARVAAZAAH (Outlined in detail below)

Line 5: FIGAN = DAALNA

Line 5: SHIKAN = TORNA

Line 6: SAD = Hundred

Line 9: NOORE SAMAD = Samad is one of Allah’s attribute meaning, he is
the "Eternal" and "Absolute". Whilst the meaning of Eternal is clear in our mind
the latter means that absolute existence can only be predicated of him. All other
existence is temporal or conditional; that he is dependent on no person or thing,
but all persons or things are dependent on him thus negativing
the idea of shirk and other gods.

Line 9: MAAHE SHARAF = AAP TAMAAM SHARIF LOGO(N) KE
CHAAND HAI

Line 10: ABRE KARAM = KARAM KA BAADAL

* H. Ali (Karamallaahu Wajhu) Mushkil Kusha (RA), participated in most of
the battles fought in the life time of the Master. He joined all battles and expeditions,
including Badr, Uhud and Junge Khandaq. In the latter battle in the fifth year of Hijrah,
all enemies of Islam joined hands. They led a huge army against Madinah
Sharif. The Holy Prophet (SAW) defended the city by digging a deep and wide trench
around it. But one day Abdwood, a warrior of all Arabian fame, jumped across the
trench on horseback. No one dared to go near him. At last, H. Ali came out to fulfill his challenge:

"Remember, Ali," said the Holy Prophet (SAW), "it is Abdwood."

"Yes, Master I know it," Replied H. Ali (RA).

In a few minutes Ali threw down his huge rival and cut off his head.

The Jews had a chain of strong forts at Khaibar. These were a source of an ever-present threat to the Muslims. The Holy Prophet (SAW) led an army to deal with this threat. The Jews put up a stiff fight. But their several forts fell one after another. However, ‘Qumus’ proved to be the strongest Jewish fort. Its commander, Marhab, beat back all attacks. At last the Holy Prophet (SAW) said, "Tomorrow I am going to give the standard to a man who is loved by Allah and his Prophet and who loves Allah and his Prophet. Allah will grant him victory."

Everyone was eager to know who the fortunate man was. The next morning H. Ali (RA) was granted the standard. H. Ali (RA) penetrated the gigantic door (and hence the words "Azdar Figan" in this Na’at), slew Marhab and his brother and took the fort.

73. MANQABATS DEDICATED TO HAZRAT GHAUS-UL A’ZAM (RA)

These Manqabats are especially dedicated to Hazrat Ghaus-ul A’zam Dastagir, Ghaus As Saqalain, Hazrat Ghaus Paak, Shaikh Muhyiddin Abdul Qadir Jilani (RA), Qutbe Rabbani, Mehboobe Subhani, Pirane Pir, Waliyo(n) Ke Wali, Jis Ka Pair Har Waliyo(n) Ke Gardan Pe Hai. It can be recited wherever and whenever you need help. Many Na’at Khwaan will recite them when a "GYARVI(N) SHARIF" is celebrated:

 

1. IMDAAD KUN, IMDAAD KUN

1. IMDAAD KUN, IMDAAD KUN, AZ HAR BALA AAZAAD KUN
2. DAR, DIN-O-DUNIYA SHA’AD KUN, YA GHAUS-UL A’ZAM DASTAGIR
3. SAD’QAH RASOOLE PAAK KA, SAD’QAH ALI KE LAAL KA
4. KHAYRUL BASHAR KA WAASTA, AAO MADAD KE WAASTE
5. TAI’BAH NAGAR KI JAAN HO, USMAN, ALI KI SHAAN HO
6. AAP KO ALI KA WAASTA, AAO MADAD KE WAASTE
7. RANJO ALAM KI SHAAM HO, LAB PE TUMHAARA NAAM HO
8. GANJE SHAKAR KA WAASTA, AAO MADAD KE WAASTE
9. KHAWAJA PIYA HAI AAP KE, KHAWAJA QUTUB HAI(N) AAP KE
10. AAP KO WALI KA WAASTA, AAO MADAD KE WAASTE
11. MURDE JILAAEY AAP NE, DUBI TIRAEE AAP NE
12. NANA NABI KA WAASTA, AAO MADAD KE WAASTE

Meanings:
Line 2: GHAUS = One who comes to another’s rescue
Line 4: KHAYRUL BASHAR = Reference is made to H. MUHAMMAD
(SAW) JO INSAAN KI KHAIR-O-
BARKAT KE LIYE AAYE THE


 

 

2. WAAH KYA MARTABA AEY GHAUS HAI BAALA TERA

The main lines to be repeated by the Na’at Khwaan are as follows:

GHAUSE A’ZAM BAMANE BESARO SAAMAA(N) MADADE

QIBLAAE DEE(N) MADADE KAA’BAAEY IMAA(N) MADADE

1. WAAH KYA MARTABA AEY GHAUS HAI BAALA TERA
2. UNCHE, UNCHO KE SARO(N) SE, QADAM AALA TERA
GHAUSE A’ZAM BAMANE

3. SAR BHALA KYA KOI JAANE, KE HAI KAISA TERA
4. AULIA MALTE HAI AANKHEI(N), WOH HAI TALWA TERA
GHAUSE A’ZAM BAMANE

5. KYA DABE JIS PE HIMAAYAT KA HO PANJA TERA
6. SHER KO KHATRE MEI(N) LAATA NAHI(N) KUTTA TERA
GHAUSE A’ZAM BAMANE

7. TU HASANI, HUSSAINI, KYO(N) NA MUHYIDDIN HO
8. AEY, KHIZR MAJMAAEY BAHRAIN HAI CHASH’MAH TERA
GHAUSE A’ZAM BAMANE

9. QASME DE, DE KE KHILAATA HAI, PILAATA HAI TUJHE
10. PYAARA ALLAH TERA CHAAHNE WAALA TERA
GHAUSE A’ZAM BAMANE

11. MUSTAFA KE TANE BESAAYE KA SAAYAAH DEKHA
12. JIS NE DEKHA MERI JAAN, JALWAAEY ZAIBA TERA
GHAUSE A’ZAM BAMANE

13. KYO(N) NA QASIM HO KE TU IBNE ABUL QASIM HAI
14. KYO(N) QADIR HO KE MUKHTAAR HAI BAABA TERA
GHAUSE A’ZAM BAMANE

15. NABAWI MEI(N) ALAWI FASL, BATOOLI GULSHAN
16. HASANI PHOOL, HUSSAINI HAI MAHEKNA TERA
GHAUSE A’ZAM BAMANE

17. TUJH SE DAR, DAR SE SAG, AUR SAG SE MUJH KO NISBAT
18. MERI GARDAN MEI(N) BHI HAI, DUR KA DAURAA(N) TERA
GHAUSE A’ZAM BAMANE

19. IS NISHAANI KE JO SAG HAI(N), NAHI(N) MAARE JAATE
20. HASHR TAK MERE GALE MEI(N) RAHE PATTA TERA
GHAUSE A’ZAM BAMANE

21. MERI QISMAT QASAM KHAAEY SAGAANE BAGHDAAD
22. BARTAANIYA MEI(N) BHI HU(N) TO DETA RAHU(N) PEHRA TERA
GHAUSE A’ZAM BAMANE

23. "WARAFA’ANA LAKA ZIKREKA" KA HAI SAAYAAH TUJH PAR
24. BOL BAALA HAI TERA, ZIKR HAI UNCHA TERA
GHAUSE A’ZAM BAMANE

25. BAD SAHI, CHOR SAHI, MUJRIME NAKAARA SAHI
26. AEY WOH KAISA HI SAHI, HAI TO KARIMA TERA
GHAUSE A’ZAM BAMANE

27. FAKHRE AAQA MEI(N) RAZA AUR BHI EK NAZM RAFI
28. CHAL LIKHA LAAEY SANA KHWAANO MEI(N) CHEHRA TERA
GHAUSE A’ZAM BAMANE

Author: JANAAB MAULANA AHMAD RAZA KHAN BARELVI

Meanings:

Main Line 1: BE SARO SAAMAA(N) = Unprovided, helplessness

Line 5: HIMAYAT = Favour

Line 6: KYO(N) KI MUJH PE AAP KI HIMAAYAT KA PANJA HAI, MAY(N) BARE, BARE SHER KO
BHI NIPAT LETA HU(N)

Line 8: CHASH’MAH = Fountain Head; SAARE SAMANDARO(N) KA MAJMA, AAP
KE CHASH’ME SE NIKALTA HAI(N). Here the word CHASH’MAH implies that in the world of
Auliya Allah, you are the fountain head of all the Faiz.

Line 11: AAP NE HAZOOR (SAW) KE SAAYE MEI(N) WAQT GUZAARA,
JIN KA SAAYAAH HI NAHI(N) HAI

Line 12: ZAIBA = KHOOBSOORAT

Line 13: You are a QASIM (meaning NE’AMATEI(N) BAANT NE WAALA), since you are the son of a
QASIM.
Line 14: MUKHTAAR = Reference is made to H. MUHAMMAD (SAW) JIN KO ALLAH
TA’ALA NE BAANT NE KA IKHTYAAR DIYA HAI

Line 15: Apart from Hazoor SAW’s relationship, you have a direct lineage from both H. Ali (RA = ALAWI)
and H. Bibi Fatimah (RA = BATOOLI).

Line 17: SAG = KUTTA

Line 23: Reference is made to the Aayaat 4; in Surah "ALAM NASHRAH" of the Holy
Qur’an."WARAFA’ANA LAKA ZIKREKA". "And raised high the esteem in which thou art held ".
This Surah gave a message of hope and encouragement to the Holy Prophet Muhammad
(SAW) in the time of difficulty. The Prophet (SAW)’s virtues, magnanimity of his character and
his love for mankind were fully recognised, even in his life time and his name stands
untarnished and highest amongst the heroic leaders of mankind.

 

3. TAJALLI-AEY NOORE FIDAM GHAUSE A’ZAM

The main lines to be repeated by the Na’at Khwaan are as follows:


TAJALLI-AEY NOORE FIDAM GHAUSE A’ZAM

ZIYAAEY SIRAAJO ZULM GHAUSE A’ZAM

1. KHABAR LO HAMAARI KE HAM HAI(N) TUMHAARE
2. KARO HAM PE FAZLO KARAM GHAUSE A’ZAM
TAJALLI-AEY

3. TERE HOTE HAM PAR SITAM DHAAE DUSHMAN
4. SITAM HAI, SITAM HAI, SITAM GHAUSE A’ZAM
TAJALLI-AEY

5. WOH IK WAAR KA BHI NA HOGA TUMHAARE
6. KAHAA(N) HAI MUKHAALIF MEI(N) DAM GHAUSE A’ZAM
TAJALLI-AEY

7. NA PALLA HAI HALKA HAMAARA NA HAM HO(N)
8. NA BIGRE HAMAARA BHARAM GHAUSE A’ZAM
TAJALLI-AEY

9. KHUDAARA AB AAO KE DAM HAI LABO(N) PAR
10. KARO HAM PE YAASIN, FIDAM GHAUSE A’ZAM
TAJALLI-AEY

11. TUMHAARE KARAM KA HAI NOORI BHI PYAASA
12. MILE YAM SE US KO BHI NAM FIDAM GHAUSE A’ZAM
TAJALLI-AEY

Author: JANAAB NOORI

Meanings:
Line 3: DHAAE = KARE

Line 9: DAM = As the time death approaches

Line 10: FIDAM = FIDA / QURBAAN HONA

Line 12: YAM = PAANI KA KOO(N)WA

Line 12: NAM = As in NAMI; YAANI JIS TARAAH PAANI PINE KE BAAD SUKUN AA
JAATA HAI. The meaning is that, "Ya, H. Ghaus Paak, you are a never ending well /
fountain of knowledge, wisdom, wealth, etc. Being closer to Allah than us, implore Allah, so
that by your Duas, he may grant us some of this wealth and also attain a peace of mind.

 

4. SARKAARE GHAUSE A’ZAM, NAZARE KARAM KHUDAARA

The main lines to be repeated by the Na’at Khwaan are as follows:

SARKAARE GHAUSE A’ZAM, NAZARE KARAM KHUDAARA

MERA KHAALI KAA’SAH BHAR DO, MAY(N) FAQIR HU(N) TUMHAARA

1. MAULA ALI KA SAD’QAH, GANGE SHAKAR KA SAD’QAH
2. MERI LAAJ RAKHNA MIRA, MAY(N) FAQIR HU(N) TUMHAARA
SARKAARE GHAUSE A’ZAM

3. MIRA BANE HAI(N) DULHA, SHAADI RACHI HUI HAI
4. SAB AULIYA BARAATI, KYA KHOOB HAI NAZAARA
SARKAARE GHAUSE A’ZAM

5. JHOLI KO MERI BHARDO, WARNA KAHEGI DUNIYA
6. GHAUSE JHALI KA MANGTA, PHIRTA HAI MAARA, MAARA
SARKAARE GHAUSE A’ZAM

7. DUNIYA MEI(N) SAB KA KOI, KOI TO AASRA HAI
8. MERA BAJUZ TUMHAARE, KOI NAHI(N) SAHAARA
SARKAARE GHAUSE A’ZAM

9. YEH ADAAEY DASTGIRI, KOI MERE DIL SE PUCHE
10. WAHI(N) AA GAYE MADAD KO, MAYNE JAHAA(N) PUKAARA
SARKAARE GHAUSE A’ZAM


11. YEH TERA KARAM HAI MIRA, JO BULA LIYA HAI DAR PAR
12. KAHAA(N) ROSIYAAH YEH MANGTA, KAHAA(N) AASTAA(N) TUMHAARA
SARKAARE GHAUSE A’ZAM

Meanings:
Line 6: JHALI = BARE GHAUS
Line 8: BAJUZ = BAGHAIR

Line 12:ROSIYAAH = KAALA CHEHRA WAALA

5. PIRAANE PIR KA

The main lines to be repeated by the Na’at Khwaan are as follows:

UNCHA JAHAA(N) MEI(N) NAAM HAI, PIRAANE PIR KA

BIGRI BANAANA KAAM HAI, PIRAANE PIR KA

1. AFZAL HAI JAISE NABIYO(N) MEI(N), PYAARE MUSTAFA
2. WALIYO(N) MEI(N) WOH MAQAAM HAI, PIRAANE PIR KA
UNCHA JAHAA(N) MEI(N)

3. USKI GHULAAM BAN GAYI, HAR SHAY JAHAA(N) KI
4. JO BHI HUA GHULAAM HAI, PIRAANE PIR KA
UNCHA JAHAA(N) MEI(N)

5. MUNKIR NAKIR CHAL DIYE, YEH KEH KE QABR SE
6. SONE DO YEH GHULAAM HAI, PIRAANE PIR KA
UNCHA JAHAA(N) MEI(N)

7. MAY(N) QADIRI HU(N) SHUKR HAI, RABBE QADIR KA
8. DAAMAN HAI MERE HAATH MEI(N), PIRAANE PIR KA
UNCHA JAHAA(N) MEI(N)

 

6. ASIRO(N) KE MUSHKIL KUSHA, GHAUSE A’ZAM

1. ASIRO(N) KE MUSHKIL KUSHA, GHAUSE A’ZAM
2. FAQIRO(N) KE HAAJAT RAWA, GHAUSE A’ZAM
3. GHIRA HAI BALAAO(N) MEI(N), BANDA TUMHAARA
4. TERE HAATH MEI(N) HAATH, MAYNE DIYA HAI
5. TERE HAATH HAI LAAJ, YA GHAUSE A’ZAM
6. MURIDO(N) KO KHATRA NAHI(N), BEHRE GHAM SE
7. KE BERE KE HAI(N) NAAKHUDA GHAUSE A’ZAM
8. TUMHI DUKH SUNO APNE AAFAT ZADO(N) KA
9. TUMHI DARD KI DO, DAWA GHAUSE A’ZAM
10. BHANVAR MEI(N) PHA(N)SA HAI, HAMAARA SAFINA
11. BACHA GHAUSE A’ZAM, BACHA GHAUSE A’ZAM
12. ZAMAANE KE DUKH DARD KI RANJO GHAM KI
13. TERE HAATH MEI(N) HAI, DAWA GHAUSE A’ZAM
14. PHA(N)SA HAI TABAAHI MEI(N), BERA HAMAARA
15. SAHAARA LAGA DO, ZARA GHAUSE A’ZAM
16. MASHAAIKH JAHAA(N) AAEI(N), BEHRE GADAAI
17. WOH HAI TERI DAULATSARA, GHAUSE A’ZAM
18. MERI MUSHKILO(N) KO BHI AASAAN KIJIYE
19. KE HAI(N) AAP MUSHKIL KUSHA, GHAUSE A’ZAM
20. WAHAA(N) SAR JHUKAATE HAI(N), SAB UNCHE, UNCHE
21. JAHAA(N) HAI TERA NAQSHE PAA, GHAUSE A’ZAM
22. KAHE KIS SE JAAKAR, HASAN APNE DIL KI
23. SUNE KAUN TERE SIWA, GHAUSE A’ZAM


Author: JANAAB HASAN

Meanings:
Line 1: ASIRO(N) = QAIDIO(N)

Line 7: NAAKHUDA = KASHTI KO CHALAANE WAALA. (Guider of my Taqdir, Qismat, Nasib, Destiny – BERA)

Line 16: BEHRE GADAAI = MAANG NE KE LIYE AAEI(N)

 

 

8. KOSHISH NA KARNA

The main lines to be repeated by the Na’at Khwaan are as follows:

DARE GHAUS KA GAR TU, SAA-IL BANA HAI
QADAM KO HATA NE KI, KOSHISH NA KARNA
MILEGI BEMAANGE, TAMANNAAEI(N) DIL KI
ZUBAA(N) TAK HILA NE KI, KOSHISH NA KARNA


1. WOH DEI(N)GE YAQINAN, TUJHE AASRA BHI
2. MILEGA WAHI(N) SE, TUJHE MUD-DA-AA BHI
3. SAKHI GHAUSE A’ZAM KA, DAR CHOD KAR TU
4. KAHI(N) AUR JAANE KI, KOSHISH NA KARNA
DARE GHAUS KA GAR TU

5. JO BAGHDAAD LE JAAEY, TUJH KO NASIBA
6. LAGA DENA DERA, WAHI(N) PAR GHARIBAA
7. WAHAA(N) MAR KE BHI UN KE, QADMO(N) SE KEHNA
8. YAHAA(N) LAUT AANE KI, KOSHISH NA KARNA
DARE GHAUS KA GAR TU


9. LAHAD MEI(N) BHI UN KA, GADA HU(N) FARISHTO
10. MURIDAANE GHAUSUL WARA HU(N) FARISHTO
11. MAY(N) YA GHAUS KEH KAR, BULA LUNGA DEKHO
12. MUJHE TUM DARA NE KI, KOSHISH NA KARNA
DARE GHAUS KA GAR TU


13. KAHI(N) PHOOLA, PHALA, YEH GULSHAN NA UJRE
14. TERE HAATH SE UN KA, DAAMAN NA CHUTE
15. ZAMAANE KI FIKR SE, IMAAN APNA
16. KAHI(N) DAGMAGA NE KI, KOSHISH NA KARNA
DARE GHAUS KA GAR TU


17. MAY(N) EHQAR HU(N) KYA, KHUSH NASIBI HAI PAAI
18. MILI GHAUS KE DAR KI, MUJH KO GADAAI
19. CHAMAKTA HU(N) MAY(N) CHAAND, BAN KAR MUKHAALIF
20. YAHAA(N) JAGMAGA NE KI, KOSHISH NA KARNA
DARE GHAUS KA GAR TU

Meanings:
Line 2: MUD-DA-AA = MAQSAD; AAP JO CHIZ CHAAHTE HAI(N)

Line 17: EHQAR = CHOTA

 

 

9. TU HAI WOH GHAUS KE, HAR GHAUS HAI SHAIDA TERA

1. TU HAI WOH GHAUS KE, HAR GHAUS HAI SHAIDA TERA
2. TU HAI WOH GHAUS KE, HAR GHAUS HAI PYAARA TERA
3. JO WALI QABL THE, YA BAAD HUEY, YA HO(N)GE
4. SAB ADAB RAKHTE HAI(N), DIL MEI(N) MERE AAQA TERA
5. SAARE AQTAAB JAHAA(N) KARTE HAI(N), KA’ABE KA TAWAAF
6. KA’ABAH KARTA HAI TAWAAFE DAREWAALA TERA
7. AUR PARWAANE HAI(N) JO HOTE HAI(N) KA’ABE PE NISAAR
8. SHA’MA’ EK TU HAI KE, PARWAANA HAI KA’ABAH TERA
9. TU HAI NAUSHAH, BAARAAT HAI YEH SAARA GULZAAR
10. LAAI HAI FASL SAMA GOONDH KE SEHRA TERA
11. DAALIYAA(N) JHOOMTI HAI(N), RAQSE KHUSHI JOSH PE HAI
12. BULBULE JHOOLTI HAI(N), GAATI HAI(N) SEHRA TERA
13. MAZHAARAAEI(N), CHISHTO, BUKHAARAAO, IRAAQO, AJMER
14. KAUNSI QIST PE, BARSA NAHI(N) JHAALA TERA
15. SUKKE JOSHAM JO HAI(N), WOH TUJHE KYA JAANEI(N)
16. KHIZR KE HOSH SE PUCHE KOI RUTBA TERA
17. DILE ADA KO RAZA TEZ NAMAK KI DHUN HAI
18. EK ZARA AUR CHIRAKTA RAHE KHAAMAH TERA


Meanings:

Line 6: DAREWAALA = AAP KA DARVAAZAAH. In the outward world, where as,
we are busy performing the Tawaaf of Ka’abah, in the world of the Ghaib (unseen), the
Ka’abah is busy doing the Tawaaf of your holy court yard.

Line 9: GULZAAR = BAAGH

Line 10: CHAMAN KI SAARI CHIZO(N) SE AAP KA SEHRA BAN KE AAYA HAI
Line 13: MAZHAARAAEI(N) = MAZHAARAAT

Line 18: KHAAMAH = QALAM; AISE HI LIKHTA RAHE

 

10. RASOOLALLAH KA JALWA HAI, JALWA GHAUS-UL A’ZAM KA

1. RASOOLALLAH KA JALWA HAI, JALWA GHAUS-UL A’ZAM KA
2. AJAB PYAARA, AJAB AALA HAI, NAQSHA GHAUS-UL A’ZAM KA
3. FARISHTEY RAUKTE HAI(N) KYO(N), MUJHE JANNAT MEI(N) JAANE DO
4. YEH DEKHO HAATH MEI(N), DAAMAN HAI KIS KA, GHAUS-UL A’ZAM KA
5. MERI PHOOTI HUI TAQDIR KI, QISMAT HI CHAMAK JAAEY
6. BANAAEY MUJH KO SAG APNA, JO KUTTA GHAUS-UL A’ZAM KA
7. AZIZO KAR CHUKO TAYYAAR, JAB MERE JANAAZEY KO
8. TO LIKH DENA KAFAN PAR, NAAM LEVA GHAUS-UL A’ZAM KA
9. JAB LAHAD MEI(N) FARISHTEY MUJH SE PUCHEI(N), TO KEH DUNGA
10. TARIQE QAADRI HU(N), NAAM LEVA GHAUS-UL A’ZAM KA
11. THIKAANA US KE NICHE, YA KHUDA, MIL JAAEI(N) HAM KO BHI
12. KHADA HO HASHR MEI(N) JIS WAQT, JHANDA GHAUS-UL A’ZAM KA
13. KHUDA KE FAZAL SE HAM PAR HAI, SAAYAAH GHAUS-UL A’ZAM KA
14. HAME DONO(N) JAHAA(N) MEI(N) HAI, SAHAARA GHAUS-UL A’ZAM KA
15. GHAUS-UL A’ZAM DULHA AUR BARAATI AULIYA HO(N)GE
16. MAZA DIKHLAAEGA MEHSHAR MEI(N), SEHRA GHAUS-UL A’ZAM KA
17. HAMAARI LAAJ KIS KE HAATH MEI(N), BAGHDAAD WAALE KE
18. MUSIBAT TAAL DENA KAAM KIS KA, GHAUS-UL A’ZAM KA
19. KHUDAAVANDA, DUA MAQBOOL KAR, HAM ROSIYAAHO(N) KI
20. GUNAAHO(N) KO HAMAARE BAKHSH, SAD’QAH GHAUS-UL A’ZAM KA


 

 

11. PIR MERE BAGHDAADI GHAUSUL ANAAM

The main lines to be repeated by the Na’at Khwaan are as follows:

PIR MERE BAGHDAADI GHAUSUL ANAAM

WOH HAI MERE AAQA, MAY(N) UN KA GHULAAM

1. CHAHITE KHUDA AUR RASOOLE ZAMAN KE
2. HAQIQAT MEI(N) HAI LAADLE PANJATAN KE
3. HAI KUL AULIYA KE WAHI TO IMAAM
PIR MERE BAGHDAADI

4. BADI SHAAN WAALE MERE GHAUSUL A’ZAM
5. CHIRAAGHE VILAAYAT, WALIYE MUKARRAM
6. KARAAMAT KI SHOHRAT ZAMAANE MEI(N) AAM
PIR MERE BAGHDAADI

7. BAAT AISI WALIYO(N) MEI(N), NAHI(N) HAI KISI KI
8. BULAND AISI HAI GHAUSUL A’ZAM KI HASTI
9. HAR SIMAT MACHI HAI, UNHI KI DHOOM-DHAAM
PIR MERE BAGHDAADI

10. GHAUS KE HI KE KAANDHE PAR QADAM HAI NABI KE
11. QADAM GHAUS KE, KAANDHE PAR HAR WALI KE
12. YEH HAI UN KA RUTBA, YEH AALA MAQAAM
PIR MERE BAGHDAADI

13. QAADRI MAIKHAANA AUR GHAUS MERE SAAQI
14. KAISE RAHEGI PHIR MERI ROOH PYAASI
15. MA’ARIFAT KA MUJH KO WOHI DEI(N) JAAM
PIR MERE BAGHDAADI

16. DIL SE UNHE EK BAAR, JIS NE PUKAARA
17. US KO MILA ALLAH KE, KARAM KA SAHAARA
18. SAB PE TAJALLI HAI YEHI SUBHO SHAAM
PIR MERE BAGHDAADI

 

 

12. PIRAANE PIR, MERI BIGRI BANAAO

The main lines to be repeated by the Na’at Khwaan are as follows:

PIRAANE PIR, MERI BIGRI BANAAO

ROSHAN ZAMIR, MERI BIGRI BANAAO

1. ABDE QADIR HO TUM, DASTAGIR HO
2. WALIYO(N) KE BAADSHAAH, PIRAANE PIR HO
3. WASF BAYAA(N) HO, KYA ROSHAN ZAMIR HO
4. AEY DILBAR NABI KE, MERE SARKAAR AAO
PIRAANE PIR MERI

5. AAYA HAI DAR PE, JO BHI SAWAALI
6. MAANGE BINA AAQA HASRAT NIKAALI
7. KHAALI NA LAUTA, DAR KA SAWAALI
8. AEY BHATKE HUWO(N) KO, AAQA RABB SE MILAAO
PIRAANE PIR MERI

9. IBNE SAKHI, MERA BHAR DENA KAA’SAH
10. BHAR DENA KAA’SAH, KAB SE HU(N) PYAASA
11. RUKH SE HATAAO(N) GHAUS, PARDAAH ZARA SA
12. AEY MAN KE AMIR, MERE SAPNO(N) MEI(N) AAO
PIRAANE PIR MERI

13. REHMAT KE AAB WAALE, BHAR DO GAGARIYA
14. BHAR DO GAGARIYA, KAR DO NAZARIYA
15. WAHEDAT KE RANG WAALE, RANG DO CHUNARIYA
16. AEY JAAM PILA KE, HAME MAST BANAAO
PIRAANE PIR MERI

17. HAATH UTHA KE PIR BEDE TIRAAYE
18. NAZAR JO DAAL DI, MURDE JILAAEY
19. KAR KE ISHAARA, KAAM BIGRE BANAAEI(N)
20. AEY HAM BHI HAI(N) MUNTAZIR, HO(N)TH HILAAO
PIRAANE PIR MERI

21. JAB TAK HAI SAANS, TUJH SE AAS NA TUTE
22. JITEJI MUJH SE, TERI CHOKHAT NA CHUTE
23. YEH JAAN JAAEY, CHAAHEY DUNIYA BHI CHUTE
24. AEY KAR DO KARAM, MERI AAS BANDHAAO
PIRAANE PIR MERI

25. AASI HAI AAKHIR, CHAAKAR TUMHAARA
26. THAAM LIYA HAI AAQA, DAAMAN TUMHAARA
27. TUMHI WASILA AAQA, TUMHI SAHAARA
28. AEY MAN MEI(N) SAMAAO, KALI DIL KI KHILAAO
PIRAANE PIR MERI

 

1. ASSALAAM AEY GHAUSE A’ZAM

The main lines to be repeated by the Na’at Khwaan are as follows:

ASSALAAM AEY GHAUSE A’ZAM ASSALAAM

ASSALAAM AEY QUTBE AA’LAM ASSALAAM

1. ASSALAAM AEY TAAJDAARE AULIA, AS SALAAM AEY PESHWAAEY ATQIYA
2. ASSALAAM AEY REHNUMAAEY ASFIYA, ASSALAAM AEY RAHBARE RAAHE HUDA
ASSALAAM AEY

3. ASSALAAM AEY IBNE SULTAANE UMAM, ASSALAAM AEY SAAHEBE JAHO HASHAM
4. ASSALAAM AEY PARTAVE HUSNE QADAM, AS SALAAM AEY NOORE KHURSHIDE KARAM
ASSALAAM AEY

5. WAAQAI, MEHBOOBE SUBHAANI HO TUM, FIL HAQIQAT QUTBE RABBAANI HO TUM
6. AARIFE HAQQ, SHAM-AEY IRFAANI HO TUM, MASH’AALEY TANVIRE YAZDAANI HO TUM
ASSALAAM AEY

7. AAP HAI(N) GHAUSUL VARA, GHASUL ANAAM, AAP SAARE AULIYA KE HAI(N) IMAAM
8. RONAQE DEENEY MUHAMMAD, LA KALAAM, AAP SE QAIM HAI(N), DUNIYA MEI(N) MUDAAM
ASSALAAM AEY

9. TUM HO WALIYO(N) KE WALI, PIRO(N) KE PIR, SAYYAD-US-SAA’DAAT HO, MIRO(N) KE MIR
10. TUM HO APNE KHAADIMO(N) KE DASTAGIR, KYO(N) RAHE MEHRUM PHIR HAM
ASSALAAM AEY

Meanings:

Line 1: PESHWAA = IMAAM; ATQIYA = MUTTAQI LOG

Line 3: IBNE SULTAANE UMAM = UMMAT KE SULTAAN KI AULAAD

Line 3: SAAHEBE JAHO HASHAM = US HAZRAT KE BETE HO, JINKE QABZE MEI(N) HAR

KISM KI DAULAT HAI

Line 4: PARTAVE = Reflection, splendour, influence

Line 4: HUSNE QADAM = AAP KE KHOOBSOORAT QADMO(N) KE SAD’QE

Line 4: KHURSHIDE KARAM = KARAM KA SURAJ
Line 6: AARIFE HAQQ = HAQQ KI MA’ARIFAT JAAN NE WAALE

Line 6: SHAM-AEY IRFAANI = AAP MA’ARIFAT KI SHA’MA’ HAI

Line 6: MASH’AALEY = Torch Bearer

Line 6: TANVIRE YAZDAANI = AAP ALLAH KE NOOR KI ROSHANI HAI(N)

Line 7: VARA / ANAAM = ZAMAANE KE

Line 8: LA KALAAM = No dispute on this matter

Line 8: MUDAAM = HAMESHAAH

Line 9: SAA’DAAT = Plural of SAYYAD, meaning AAP SAYYADO(N) KE

SAYYAD HAI

Line 9: MIR = AMIR

 

74. MANQABAT DEDICATED TO KHAWAJA GHARIB NAWAAZ,
    HAZRAT MOINUDDIN CHISHTI — AJMERI (RA)
1. TERI CHOKHAT PE JABI(N) JIS NE JHUKAAI KHAWAJA

1. TERI CHOKHAT PE JABI(N) JIS NE JHUKAAI KHAWAJA
2. SAAKHE UMMID WAHI(N) USKI BANDHAAI KHAWAJA
3. USKI QISMAT PE NA KYO(N) NAAZ KARE YEH DUNIYA
4. JIS KO MIL JAAEY TERE DAR KI GADAAI KHAWAJA
5. DIN JO KAT JAAEY TO KATE NAHI(N) KAT TI RAATEI(N)
6. AB NAHI(N) DIL KO GAWAARA YEH JUDAAI KHAWAJA
7. KAUN SUNTA THA YAHAA(N), TERE KARAM SE PEHLE
8. TU JO AAYA TO GHARIBO(N) KI BANAAI KHAWAJA
9. APNI THOKAR KA SHARAF, JIS KO BHI BAKHSA TUNE
10. US NE THOKAR KABHI DUNIYA MEI(N) NA KHAAI KHAWAJA
11. MUSTAFA HO(N), KE ALI HO(N), KE HO(N) GHAUS-UL A’ZAM
12. SAB KE DARBAAR MEI(N) HAI(N), TERI RASAAI KHAWAJA
13. JISM KYA CHIZ, DILO(N) PAR HAI HUKUMAT TERI
14. JIS TARAF TU HAI, UDHAR SAARI KHUDAAI KHAWAJA
15. MULK DAR MULK, TERE FAIZ KA CHARCHA PAAYA
16. OOF! TERE DASTE KARAM KI YEH RASAAI KHAWAJA
17. JAANO DIL APNE HATHELI PE LIYE PHIRTE HAI(N)
18. JIS KO DEKHO, HAI TERE DAR KA FIDAAI KHAWAJA
19. YEH SAMA AUR SAMA’AT, YEH RANGIN MANZAR
20. TARZ KYA KHOOB IBAADAT KI BANAAI KHAWAJA
21. NAQSH HAR EK NAZAR DIL SE DOEE KA MITJAAEY
22. IS TARAAH QALB KI HO JAAEY SAFAAI, KHAWAJA


Meanings:

Line 12: RASAAI = PAHO(N)CH

Line 21: NAQSH = Signs DOEE = DUSRO(N) KA

2. KHAWAJA TERE ROZE MEI(N), KAA’BAH NAZAR AATA HAI

1. KHAWAJA TERE ROZE MEI(N), KAA’BAH NAZAR AATA HAI
2. SAA-IL KO YAHAA(N) HAR DAM, DAATA NAZAR AATA HAI
3. AJMER KI GALIYO(N) MEI(N), TAI’BAH KA NAZAARA HAI
4. JIS WAQT NAZAR KIJE, BATOHA NAZAR AATA HAI
5. KYA SHAAN NIRAALI HAI, SAKHIO(N) MEI(N) TERI KHAWAJA
6. KHUD MAANG NE WAALO(N) MEI(N), RAAJAH NAZAR AATA HAI
7. BESHAK DARE KHAWAJA SE, KOI NA GAYA KHAALI
8. JHOLI BHARE SAA-IL BHI, AALA NAZAR AATA HAI
9. DARBAARE KHAWAJA MEI(N), PAHO(N)CHA HAI ADAB SE JO
10. ADNA BHI AGAR HO TO, AALA NAZAR AATA HAI
11. NAZAARAAEI(N) GHUMBAD, JO AANKHO(N) MEI(N) SAMAAYA HAI
12. GOYA MUJHE, FIRDAUSE AALA NAZAR AATA HAI
13. AANKHO(N) NE MUHIB KO JO DEKHA HAI, KAHEI(N) KAISE
14. KHAWAJA TERI SOORAT MEI(N), MAULA NAZAR AATA HAI



Meaning:

Line 12: GOYA = YAANI MAY(N) YEH KEHTA HU(N)

 

3. TASVIRE MUHAMMAD HAI, CHEHRA MERE KHAWAJA KA

1. TASVIRE MUHAMMAD HAI, CHEHRA MERE KHAWAJA KA
2. KAA’BAH HAI FAQIRO(N) KA, ROZA MERE KHAWAJA KA
3. NAZARO(N) MEI(N) NAHI(N) AATI, KONEIN KI SULTAANI
4. SHAAHO(N) SE BHI AFZAL HAI, MANGTA MERE KHAWAJA KA
5. SHAADI MERE KHAWAJA KI, KYA SHAAN NIRAALI HAI
6. AAYA HAI MADINEY SE, SEHRA MERE KHAWAJA KA
7. JIS KO YAQI(N) NA AAEY, AJMER CHALA JAAEY
8. BAT’TA HAI WAHAA(N) GHAR, GHAR, SAD’QAH MERE KHAWAJA KA
9. DEKHO TO SAKHAAWAT MEI(N), KYA SHAAN HAI KHAWAJA KI
10. KHAATE HAI(N) SHAHENSHAAH BHI, TUKRA MERE KHAWAJA KA
11. JANNAT KE NAZAARO(N) KE KHAATIR MAY(N) KYA LAAU(N)
12. NAZARO(N) MEI(N) SAMAAYA HAI, ROZA MERE KHAWAJA KA
12. KAA’BE KI TARAF ZAHID, MAY(N) KAISE PALAT AAU(N)
13. SAYYAD NE BATAAYA HAI, RASTA MERE KHAWAJA KA


4. SUNA NE APNI BARBAADI KE AFSAANE KAHAA(N) JAATE

1. SUNA NE APNI BARBAADI KE, AFSAANE KAHAA(N) JAATE
2. TERA DAR CHOR KAR KHAWAJA, YEH DIWAANE KAHAA(N) JAATE
3. HAMESHAAH BHIKH HAM NE TO, ISI CHOKHAT SE PAAI HAI
4. HAM APNA DAAMANE UMMID, PHAILAANE KAHAA(N) JAATE
5. TUMHAARE SAR PE KHAWAJA, TAAJ HAI MUSHKIL KUSHAAI KA
6. HAM APNI ULJHANEI(N) AURO(N) MEI(N), SULJHAANE KAHAA(N) JAATE
7. JABINO(N) PAR NA HOTA NAQSH GAR IS AASTAANE KA
8. GHULAAMAANE MOIN MEHSHAR MEI(N), PEHCHAANE KAHAA(N) JAATE
9. DARE KHAWAJA PE BIGRI QISMATEI(N) BANTI HAI(N), AEY URSI
10. HAM APNI LOHE PESHAANI, BADALWAANE KAHAA(N) JAATE

Author: JANAAB URSI

 

5. SANAAEY MUSTAFA KE GEET GAAEY, ROZE KHAWAJA PAR